Top 200 Guillermo del Toro Quotes (2024 Update)
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151. “I think that during the shoot, you should never be there, unless something goes really wrong and as producer, you’re responsible. The sign you did your job right is if you are not there.”

— Guillermo del Toro

152. “I love REAL set construction and think that sets are very important part of the storytelling and scope of a film...”

— Guillermo del Toro

153. “Eph too had been turned. Not from human to vampire, but from healer to slayer.”

— Guillermo del Toro

154. “People who have lived their whole lives feeling half-complete. Who never truly fit anywhere in the world. Who never understood why they were here, or what they were meant for. Who never answered the call, because they never heard it. Because nothing ever spoke to them.”

— Guillermo del Toro

155. “I think that The Eye is a particularly Americanized take on horror.”

— Guillermo del Toro

156. “I guess a vampire doesn’t have much need for good hygiene.”

— Guillermo del Toro

157. “I think there are movies that are so gigantic that you need a second unit.”

— Guillermo del Toro

158. “There are a lot of period movies where they say, ‘This is a portrait of Lady Whatever.’ And it’s done in like a 1950s or 60s style.”

— Guillermo del Toro

159. “Cars get girl names. Guns get guy names. What do knives get?”

— Guillermo del Toro

160. “When you work with a great director, you can have a great partnership.”

— Guillermo del Toro

161. “So I have 8 to 10 screenplays written and unproduced. And frankly, some of them are my favorite stories. I have a Western version of The Count Of Monte Cristo where the count has a clockwork hand. I have a screenplay called Mephisto’s Bridge about a Faustian deal with the devil. I love them all.”

— Guillermo del Toro

162. “There are two types of producing deals, and I’ve had both. I’ve produced over 20 movies now. You are either watching in horror, as the cars take the curve in the grand prix, or you’re enjoying it.”

— Guillermo del Toro

163. “For eight years I did effects for other movies until I got my movie made.”

— Guillermo del Toro

164. “It’s important for little girls to know not every story has to be a love story and for boys to know that soldiers aren’t the only ones to triumph in war.”

— Guillermo del Toro

165. “I think Hollywood has a habit of developing 100 times more than they actually shoot.”

— Guillermo del Toro

166. “The doctor’s code is, ‘First – do no harm.’ The politician’s code is, ‘First – go on television.”

— Guillermo del Toro

167. “In you, we have given this world a great gift – and of that, I have no doubt.”

— Guillermo del Toro

168. “The way I see film is I think film is like going out to dinner. I feel it’s a banquet. You don’t want to have the same food you have at home. You want to go and eat a fantastic Chinese meal or Italian or Greek.”

— Guillermo del Toro

169. “At some point, in order to gain his identity, the kid goes “I’m not my dad” or “I’m not my mom.””

— Guillermo del Toro

170. “By God, Giles thinks, it’s true: They are not so different from each other. Giles might still, under the right light, bathed in the right water, be beautiful, too.”

— Guillermo del Toro

171. “Sometimes even the healers are turned into butchers by the darkness of this world.”

— Guillermo del Toro

172. “When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight – it’s faster in a way.”

— Guillermo del Toro

173. “But what is intelligence? Is intelligence calculations and computations? Or must true intelligence contain a moral component? Each passing minute, I believe more that this is the case.”

— Guillermo del Toro

174. “I feel as if a link exists between your heart and mine, and should that link be broken, either by distance or by time, then my heart would cease to beat and I would die.”

— Guillermo del Toro

175. “Carmen Cardoso believed the most dangerous tale of all: the one of the prince who would save her.”

— Guillermo del Toro

176. “Looking back on one’s life, you see that love was the answer to everything. I love you, Nora. I always will. And that we will have forever.”

— Guillermo del Toro

177. “Sometimes the objects we hold dear give away who we are even more than the people we love. The glass of the watch had cracked in the hand of Vidal’s father at the very moment he died, which his son took as proof that things could survive death if only one kept them clean and in perfect order.”

— Guillermo del Toro

178. “Em nossas escolhas encontra-se o nosso destino.”

— Guillermo del Toro

179. “We feel immortal when we are young. Or maybe we just don’t care that much about death yet?”

— Guillermo del Toro

180. “I only produce directors and movies that I have a lot in common with.”

— Guillermo del Toro

181. “But all things lost can be found again, the trees whispered.”

— Guillermo del Toro

182. “When she finally wrapped her arms around the girl, the softness stirring in her heart frightened her. It was dangerous to be soft in this world.”

— Guillermo del Toro

183. “The room smelled milky, of vanilla and almond, from the breakdown of chemical compounds in the old paper.”

— Guillermo del Toro

184. “If past wrongs are not addressed, and dealt with honestly, dark spirits will erupt through the unhealed seam. It is the same for cities and towns as it is for people.”

— Guillermo del Toro

185. “Part of getting old is checking oneself constantly. Keeping a good firm grip on the handrail. Making sure you’re still you.”

— Guillermo del Toro

186. “So much cruelty. She’d seen too much of it in this place. Sometimes she wondered whether it covered her heart like mold by now.”

— Guillermo del Toro

187. “Since childhood, I’ve been faithful to monsters. I have been saved and absolved by them, because monsters, I believe, are patron saints of our blissful imperfection, and they allow and embody the possibility of failing.”

— Guillermo del Toro

188. “Evil seldom takes shape immediately. It is often little more than a whisper at first. A glance. A betrayal. But then it grows and takes root, still invisible, unnoticed. Only fairy tales give evil a proper shape.”

— Guillermo del Toro

189. “But the dream eludes wakeful pursuit; it always does.”

— Guillermo del Toro

190. “As a kid, I dreamed of having a house with secret passages and a room where it rained 24 hours a day.”

— Guillermo del Toro

191. “Sometimes we need to see what we feel so we can know about it.”

— Guillermo del Toro

192. “The world changes, or doesn’t. You fight for the right things and be glad you did.”

— Guillermo del Toro

193. “We are all insane to one degree or another, and the most functional of us merely hides it the best.”

— Guillermo del Toro

194. “But I think it is a hopeful story. Is not some underwater paradise preferable to a life of poverty and incest and violence?”

— Guillermo del Toro

195. “So why do we still insist on believing we are somehow something more than animals?”

— Guillermo del Toro

196. “The entry wound cried a single tear of blood. Such an insignificant wound, but Death was nesting in it.”

— Guillermo del Toro

197. “Elisa believes this creature is accustomed to much larger gestures: full-body tumbles within seething seas; darting attacks; unfolding to full height beneath a tropical sun.”

— Guillermo del Toro

198. “When she reaches into the tub to swirl the salt, their eyes meet, only for a second, but in that second she reads both gratitude and amazement. The idea is outlandish. She amazes him. How is that possible, when he is the most amazing thing that ever lived?”

— Guillermo del Toro

199. “Do we not all do monstrous things to prevent the ultimate monstrous act? I like to visualize the world as a china plate held aloft by two sticks, one the US, the other the USSR. If one stick rises, so must the other, or else the plate goes smash.”

— Guillermo del Toro

200. “Elisa lives in a world of her own devising. That’s obvious from the shoes. Zelda imagines Elisa’s perception as one of those dioramas she saw in a museum, perfect little realms, breakable but not if you walk softly.”

— Guillermo del Toro