Top 200 Celeste Ng Quotes (2025 Update)
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51. “She had learned, with Izzy’s birth, how your life could trundle along on its safe little track and then, with no warning, skid spectacularly off course.”

— Celeste Ng

52. “When a long, long time later, he stares down at the silent blue marble of the earth and thinks of his sister, as he will at every important moment of his life. He doesn’t know this yet, but he senses it deep down in his core. So much will happen, he thinks, that I would want to tell you.”

— Celeste Ng

53. “For moving would never have been enough; he sees that now. It would have been the same anywhere. Children of Mixed Backgrounds Often Struggle to Find Their Place.”

— Celeste Ng

54. “Parents, she thought, learned to survive touching their children less and less.”

— Celeste Ng

55. “How had it begun? Like everything: with mothers and fathers. Because of Lydia’s mother and father, because of her mother’s and father’s mothers and fathers. Because long ago, her mother had gone missing, and her father had brought her home. Because more than anything, her mother had wanted to stand out; because more than anything, her father had wanted to blend in. Because those things had been impossible.”

— Celeste Ng

56. “Hannah, as if she understood her place in the cosmos, grew from quiet infant to watchful child: a child fond of nooks and corners, who curled up in closets, behind sofas, under dangling tablecloths, staying out of sight as well as out of mind, to ensure the terrain of the family did not change.”

— Celeste Ng

57. “It was as if instead of entering a house she was entering the idea of a house, some archetype brought to life here before her. Something she’d only heard about but never seen.”

— Celeste Ng

58. “All her life, she had learned that passion, like fire, was a dangerous thing. It so easily went out of control. It scaled walls and jumped over trenches. Sparks leapt like fleas and spread as rapidly; a breeze could carry embers for miles.”

— Celeste Ng

59. “How had it begun? Like everything: with mothers and fathers. Because of Lydia’s mother and father, because of her mother’s and father’s mothers and fathers.”

— Celeste Ng

60. “It will be all right, she told herself, and she stepped out of the boat into the water.”

— Celeste Ng

61. “All their lives Nath had understood, better than anyone, the lexicon of their family, the things they could never truly explain to outsiders: that a book or a dress meant more than something to read or something to wear; that attention came with expectations that – like snow – drifted and settled and crushed you with their weight. All the words were right, but in this new Nath’s voice, they sounded trivial and brittle and hollow. The way anyone else might have heard them. Already her brother had become a stranger.”

— Celeste Ng

62. “She did not know how to explain what happened, how everything has changed in just one day, how someone she loved so dearly could be there one minute, and the next minute: gone.”

— Celeste Ng

63. “Like after a prairie fire. I saw one, years ago, when we were in Nebraska. It seems like the end of the world. The earth is all scorched and black and everything green is gone. But after the burning the soil is richer, and new things can grow.” She held Izzy at arm’s length, wiped her cheek with a fingertip, smoothed her hair one last time. “People are like that, too, you know. They start over. They find a way.”

— Celeste Ng

64. “Everyone sees race, Lex,” said Moody. “The only difference is who pretends not to.”

— Celeste Ng

65. “You could stop taking their phone calls, tear up their letters, pretend they’d never existed. Start over as a new person with a new life. Just a problem of geography, he thought, with the confidence of someone who had never yet tried to free himself of family.”

— Celeste Ng

66. “It was too big to talk about, what had happened. It was like a landscape they could not see all at once; it was like the sky at night, which turned and turned so they couldn’t find its edges. It would always feel too big. He pushed her in. And then he pulled her out. All her life, Lydia would remember one thing. All his life, Nath would remember another.”

— Celeste Ng

67. “How suffocating to be so loved.”

— Celeste Ng

68. “Asian men could be socially inept and incompetent and ridiculous, like a Long Duk Dong, or at best unthreatening and slightly buffoonish, like a Jackie Chan. They were not allowed to be angry and articulate and powerful. And possibly right, Mr. Richardson thought uneasily.”

— Celeste Ng

69. “By the time they had graduated, he had fallen for Shaker Heights as well, the way Elena described it: the first planned community, the most progressive community, the perfect place for young idealists. In his own little hometown, they’d been suspicious of ideas: he’d grown up surrounded by a kind of resigned cynicism, though he’d been sure the world could be better.”

— Celeste Ng

70. “In the books she read, every stream might be a river god, every tree a dryad in disguise, every old woman a powerful fairy, every pebble an enchanted soul. Anything had the potential to transform, and this, to her, seemed the true meaning of art.”

— Celeste Ng

71. “It’s too late. He’s already learned how not to drown.”

— Celeste Ng

72. “At the Richardson house were overstuffed sofas so deep you could sink into them as if into a bubble bath. Credenzas. Heavy sleigh beds. Once you owned an enormous chair like this, Pearl thought, you would simply have to stay put. You would have to plant roots and make the place that held this chair your home.”

— Celeste Ng

73. “He enjoys the surprise on people’s faces when he tells them he’s a professor of American history. “Well, I am American,” he says when people blink, a barb of defensiveness in his tone. Someone.”

— Celeste Ng

74. “He felt as if he’d dived into a deep, clear lake and discovered it was a shallow, knee-deep pond. What did you do? Well, you stood up. You rinsed your mud-caked knees and pulled your feet out of the muck. And you were more cautious after that. You knew, from then on, that the world was a smaller place than you’d expected.”

— Celeste Ng

75. “The firemen said there were little fires everywhere,” Lexie said. “Multiple points of origin.”

— Celeste Ng

76. “What would she have done if she’d been in that situation? Mrs. Richardson would ask herself this question over and over, before Michael’s call and for weeks – and months – after. Each time, faced with this impossible choice, she came to the same conclusion. I would never have let myself get into that situation, she told herself. I would have made better choices along the way.”

— Celeste Ng

77. “He can guess, but he won’t ever know, not really. What it was like, what she was thinking, everything she’d never told him.”

— Celeste Ng

78. “The earth is all scorched and black and everything green is gone. But after the burning the soil is richer, and new things can grow.” She held Izzy at arm’s length, wiped her cheek with a fingertip, smoothed her hair one last time. “People are like that, too, you know. They start over. They find a way.” Izzy nodded and turned to go, then turned back. “Tell her I’m so sorry,” she said. Mia nodded. “See you tomorrow, okay?”

— Celeste Ng

79. “She had scooped Lydia up and smoothed her hair and told her how clever she was, how proud her father would be when he came home. But she’d felt as if she’d found a locked door in a familiar room: Lydia, still small enough to cradle, had secrets. Marilyn might feed her and bathe her and coax her legs into pajama pants, but already parts of her life were curtained off. She kissed Lydia’s cheek and pulled her close, trying to warm herself against her daughter’s small body.”

— Celeste Ng

80. “They never discussed it, but both came to understand it as a promise: he would always make sure there was a place for her. She would always be.”

— Celeste Ng

81. “She thought, as she would often for many years, of the photograph from that day, with the one golden feather inside it: Was it a portrait of her, or her daughter? Was she the bird trying to batter its way out, or was she the cage?”

— Celeste Ng

82. “One had followed the rules, and one had not. But the problem with rules... was that they implied a right way and a wrong way to do things. When, in fact, most of the time they were simply ways, none of them quite wrong or quite right, and nothing to tell you for sure what side of the line you stood on.”

— Celeste Ng

83. “The occasional embrace, a head leaned for just a moment on your shoulder, when what you really wanted more than anything was to press them to you and hold them so tight you fused together and could never be taken apart. It was like training yourself to live on the smell of an apple alone, when what you really wanted was to devour it, to sink your teeth into it and consume it, seeds, core, and all.”

— Celeste Ng

84. “Everything, she noticed, seemed capable of transmogrification. Even the two boulders in the backyard sometimes turned to silver in the early morning sunlight. In the books she read, every stream might be a river god, every tree a dryad in disguise, every old woman a powerful fairy, every pebble an enchanted soul. Anything had the potential to transform, and this, to her, seemed the true meaning of art.”

— Celeste Ng

85. “It struck her then, as if someone had said it aloud: her mother was dead, and the only thing worth remembering about her, in the end, was that she had cooked. Marilyn thought uneasily of her own life, of hours spent making breakfasts, serving dinners, packing lunches into neat paper bags. How was it possible to spend so many hours spreading peanut butter across bread?”

— Celeste Ng

86. “Where do we follow the rules, and where do we justify breaking them? Do our pasts determine what we deserve in the future? And is it ever possible to leave your past behind?”

— Celeste Ng

87. “We’re committed, as she gets older, to teaching her about her birth culture. And of course she already loves the rice. Actually, it was her first solid food.”

— Celeste Ng

88. “She had felt, finally, as if she could speak without immediately bumping into the hard shell of her sheltered life, as if she suddenly saw that the solid walls penning her in were actually bars, with spaces between them wide enough to slip through.”

— Celeste Ng

89. “How good the rain would feel, like crying all over her body.”

— Celeste Ng

90. “At least I know who I am. What I want.”

— Celeste Ng

91. “In the dark they are careful of each other, as if they know they are fragile, as if they know they can break.”

— Celeste Ng

92. “Lydia is dead. But they don’t know this yet. 1977, May 3, six thirty in the morning, no one knows anything but this innocuous fact: Lydia is late for breakfast.”

— Celeste Ng

93. “Mia was affectionate but never effusive; Pearl had never seen her mother embrace anyone other than her.”

— Celeste Ng

94. “Journalists,” she explained in a civics speech about dream careers, “chronicle our everyday lives. They reveal truths and information that the public deserves to know, and they provide a record for posterity, so that future generations can learn from our mistakes and improve upon our achievements.”

— Celeste Ng

95. “Everyone in Shaker Heights was talking about it that summer: how Isabelle, the last of the Richardson children, had finally gone around the bend and burned the house down.”

— Celeste Ng

96. “How he’d asked for a telescope for his fourteenth birthday and received a clock radio instead; how he’d saved his allowance and bought himself one. How, sometimes, at dinner, Nath never said a word about his day, because their parents never asked.”

— Celeste Ng

97. “She had spent the night planning and now that it was time, she hardly thought at all. It was as if she were standing outside herself, watching someone else do these things.”

— Celeste Ng

98. “Looking out over the lake, she could not know that in three months she would be at its bottom.”

— Celeste Ng

99. “Librarians, of all people, understood the value of knowing, even if that information could not yet be used.”

— Celeste Ng

100. “No sign of her anywhere here. Signs of her everywhere here.”

— Celeste Ng