Top 380 Khaled Hosseini Quotes (2024 Update)
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351. “I think novelists, when they write their books, end up having occasionally serving a purpose and playing roles that they never really fully either intended or even understood.”

— Khaled Hosseini

352. “Aku harus berkonsentrasi, tidak boleh melakukan kesalahan.”

— Khaled Hosseini

353. “She turned it so the sharp edge was vertical, and, as she did, it occurred to her that this was the first time that she was deciding the course of her own life.”

— Khaled Hosseini

354. “I have this almost pathological fear of boring the reader.”

— Khaled Hosseini

355. “I give novels as gifts, and there is nothing I like to receive more as a gift.”

— Khaled Hosseini

356. “The things that have always drawn me to the craft of writing is character, it’s story, it’s something that becomes like a pebble in my shoe, a voice that I just can’t get rid of, and I’ve got to see it through.”

— Khaled Hosseini

357. “The bewildering success of my books continues to surprise me.”

— Khaled Hosseini

358. “The lucky ones, the ones who weren’t here when the place was getting bombed to hell. We’re not like these people. We shouldn’t pretend we are. The stories these people have to tell, we’re not entitled to them.”

— Khaled Hosseini

359. “All stories I write are compulsive. Anything I’ve ever written was because I don’t have a choice. I write stories because I can’t wait to tell it, I can’t wait to see how it ends.”

— Khaled Hosseini

360. “Tetapi, kupikir, alasan terbesar mengapa aku tidak memedulikan masa lalu Soraya adalah karena aku memiliki masa laluku sendiri. Aku tahu segalanya tentang penyesalan.”

— Khaled Hosseini

361. “No one snaps our composure quite like someone we love.”

— Khaled Hosseini

362. “President Karzai is an incredibly kind and decent man. I had the pleasure of meeting him, and he genuinely cares for his people. But I think he had too much of a tendency to want to rule by listening to all voices at all times.”

— Khaled Hosseini

363. “Afghanistan is a rural nation, where 85 percent of people live in the countryside. And out there it’s very, very conservative, very tribal – almost medieval.”

— Khaled Hosseini

364. “I lay there drifting, wondering, imagining...”

— Khaled Hosseini

365. “It’s often a matter of sitting in front of the computer and worrying. It’s what writing comes down to – worrying that things aren’t going to work out.”

— Khaled Hosseini

366. “He was also one of those boys so bursting with energy that he drained others of theirs.”

— Khaled Hosseini

367. “It always hurts more to have and loose than not to have in first place.”

— Khaled Hosseini

368. “Hadn’t we both yearned for escape, reinvention, new identities? Hadn’t we each, in the end unmoored ourselves by cutting loose the anchors that weighed us down?”

— Khaled Hosseini

369. “She suddenly realizes that she may not know how to live without Masooma. She doesn’t know if she can. How will she bear the days when Masooma’s absence feels like a far heavier burden than her presence ever had? How will she learn to tread around the edges of the big gaping hole where Masooma had once been?”

— Khaled Hosseini

370. “It was like waking up one morning and finding that a wild animal has wandered into your house. No place felt safe to me.”

— Khaled Hosseini

371. “They only let you be this happy if they’re preparing to take something from you.”

— Khaled Hosseini

372. “If there’s a God out there, then I would hope he has more important things to attend to than my drinking scotch or eating pork. Now, hop down. All this talk about sin has made me thirsty again.”

— Khaled Hosseini

373. “Baba Ayub didn’t understand. Just as he didn’t understand why a wave of something, something like the tail end of a sad dream, always swept through him whenever he heard the jingling, surprising him each time like an unexpected gust of wind. But then it passed, as all things do. It passed.”

— Khaled Hosseini

374. “I suspected every bearded man who stared at me to be a Talib killer, sent by Assef. Two things compounded my fears: There are a lot of bearded men in Peshawar, and everybody stares.”

— Khaled Hosseini

375. “And yet, she sees, people find a way to survive, to go on.”

— Khaled Hosseini

376. “What was it about a season’s first snowfall, Mariam wondered, that was so entrancing? Was it the chance to see something as yet unsoiled, untrodden? To catch the fleeting grace of a new season, a lovely beginning, before it was trampled and corrupted?”

— Khaled Hosseini

377. “Quiet is peace. Tranquillity. Quiet is turning down the VOLUME knob on life. Silence is pushing the OFF button. Shutting it down. All of it. Sohrab’s silence wasn’t the self-imposed silence of those with convictions, of protesters who seek to speak their cause by not speaking at all. It was the silence of one who has taken cover in a dark place, curled up all the edges and tucked them under.”

— Khaled Hosseini

378. “She said this in a pragmatic, almost indifferent, tone, and Mariam understood that this was a woman far past outrage. Here was a woman, she thought, who had understood that she was lucky to even be working, that there was always something, something else, that they could take away.”

— Khaled Hosseini

379. “It’s her way of keeping Mariam close awhile yet before time has its way, before it snatches Mariam from the garden of her memory like a weed pulled by its roots.”

— Khaled Hosseini

380. “An Afghan who is afraid of dying is an Afghan who is already dead.”

— Khaled Hosseini

381. “In her view, people, even if they had behaved deplorably in life, deserved a modicum of dignity in death. Especially family. – Marko’s mother.”

— Khaled Hosseini

382. “Her eyes traced the sleek shape of the table’s legs, the sinuous curves of its corners, the gleam of its reflective, dark brown surface. She noticed that every time she breathed out, the surface fogged, and she disappeared from her father’s table.”

— Khaled Hosseini