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Top 50 Chang-rae Lee Quotes (2025 Update)
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Chang-rae Lee Quote: “I think their pasts are treated with a voice that sees their role as those of innocents. That’s reflected in the past time sequences. They’re less “written.””

51. “I think their pasts are treated with a voice that sees their role as those of innocents. That’s reflected in the past time sequences. They’re less “written.””

— Chang-rae Lee

Chang-rae Lee Quote: “I wanted to present a sweep and scope of larger events, and a grander backdrop, but most important was to set against that a very singular, real and modest people struggling with every day and human struggles.”

52. “I wanted to present a sweep and scope of larger events, and a grander backdrop, but most important was to set against that a very singular, real and modest people struggling with every day and human struggles.”

— Chang-rae Lee

Chang-rae Lee Quote: “I don’t think that stuff is gone – I just don’t want to dwell on it. There’s a difference. As I said, I think we all have tendencies as writers, and I think we all have experience that we bring as readers to each project.”

53. “I don’t think that stuff is gone – I just don’t want to dwell on it. There’s a difference. As I said, I think we all have tendencies as writers, and I think we all have experience that we bring as readers to each project.”

— Chang-rae Lee

Chang-rae Lee Quote: “All of my books really do look at that to degrees of difference. Technically, I do enjoy the flashback! But not just for informational material.”

54. “All of my books really do look at that to degrees of difference. Technically, I do enjoy the flashback! But not just for informational material.”

— Chang-rae Lee

Chang-rae Lee Quote: “I’ve read the dying feel no pain but sense everything that goes on around them. They view the scene from a brief distance above and no matter who they are or how old, they gain a wisdom from that last vista. But we are the living, remaining on the ground, and what we know is the narrow and the unbroken. Here, we are strewn about in in the lengthy expanse of an archipelago, too far to call one another, too far to see.”

55. “I’ve read the dying feel no pain but sense everything that goes on around them. They view the scene from a brief distance above and no matter who they are or how old, they gain a wisdom from that last vista. But we are the living, remaining on the ground, and what we know is the narrow and the unbroken. Here, we are strewn about in in the lengthy expanse of an archipelago, too far to call one another, too far to see.”

— Chang-rae Lee

Chang-rae Lee Quote: “A quantum of sweetness... what he meant was not just that a person should have a rightful share of whatever way you’d like to define sweetness, but also that the sweetness itself carries a special levy of contemplation of the infinitudes of sweetness that will go untasted, be forever unknown.”

56. “A quantum of sweetness... what he meant was not just that a person should have a rightful share of whatever way you’d like to define sweetness, but also that the sweetness itself carries a special levy of contemplation of the infinitudes of sweetness that will go untasted, be forever unknown.”

— Chang-rae Lee

Chang-rae Lee Quote: “And I do not live in broad infamy, nor hide from righteous pursuers or seekers of the truth. I do not mask my face or screen my doings of each day. I have not yet been banished from this earth. And though nearly every soul I’ve closely known has come to some dread or grave misfortune, I instead persist, with warmth and privilege accruing to me unabated, ever securing my good station here, the last place I will belong.”

57. “And I do not live in broad infamy, nor hide from righteous pursuers or seekers of the truth. I do not mask my face or screen my doings of each day. I have not yet been banished from this earth. And though nearly every soul I’ve closely known has come to some dread or grave misfortune, I instead persist, with warmth and privilege accruing to me unabated, ever securing my good station here, the last place I will belong.”

— Chang-rae Lee

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