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Top 160 Charles Frazier Quotes (2026 Update)
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Charles Frazier Quote: “He liked brown antiquated travel books describing trips that weren’t possible anymore – explorations of the Western Hemisphere back when much of it was still unmapped.”

151. “He liked brown antiquated travel books describing trips that weren’t possible anymore – explorations of the Western Hemisphere back when much of it was still unmapped.”

— Charles Frazier

Charles Frazier Quote: “The Making of a Fresco. Rivera.”

152. “The Making of a Fresco. Rivera.”

— Charles Frazier

Charles Frazier Quote: “We all reach a point where we would like to draw a line across time and declare everything on the far side null. Shed our past life like a pair of wet and muddy trousers, just roll their heavy clinging fabric down our legs and step away. We also reach a point where we would give the rest of our withering days for the month of July in our seventeenth year. But no thread of Ariadne exists to lead us back there.”

153. “We all reach a point where we would like to draw a line across time and declare everything on the far side null. Shed our past life like a pair of wet and muddy trousers, just roll their heavy clinging fabric down our legs and step away. We also reach a point where we would give the rest of our withering days for the month of July in our seventeenth year. But no thread of Ariadne exists to lead us back there.”

— Charles Frazier

Charles Frazier Quote: “And also, I said, the weirdest thing about the Constitution was that apparently the founding fathers had wanted a third of the government to be unelected and lifelong and therefore uncorrectably corrupt.”

154. “And also, I said, the weirdest thing about the Constitution was that apparently the founding fathers had wanted a third of the government to be unelected and lifelong and therefore uncorrectably corrupt.”

— Charles Frazier

Charles Frazier Quote: “Life’s like a movie, one direction. Forward.”

155. “Life’s like a movie, one direction. Forward.”

— Charles Frazier

Charles Frazier Quote: “The children quivered and drew the quilt up to their noses, and Luce could feel them squirming towards her, their feet reaching under the covers to touch her hip where she sat on the edge of the bed. When the big goat laid the troll low, they drew a deep breath and let it out slow. By the third night, she had them joining her to shout the final lines. Snip, snap, snout. This tale’s told out.”

156. “The children quivered and drew the quilt up to their noses, and Luce could feel them squirming towards her, their feet reaching under the covers to touch her hip where she sat on the edge of the bed. When the big goat laid the troll low, they drew a deep breath and let it out slow. By the third night, she had them joining her to shout the final lines. Snip, snap, snout. This tale’s told out.”

— Charles Frazier

Charles Frazier Quote: “Just breathe night air, listen to owls hoot, and be happy while it lasts. The dead are dead. Be happy for a wagonload of live children.”

157. “Just breathe night air, listen to owls hoot, and be happy while it lasts. The dead are dead. Be happy for a wagonload of live children.”

— Charles Frazier

Charles Frazier Quote: “The weather didn’t feel different, but the light did. It fell at an angle that carried a thin and brittle sadness, the sense of an ending.”

158. “The weather didn’t feel different, but the light did. It fell at an angle that carried a thin and brittle sadness, the sense of an ending.”

— Charles Frazier

Charles Frazier Quote: “Girls so young living on the road looked either forlorn, like prey for the nearest predator, or so hard and self-contained they could put a knapped flint blade through the rib cage of a wolf.”

159. “Girls so young living on the road looked either forlorn, like prey for the nearest predator, or so hard and self-contained they could put a knapped flint blade through the rib cage of a wolf.”

— Charles Frazier

Charles Frazier Quote: “She sipped Scotch considerably older than she was, the taste of time in its passing, in harmony with the outer world, where poplars were already half bare and long grasses drooped burnt from the first frost. The call of an evening bird, and the sun low. Bands of lavender and slate clouds moving against a metallic sky, denoting the passage of autumn. Fallen leaves blown onto the porch. The planet racking around again toward winter.”

160. “She sipped Scotch considerably older than she was, the taste of time in its passing, in harmony with the outer world, where poplars were already half bare and long grasses drooped burnt from the first frost. The call of an evening bird, and the sun low. Bands of lavender and slate clouds moving against a metallic sky, denoting the passage of autumn. Fallen leaves blown onto the porch. The planet racking around again toward winter.”

— Charles Frazier

Charles Frazier Quote: “Nearly four in the morning, sitting there with a handful of other sleepy drunk folks, Eve singing lullabies in a pool of light in a dark room, I felt myself doing exactly what many had done before me. Falling.”

161. “Nearly four in the morning, sitting there with a handful of other sleepy drunk folks, Eve singing lullabies in a pool of light in a dark room, I felt myself doing exactly what many had done before me. Falling.”

— Charles Frazier

Charles Frazier Quote: “The slowest man sets the pace because we’re not the kind of people to leave anybody behind.”

162. “The slowest man sets the pace because we’re not the kind of people to leave anybody behind.”

— Charles Frazier

Charles Frazier Quote: “Wiltson, every time you open your mouth, it’s like you’re competing against yourself to say something stupider than yesterday. And you always win.”

163. “Wiltson, every time you open your mouth, it’s like you’re competing against yourself to say something stupider than yesterday. And you always win.”

— Charles Frazier

Charles Frazier Quote: “Because, like so many of them, he held no beloved idea or philosophy as tightly as his money purse. Take a king or a president or anybody. Put a heavy sack of gold in one hand and a feather-light.”

164. “Because, like so many of them, he held no beloved idea or philosophy as tightly as his money purse. Take a king or a president or anybody. Put a heavy sack of gold in one hand and a feather-light.”

— Charles Frazier

Charles Frazier Quote: “Rivera’s paintings, and Benton’s, are about something solid. The struggle and strength of the underclass, the power and bulk of their muscles on the wall representing the power of their spirit, of their souls, to endure and survive.”

165. “Rivera’s paintings, and Benton’s, are about something solid. The struggle and strength of the underclass, the power and bulk of their muscles on the wall representing the power of their spirit, of their souls, to endure and survive.”

— Charles Frazier

Charles Frazier Quote: “She draws a long deep breath and hums a bit of “Sunflower Slow Drag,” her fingers twitching to press imaginary keys. Soon she falls asleep.”

166. “She draws a long deep breath and hums a bit of “Sunflower Slow Drag,” her fingers twitching to press imaginary keys. Soon she falls asleep.”

— Charles Frazier

Charles Frazier Quote: “Raw eggs are for the paint. You separate the whites from the yolks and discard the whites and pat the yolks dry with a cloth and then mix the yolks with dry pigment to make the paint. Tempera can last thousands of years.”

167. “Raw eggs are for the paint. You separate the whites from the yolks and discard the whites and pat the yolks dry with a cloth and then mix the yolks with dry pigment to make the paint. Tempera can last thousands of years.”

— Charles Frazier

Charles Frazier Quote: “He picked out a little twenty-dollar gold piece.”

168. “He picked out a little twenty-dollar gold piece.”

— Charles Frazier

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