Top 100 Callie Hart Quotes (2024 Update)
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51. “There isn’t a man alive on this planet that can come close to being anywhere near as sexy, thrilling, scary, alluring, or terrifying as him, all in one go.”

— Callie Hart

52. “Anyone would think you needed me,” he says in a low, silky tone. I have shivers again. All over my body. “I don’t!” “Well I need you.”

— Callie Hart

53. “And I love you, angry girl. I really do.”

— Callie Hart

54. “You’re not real,” he told me, curling a piece of my hair around his index finger. “How can you be?” “I’m pretty sure I am,” I said breathlessly. “Then why do I constantly feel like I’m underwater when I’m with you? Dreaming? Imagining every second?”

— Callie Hart

55. “Hey, bluebird,” he whispers. “I’ve been dreaming about you.”

— Callie Hart

56. “Mmmmm. Bubblegum and Sloane. Best combination,” he purrs.”

— Callie Hart

57. “Just let go. Stop fighting. Stop working so hard to hate me. Hating me feels safe, I know, but loving me would be so much better. How can anything terrible come from something so beautiful? The way I love you feels beautiful to me, bluebird. It doesn’t make me scared. It doesn’t make me angry, or make me feel cheated. Loving you is just part of what makes me who I am. I knew that the moment I met you, and you did, too.”

— Callie Hart

58. “The Widow Makers say I’m stone-cold, Soph. They say I’m made of ice. When the rest of the club meets you, I’m pretty sure they’re gonna say you’re made of fire.”

— Callie Hart

59. “I will not be the one to wreck Elodie. She’ll be the one to wreck me.”

— Callie Hart

60. “You think I’m right out of a horror film, don’t you?” “Well this is hardly a fairy tale, is it?” “It could be. If you let it.”

— Callie Hart

61. “He closes his eyes, and I feel it then, stronger than before. I want to do something crazy. I want to comfort him. I want to help him. I want to be closer to him.”

— Callie Hart

62. “I’d had to fight for everything in my life, and I didn’t regret that for a moment. The fight had shown me how strong I was. It had shown me the true value of happiness, and it had shown me the lengths I was willing to go to in order to protect it.”

— Callie Hart

63. “You are going to be mine, Elodie Stillwater. Of all my sins and misdeeds, making you fall in love with me will be the very worst of them all.”

— Callie Hart

64. “The present and the future can’t change the past,” he whispers. “But the passing of time makes the pain at our backs less severe. All we have to do is face forward and look into the light.”

— Callie Hart

65. “This time I’m actually holding her, and I’m meant to be here. I fall asleep for the very first time with a woman in my arms. It feels like heaven.”

— Callie Hart

66. “My beloved speaks and says to me: “Arise, my love, my fair one, and come away; for lo, the winter is past, the rain is over and gone. The flowers appear on the earth, the time of singing has come, and the voice of the turtledove is heard in our land. The fig tree puts forth its figs, and the vines are in blossom; they give forth fragrance. Arise, my love, my fair one, and come away.”

— Callie Hart

67. “We’re both so afraid of the ending before we’ve even truly arrived at the beginning, but there’s nothing either of us can do to stop this thing now.”

— Callie Hart

68. “You’re attracted to me, despite everything, and I’m attracted to you. We want each other, Sophia. It’s the reason why you’re so terrified right now. And it’s part of the reason why I’m letting you go.”

— Callie Hart

69. “Oh, the irony’s so bittersweet, I feel like I’m choking on it.”

— Callie Hart

70. “Do you think she’s forever?” Michael stares straight ahead, waiting for the doors to the elevator to open. “Oh, I knew you were her forever as soon as I saw the way she looked at you, Zee.” He slides his hands into his pockets, clears his throat. And then he turns and looks me straight in the eye and says, “I’m just really glad you’ve figured out she’s yours, man. Because you deserve that. And so does she.”

— Callie Hart

71. “Pleasure. This is what true pleasure feels like. It’s not just the softness of a kiss. It’s not just the delicate touch of hands on breasts and tongues on skin. It’s the bite of pain, the threat of danger, the risk taken in dancing wit h the devil.”

— Callie Hart

72. “Tell me why. Tell me why you want to do this now.” “Because I don’t want to hurt her. Because I want to make her happy.” These are two of the truest statements that have ever passed my lips. I’ve never meant anything more.”

— Callie Hart

73. “I’ve always been a depraved and dirty thing, Elodie Stillwater, but the idea of you has corrupted me to the point of insanity.”

— Callie Hart

74. “Oh, Sophia. I use my brain. Every time I sleep with a woman, I’m using my head to figure out what she likes. How she likes it. What I can do to have her screaming my name until her throat’s raw.”

— Callie Hart

75. “If you weren’t in my life, sugar, I’d only be half a man. I wouldn’t trade knowing you, caring for you, loving you, for anything in the world.”

— Callie Hart

76. “He looks straight at me, like he’s looking into me, and then does something that makes my heart sing. He lifts our hands to his mouth and lays a gentle kiss on my wrist. “It doesn’t matter what you look like, Sloane. You’re the strongest person I know.”

— Callie Hart

77. “Or maybe you’ll see that I am a monster. And maybe you’ll fall in love with me anyway.”

— Callie Hart

78. “I’ve fallen for this reckless, dangerous, terrifying soul, and now that I’ve realized it, I’m not ready to give it up.”

— Callie Hart

79. “Sometimes, the truth will ruin your damn life.”

— Callie Hart

80. “Alex isn’t safe enough to be right for me, and I’m not whole enough to be right for him, either. That’s really all there is to it.”

— Callie Hart

81. “We don’t say anything. We don’t need to. I tell him everything he needs to know with my eyes, and he does the same. And then we fall asleep.”

— Callie Hart

82. “A secret is a terrible and wonderful thing. It’s a flickering candle flame in your chest, warming you from the inside.”

— Callie Hart

83. “I want to make you happy, Sloane. I want to keep you safe. This life isn’t what you deserve.”

— Callie Hart

84. “I haven’t lied to you. I never will. I’ll give you all my dark, ugly truths, even though they’ll frighten you, Little E.”

— Callie Hart

85. “A feather is a miraculous thing. So commonplace and every day, we barely even notice them poking out of our pillows, or caught on a gentle breeze, or bobbing along the surface of a lazy river, caught in the eddies and rushing vortexes as it’s swept downstream. But a feather is a feat of engineering. And this feather, the one that must have been slipped beneath my bedroom door, is a beautiful one to be sure.”

— Callie Hart

86. “Nothing will ever be simple after you, Sera.” Unravelling my hair from around his finger, he reached down and took my hand. Thoughtfully, he turned it over and began to trace the lines of my palm. “I’m unwilling to even think about what my life would look like if you decided to turn around and walk away from me.”

— Callie Hart

87. “You can trust me. You gave yourself to me back at my apartment; I’ve never done it before, but I gave myself in return. I may not have wanted to, Sloane, but I didn’t have a choice. That means we belong to each other now.”

— Callie Hart

88. “You were raised in violence, but your soul doesn’t crave it, bluebird. Despite everything, you’re still gentle inside. You’re still you.”

— Callie Hart

89. “Do you want me to possess you? To make you mine?”

— Callie Hart

90. “I nod, and Zeth closes the final few inches between us. And he kisses me. Kisses. Me. For as long as I live, for as long as we’re together, I will never be complacent about receiving a kiss from this man. Ever. I waited so long for the first one that now this and every other time he reaches for me and places his lips against mine will be an action to be treasured.”

— Callie Hart

91. “You’re mine, now, Soph. For as long as you want to be, you’re mine. And I’m yours,” he tells me. “That okay with you?”

— Callie Hart

92. “How is it that a man like him, a man made to be a weapon of mass destruction and little else, has seen more in us than I have?”

— Callie Hart

93. “He jerks my head back, still inside me, still filling me with himself, and bites at my neck. He’s not careful about it. I’m definitely gonna be left with a mark. Right now, I could care less, though. I want him to mark me. I want him to make me his. I know with a hollow, terrifying certainty that I’m never going to want to be anyone else’s ever again.”

— Callie Hart

94. “The thing about anger was this: you could argue and reason with it all you liked, but it was like a drug coursing through your veins. It was almost impossible to relinquish. It made you feel righteous, and it made you feel strong, and at the end of the day there was nothing worse than feeling unjustified and weak instead.”

— Callie Hart

95. “He looks like a goddamn UFC fighter. His skin is pale, ivory marked with splashes of black – tattoos.”

— Callie Hart

96. “And if you say you’d be a bluebird, then I’d love it if you were my bluebird.”

— Callie Hart

97. “You don’t just light me up a little. You are the goddamn sun, Argento.”

— Callie Hart

98. “He was so unbelievably perfect; he looked like he had been conjured out of someone’s dream, not born of reality.”

— Callie Hart

99. “First is a good start,” I rumble. “But I plan on being the only guy you love, Little E. Period. For the rest of time.”

— Callie Hart

100. “I’m going to take this away,” he says. “I’m not going to let his mouth be the last one that touched yours for long, Sloane. I promise you that. I just need a bit more time.”

— Callie Hart