Top 500 Jandy Nelson Quotes (2026 Update)
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201. “If a man doesn’t give his beloved the letter he writes, his love is true.”

— Jandy Nelson

202. “Not because he looks familiar on the outside this time, but because he feels familiar on the inside.”

— Jandy Nelson

203. “When I draw it, I’m going to make my skin see-through and what you’ll see is that all the animals in the zoo of me have broken out of their cages.”

— Jandy Nelson

204. “I liked love safe between the covers of my novel.”

— Jandy Nelson

205. “I push him down and climb over and straddle him, holding his hands over his head so he’s helpless.”

— Jandy Nelson

206. “That’s what I said. There’s no peace to disturb. I kept telling the cop: No. Peace. To. Disturb. Man.”

— Jandy Nelson

207. “He’s looking at me in that way of his that should be illegal or patented, and it’s affecting my ability to remember things like my name and species and all the reasons a girl might go on a boy strike.”

— Jandy Nelson

208. “Noah and I made a deal. He’ll stop jumping off cliffs if I stop bible-thumping and suspend all medical research, effective immediately.”

— Jandy Nelson

209. “The timbre of his voice has a lot in common with thunder.”

— Jandy Nelson

210. “Dreams change, yes, that makes sense, but I didn’t know dreams could hide inside a person.”

— Jandy Nelson

211. “In the middle of all this tragedy, you’re growing up, sweet pie, and that is such a wonderful thing.”

— Jandy Nelson

212. “The blindness lasts just a second, then the colors start flooding into me: not through my eyes but right through my skin, replacing blood and bone, muscle and sinew, until I am redorangebluegreenpurpleyellowredorangebluegreenpurpleyellow.”

— Jandy Nelson

213. “Before leaving school I consorted with The Oracle: Google. Internet searches are better than tea leaves or a tarot deck.”

— Jandy Nelson

214. “In photographs of us together, she is always looking at the camera, and I am always looking at her.”

— Jandy Nelson

215. “Mom has a massive sunflower for a soul so big there’s hardly any room in her for organs. Jude and me have one soul between us that we have to share: a tree with its leaves on fire. And Dad has a plate of maggots for his.”

— Jandy Nelson

216. “Now I contradict myself. Picasso he do too. He say pull out your brain, yes, he also say, ‘Painting is a blind man’s profession’ and ‘To draw you must close your eyes and sing’. And Michelangelo, he say he sculpts with his brains, not his eyes. Yes. Everything is true at once. Life is contradiction, we take in every lesson we find what works. Okay, now pick up the charcoal and draw.”

— Jandy Nelson

217. “But then sometimes you make a catastrophic mistake, you think I am going to kill myself because the sculpture is ruined, but in the end it come out more incredible than had you not made the mistake. This is why I love the rocks. When I sculpt with clay, it feel like cheating. It is too easy. It has no will of its own. The rocks are formidable. They stand up to you. It is a fair fight. Sometimes you win. Sometimes they win. Sometimes when they win, you win.”

— Jandy Nelson

218. “For the sun, stars, oceans, and all the trees, I’ll consider it.”

— Jandy Nelson

219. “There are times when surfing where you’ll take on a wave only to realize the bottom’s dropped out of it and so suddenly without warning you’re free-falling down the entire face. It feels like this.”

— Jandy Nelson

220. “I’m a human hourglass: Waiting, waiting, waiting for Brain Connelly to come home.”

— Jandy Nelson

221. “Hanging out with her is like sitting in an empty church. That’s why I like her.”

— Jandy Nelson

222. “I can tell she’s crumpled up in a corner of herself, just like I do in emergencies. There’s a crawlspace in me that no one can get to, no matter what. I had no idea she had one too.”

— Jandy Nelson

223. “Pockets are hand jails.”

— Jandy Nelson

224. “He carries pieces of the galaxy around in a bag.”

— Jandy Nelson

225. “I feel way cool, like I’m wearing sunglasses even though I’m not.”

— Jandy Nelson

226. “Before leaving school I consorted with The Oracle: Google.”

— Jandy Nelson

227. “To be clear: More than anything, I wish I hadn’t gone into that closet with Brian. But their story wasn’t over that night.”

— Jandy Nelson

228. “Hauling them in as we make choices, good and bad, as we screw up, step up, lose our minds, find our minds, fall apart, fall in love, as we grieve, grow, retreat from the world, dive into the world, as we make things, as we break things.”

— Jandy Nelson

229. “But the guilt didn’t have much of a chance against the dawning realisation that I was falling in love. I had stared out the window at the early-morning fog, wondering for a moment if she had sent Joe to me so I would know that in the same world where she could die, this could happen.”

— Jandy Nelson

230. “Nor that he’s regarding my face with the same intensity I am his. We’re two paintings staring at each other across a room.”

— Jandy Nelson

231. “If someone told me I could hang out in da Vinci’s studio while he painted the Mona Lisa or go up on Brian’s roof with him at night – I’m on the roof.”

— Jandy Nelson

232. “Es nuestra historia y la contamos como queremos.”

— Jandy Nelson

233. “Don’t be sad.” She says it so warmly, it makes the air change color. “It came right through the wall last night.”

— Jandy Nelson

234. “We are all broken. I mean, aren’t we now? I am. The whole wide world is.”

— Jandy Nelson

235. “The guy’s life drunk, I think, makes Candide look like a sourpuss. Does he even know that death exists?”

— Jandy Nelson

236. “What if there was a time when I was going through hell too, but I didn’t have the courage to keep going? So I just stopped. Pressed pause. What if I’m still on pause?”

— Jandy Nelson

237. “But then all of all a sudden the breath is kicked out of me and I’m shoved onto the cold hard concrete floor of my life now, because I remember I can’t run home after school and tell Bails about a new boy in band. My sister dies over and over again, all day long.”

— Jandy Nelson

238. “Who knows if she even believed in her bible at all or if she just preferred a world where hope and creativity and faith trump reason?”

— Jandy Nelson

239. “Okay. Not gay. Not lovers, they both just appear to like donuts more than your average bear.”

— Jandy Nelson

240. “We were partners in sewing. And partners in luck-hunting: four-leaf clovers, sand-dollar birds, red sea glass, clouds shaped like hearts, the first daffodils of spring, ladybugs, ladies in oversized hats. Best to bet on all the horses, dear, she’d say. Quick, make a wish, she’d say. I bet. I wished. I was her disciple. I still am.”

— Jandy Nelson

241. “But I don’t even care. I don’t even care that the sun’s going to burn out in a matter of years, ending all life on Earth, well, five billion years, but still, guess what? I don’t care. Well-being is a wonderful thing.”

— Jandy Nelson

242. “Grief was a room filled with hungry desperate light.”

— Jandy Nelson

243. “According to all the experts, it’s time for me to talk about what I’m going through... I can’t. I’d need a new alphabet, one made of falling, of tectonic plates shifting, of the deep devouring dark.”

— Jandy Nelson

244. “Life’s a freaking mess. In fact, I’m going to tell Sarah we need to start a new philosophical movement: messessentialism instead of existentialism: For those who revel in the essential mess that is life. Because Gram’s right, there’s not one truth ever, just a bunch of stories, all going on at once, in our heads, in our hearts, all getting in the way of each other. It’s all a beautiful calamitous mess. It’s like the day Mr. James took us into the woods and cried triumphantly, “That’s it! That’s it!” to the dizzying cacophony of soloing instruments trying to make music together. That is it.”

— Jandy Nelson

245. “It’s like a hand at your throat all the time, isn’t it? Nothing’s inevitable anymore. Not the next heartbeat, not anything.”

— Jandy Nelson

246. “Remake the world.”

— Jandy Nelson

247. “Until it’s not clear if he’s making the sculpture or if the sculpture is making him.”

— Jandy Nelson

248. “And there are horses galloping inside her. I can hear them.”

— Jandy Nelson

249. “When we settle back into our selves, everything feels different, like if I turned on the light we’d be bears.”

— Jandy Nelson

250. “The feet of ghosts never touch the ground.”

— Jandy Nelson