Top 100 Ansel Adams Quotes (2024 Update)
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51. “My last word s that it all depends on what you visualize.”

— Ansel Adams

52. “Photography, as a powerful medium of expression and communications, offers an infinite variety of perception, interpretation and execution.”

— Ansel Adams

53. “It is all very beautiful and magical here – a quality which cannot be described. You have to live it and breathe it, let the sun bake into you.”

— Ansel Adams

54. “Knowing what I know now, any photographer worth his salt could make some beautiful things with pinhole cameras.”

— Ansel Adams

55. “The quality of place, the reaction to immediate contact with earth and growing things that have a fugal relationship with mountains and sky, is essential to the integrity of our existence on this planet.”

— Ansel Adams

56. “All art is a vision penetrating the illusions of reality, and photography is one form of this vision and revelation.”

— Ansel Adams

57. “A photograph is not an accident – it is a concept.”

— Ansel Adams

58. “I can’t verbalize the internal meaning of pictures whatsoever. Some of my friends can at very mystical levels, but I prefer to say that, if I feel something strongly, I would make a photograph, that would be the equivalent of what I saw and felt.”

— Ansel Adams

59. “Art is both the taking and giving of beauty, the turning out to the light of the inner folds of the awareness of the spirit.”

— Ansel Adams

60. “The ‘machine-gun’ approach to photography – by which many negatives are made with the hope that one will be good – is fatal to serious results.”

— Ansel Adams

61. “I believe the approach of the artist and the approach of the environmentalist are fairly close in that both are, to a rather impressive degree, concerned with the affirmation of life.”

— Ansel Adams

62. “If what I see in my mind excites me, there is a good chance it will make a good photograph.”

— Ansel Adams

63. “Image quality is not the product of a machine, but of the person who directs the machine, and there are no limits to imagination and expression.”

— Ansel Adams

64. “Impression is not enough. Design, style, technique – these, too, are not enough. Art must reach further than impression or self-revelation .”

— Ansel Adams

65. “I tried to keep both arts alive, but the camera won. I found that while the camera does not express the soul, perhaps a photograph can!”

— Ansel Adams

66. “To photograph truthfully and effectively is to see beneath the surfaces and record the qualities of nature and humanity which live or are latent in all things.”

— Ansel Adams

67. “It is all very beautiful and magical here – a quality which cannot be described. You have to live it and breathe it, let the sun bake it into you. The skies and land are so enormous, and the detail so precise and exquisite that wherever you are you are isolated in a glowing world between the macro and the micro, where everything is sidewise under you and over you, and the clocks stopped long ago.”

— Ansel Adams

68. “A photograph is usually looked at – seldom looked into.”

— Ansel Adams

69. “The technique of 35mm photography appears simple. One is beguiled by the quick viewing and operation, and by the very questionable inclination to make many pictures with the hope that some will be good.”

— Ansel Adams

70. “It is easy to take a photograph, but it is harder to make a masterpiece in photography than in any other art medium.”

— Ansel Adams

71. “We make images to “honor what is greater and more interesting than we are.””

— Ansel Adams

72. “I usually have an immediate recognition of the potential image, and I have found that too much concern about matters such as conventional composition may take the edge off the first inclusive reaction.”

— Ansel Adams

73. “The sheer ease with which we can produce a superficial image often leads to creative disaster.”

— Ansel Adams

74. “I believe in beauty. I believe in stones and water, air and soil, people and their future and their fate.”

— Ansel Adams

75. “The great rocks of Yosemite, expressing qualities of timeless yet intimate grandeur, are the most compelling formations of their kind. We should not casually pass them by, for they are the very heart of the earth speaking to us.”

— Ansel Adams

76. “We were in the shadow of the mountains, the light was cool and quiet and no wind was stirring. The aspen trunks were slightly greenish and the leaves were a vibrant yellow.”

— Ansel Adams

77. “The piano has eighty-eight keys, and you have to be able to play all of them. And the range of white to black is analogous to the eighty-eight keys and you have to be able to play all eighty-eight keys in that palette from white to black.”

— Ansel Adams

78. “Millions of men have lived to fight, build palaces and boundaries, shape destinies and societies; but the compelling force of all times has been the force of originality and creation profoundly affecting the roots of human spirit.”

— Ansel Adams

79. “The skies and land are so enormous, and the detail so precise and exquisite that wherever you are you are isolated in a glowing world between the macro and the micro.”

— Ansel Adams

80. “I knew my destiny when I first experienced Yosemite.”

— Ansel Adams

81. “In a strict sense photography can never be abstract, for the camera is incapable of synthetic integration.”

— Ansel Adams

82. “It is just as important to bring people the evidence of the beauty of the world of nature and of man as it is to give them a document of ugliness, squalor, and despair.”

— Ansel Adams

83. “Myths and creeds are heroic struggles to comprehend the truth in the world.”

— Ansel Adams

84. “I have often had a retrospective vision where everything in my past life seems to fall with significance into logical sequence.”

— Ansel Adams

85. “The only things in my life that compatibly exists with this grand universe are the creative works of the human spirit.”

— Ansel Adams

86. “It is my intention to present – through the medium of photography – intuitive observations of the natural world which may have meaning to the spectators.”

— Ansel Adams

87. “As the fisherman depends upon the rivers, lakes and seas and the farmer upon the land for his existence, so does mankind in general depend upon the beauty of the world about him for his spiritual and emotional existence.”

— Ansel Adams

88. “A photograph is not an accident – is a concept. It exists at, or before, the moment of exposure of the negative.”

— Ansel Adams

89. “The craft of photography is the key to good images.”

— Ansel Adams

90. “Every experience is a form of exploration.”

— Ansel Adams

91. “I expect to retire to a fine-grained heaven where the temperatures are always consistent, where the images slide before one’s eyes in a continual cascade of form and meaning.”

— Ansel Adams

92. “I don’t know anybody who needs a critic to find out what art is.”

— Ansel Adams

93. “Both the grand and the intimate aspects of nature can be revealed in the expressive photograph. Both can stir enduring affirmations and discoveries, and can surely help the spectator in his search for identification with the vast world of natural beauty and wonder surrounding him.”

— Ansel Adams

94. “I am always surprised when I see several cameras, a gaggle on lenses, filters, meters, et cetera, rattling around in a soft bag with a complement of refuse and dust. Sometimes the professional is the worst offender!”

— Ansel Adams

95. “We must remember that a photograph can hold just as much as we put into it, and no one has ever approached the full possibilities of the medium.”

— Ansel Adams

96. “My wife – she could help me get the negs out!”

— Ansel Adams

97. “With all art expression, when something is seen, it is a vivid experience, sudden, compelling, and inevitable.”

— Ansel Adams

98. “I am probably afraid that some spectator will not understand my photography – therefore I proceed to make it really less understandable by writing defensibly about it.”

— Ansel Adams

99. “I’m interested in something which is built up from within, rather than just extracted from without.”

— Ansel Adams

100. “We who are gathered here may represent a particular delete, not of money and power, but of concern for the earth for the earth’s sake.”

— Ansel Adams