Top 120 John Cage Quotes (2024 Update)
Page 2 of 3

51. “Look at everything. Don’t close your eyes to the world around you. Look and become curious and interested in what there is to see.”

— John Cage

52. “It’s useless to play lullabies for those who cannot sleep.”

— John Cage

53. “My favorite piece of music is the one we hear all the time if we are quiet.”

— John Cage

54. “The highest purpose is to have no purpose at all. This puts one in accord with nature, in her manner of operation.”

— John Cage

55. “In that case I will devote my life to beating my head against that wall.”

— John Cage

56. “My favourite music is the music I haven’t yet heard. I don’t hear the music I write: I write in order to hear the music I haven’t yet heard.”

— John Cage

57. “I am trying to be unfamiliar with what I’m doing.”

— John Cage

58. “Let no one imagine that in owning a recording he has the music. The very practice of music is a celebration that we own nothing.”

— John Cage

59. “The emotions – love, mirth, the heroic, wonder, tranquility, fear, anger, sorrow, disgust – are in the audience.”

— John Cage

60. “If my work is accepted, I must move on to the point where it is not.”

— John Cage

61. “Composing for the prepared piano is not a criticism of the instrument. I’m only being practical.”

— John Cage

62. “There was a German philosopher who is very well known, his name was Immanuel Kant, and he said there are two things that don’t have to mean anything, one is music and the other is laughter. Don’t have to mean anything that is, in order to give us deep pleasure.”

— John Cage

63. “The usefulness of the useless is good news for artists, for art serves no useful purpose. It has to do with changing minds and spirits.”

— John Cage

64. “Some people take music too seriously, and some don’t take it seriously enough, others take it just right...”

— John Cage

65. “As far as consistency of thought goes, I prefer inconsistency.”

— John Cage

66. “It is not irritating to be where one is. It is only irritating to think one would like to be somewhere else.”

— John Cage

67. “All I know about method is that when I am not working I sometimes think I know something, but when I am working, it is quite clear I know nothing.”

— John Cage

68. “My favorite music is the music I haven’t yet heard.”

— John Cage

69. “After I had been studying with him for two years, Schoenberg said, “In order to write music, you must have a feeling for harmony.” I explained to him that I had no feeling for harmony. He then said that I would always encounter an obstacle, that it would be as though I came to a wall through which I could not pass. I said, ‘In that case I will devote my life to beating my head against that wall.”

— John Cage

70. “Which is more musical: a truck passing by a factory or a truck passing by a music school?”

— John Cage

71. “I am trying to check my habits of seeing, to counter them for the sake of greater freshness. I am trying to be unfamiliar with what I’m doing.”

— John Cage

72. “The Indians long ago knew that music was going on permanently and that hearing it was like looking out a window at a landscape which didn’t stop when one turned away.”

— John Cage

73. “I never had a hat, never wore one, but recently was given a brown suede duck-hunting hat. The moment I put it on I realized I was starved for a hat. I kept it warm by putting it on my head. I made plans to wear it especially when I was going to do any thinking. Somewhere in Virginia, I lost my hat.”

— John Cage

74. “If someone says can’t, that shows you what to do.”

— John Cage

75. “People paying attention to vibratory activity, not in reaction to a fixed ideal performance, but each time attentively to how it happens to be this time, not necessarily two times the same. A music that transports the listener to the moment where he is.”

— John Cage

76. “We are simple-minded enough to think that if we were saying something we would use words. We are rather doing something. The meaning of what we do is determined by each one who sees and hears it.”

— John Cage

77. “One shouldn’t go to the woods looking for something, but rather to see what is there.”

— John Cage

78. “Nothing more than nothing can be said.”

— John Cage

79. “An error is simply a failure to adjust immediately from a preconception to an actuality.”

— John Cage

80. “We are involved in a life that passes understanding and our highest business is our daily life.”

— John Cage

81. “Art is sort of an experimental station in which one tries out living.”

— John Cage

82. “People who aren’t artists often feel that artists are inspired. But if you work at your art you don’t have time to be inspired.”

— John Cage

83. “Art’s purpose is to sober and quiet the mind so that it is in accord with what happens.”

— John Cage

84. “No one can have an idea once he starts really listening.”

— John Cage

85. “We need not destroy the past. It is gone.”

— John Cage

86. “Thoreau got up each morning and walked to the woods as though he had never been where he was going to, so that whatever was there came to him like liquid into an empty glass. Many people taking such a walk would have their heads so full of other ideas that it would be a long time before they were capable of hearing or seeing. Most people are blinded by themselves.”

— John Cage

87. “The grand thing about the human mind is that it can turn its own tables and see meaninglessness as ultimate meaning.”

— John Cage

88. “For myself and my own experience now, I don’t really need any music. I have enough to listen to with just the sounds of the environment. I listen to the sounds of 6th avenue.”

— John Cage

89. “Why do you not do as I do? Letting go of your thoughts as though they were the cold ashes of a long dead fire?”

— John Cage

90. “As McLuhan says, everything happens at once.”

— John Cage

91. “Good music can act as a guide to good living.”

— John Cage

92. “What I’m proposing, to myself and other people, is what I often call the tourist attitude – that you act as though you’ve never been there before. So that you’re not supposed to know anything about it. If you really get down to brass tacks, we have never been anywhere before.”

— John Cage

93. “If this word “music” is sacred and reserved for eighteenth and nineteenth century instruments, we can substitute a more meaningful term: organization of sound.”

— John Cage

94. “When you make music you are acting as a philosopher. You can either do that consciously or you can do it unconsciously, but you’re doing it.”

— John Cage

95. “We are not committed to this or that. We are committed to the nothing in-between, whether we know it or not.”

— John Cage

96. “My whole desire is to run up and down the sea coast looking for you.”

— John Cage

97. “If you don’t have enough time to accomplish something, consider the work finished once it’s begun.”

— John Cage

98. “There will always be critics eager to fashion opinions for the lazy and incapable.”

— John Cage

99. “Which is more musical, a truck passing by a factory or a truck passing by a music school? Are the people inside the school musical and the ones outside unmusical? What if the ones inside can’t hear very well, would that change my question?”

— John Cage

100. “So somebody has talent? So what? Dime a dozen. And we’re overpopulated. Actually we have more food than we have people and more art. We’ve gotten to the point of burning food. When will we begin to burn our art?”

— John Cage