Top 500 Laini Taylor Quotes (2025 Update)
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51. “It was impossible, of course. But when did that ever stop any dreamer from dreaming.”

— Laini Taylor

52. “She knocked and waited, because when the door was opened from within, it had the potential to lead someplace quite different.”

— Laini Taylor

53. “Icon of Prague, the medieval bridge crossed the Vltava between Old Town and the Little Quarter. Gothic bridge towers rose on both sides, and the whole span – pedestrian-only – was lined by monumental statues of saints.”

— Laini Taylor

54. “A dream dirty and bruised is better than no dream at all.”

— Laini Taylor

55. “Once upon a time there was a silence that dreamed of becoming a song, and then I found you, and now everything is music.”

— Laini Taylor

56. “Hey! My body may be small, but my soul is large. It’s why I wear platforms. So I can reach the top of my soul.”

— Laini Taylor

57. “Oh, gross. Your stomach is full of butterfly barf!”

— Laini Taylor

58. “Brimstone once told me that to stay true in the face of evil is a feat of strength.”

— Laini Taylor

59. “Life won’t just happen to you boy, he said. You have to happen to it.”

— Laini Taylor

60. “She wanted to be free, and if she could never be free, at least she wanted to be brave – brave enough not to sell herself, no matter what the payment, or the cost of refusing.”

— Laini Taylor

61. “There comes a certain point with a hope or a dream, when you either give it up or give up everything else. And if you choose the dream, if you keep on going, then you can never quit, because it’s all you are.”

— Laini Taylor

62. “The Muse of Nightmares was dead.”

— Laini Taylor

63. “It was not a happy ending, but a happy middle – at last, after so many fraught beginnings. Their story would be long. Much would be written of them, some of it in verse, some sung, and some in plain prose, in volumes to be penned for the archives of cities not yet built.”

— Laini Taylor

64. “It’s like losing gravity and falling into space – the moment of pitching headlong when the endlessness of space asserts itself and there is no more down, only an eternity of up, and you realize you can fall forever and never run out of stars.”

— Laini Taylor

65. “Skip meeting him? The butterflies, the pounding heart, the blushing? The part where you enter each other’s magnetic fields for the first time, and it’s like invisble lines of energy are drawing you together-.”

— Laini Taylor

66. “I think with world building, it’s important to create a sense of culture even if it is just a fantasy, and the best way to do that is to look at a real human culture and see what makes it cohesive.”

— Laini Taylor

67. “Your soul sings to mine. My soul is yours, and it always will be, in any world.”

— Laini Taylor

68. “Like attracts like, beauty finds beauty, and freaks look on from the smoking section, aching.”

— Laini Taylor

69. “Nothing made you feel so useless as another person’s grief.”

— Laini Taylor

70. “She tasted of hope. Oh. What does that taste like? Pollen and stars, the Fallen said.”

— Laini Taylor

71. “Battle not with monsters lest you become a monster, and if you gaze into the abyss, the abyss gazes also into you.’ Nietzsche, you know. Exceptional mustache.”

— Laini Taylor

72. “Papilio stomachus: fragile creatures, vulnerable to frost and betrayal.”

— Laini Taylor

73. “Once upon a time, there were two moons, who were sisters. Nitid was the goddess of tears and life, and the sky was hers. No one worshipped Ellai but secret lovers.”

— Laini Taylor

74. “Well, I’m no alchemist,” Lazlo said, affable. “You know me, Strange the dreamer, head in the clouds.” He paused and added with a grin, “Miracles for breakfast.”

— Laini Taylor

75. “He believed in magic, like a child, and in ghosts, like a peasant. His nose was broken by a falling volume of fairy tales his first day on the job, and that, they said, told you everything you needed to know about strange Lazlo Strange: head in the clouds, world of his own, fairy tales and fancy. That.”

— Laini Taylor

76. “She was a girl and she was a queen and back in the mists she was a woman who had seized the moon from the sky and drunk its light so that she would never die. And she never had.”

— Laini Taylor

77. “Like mold on books, grow myths on history.”

— Laini Taylor

78. “Perhaps Fate laid out your life for you like a dress on a bed, and you could either wear it or go naked.”

— Laini Taylor

79. “As for Ellai, she told her sister what had passed, and Nitid wept, and her tears fell to earth and became chimaera, children of regret...”

— Laini Taylor

80. “An idea fell like a seed and over the next weeks it went on growing like a fig vine lush and conquering twining round her old beliefs and covering them in new growth until they were as invisible as a tiger in a thicket and just as deadly.”

— Laini Taylor

81. “He drifted about with his head full of myths, always at least half lost in some otherland of story. Demons and wingsmiths, seraphim and spirits, he love it all.”

— Laini Taylor

82. “There was a man who loved the moon, but whenever he tried to embrace her, she broke into a thousand pieces and left him drenched, with empty arms.”

— Laini Taylor

83. “I miss sunrise even more. The green scent of dawn in the forest? The color blushing back into the world, different every day.”

— Laini Taylor

84. “I turned my nightmares into fireflies and caught them in a jar.”

— Laini Taylor

85. “My heart feels zested. Finely shredded and ready to add to cake batter. It doesn’t hurt, because it’s not there anymore. Like the angel’s chest, with her empty heart hole – but without the sparkler.”

— Laini Taylor

86. “You have only to begin, Lir. Mercy breeds mercy as slaughter breeds slaughter. We can’t expect the world to be better than we make it.”

— Laini Taylor

87. “Happiness wasn’t a mystical place to be reached or won – some bright terrain beyond the boundary of misery, a paradise waiting for them to find it – but something to carry doggedly with you through everything, as humble and ordinary as your gear and supplies.”

— Laini Taylor

88. “Infinities are not for casual exploration. You could fall and keep falling. You could get lost.”

— Laini Taylor

89. “I’ve always imagined that one day the path of your life would unroll at your feet and carry you away from us. As it should, as it must. But I am glad that day is not today.”

— Laini Taylor

90. “Having hope was like dangling himself over a chasm and putting the rope in her hands. She could annihilate him if she wanted to.”

— Laini Taylor

91. “There are guerrilla armies that make little boys kill their own families. Such acts rip out the soul and make space for beasts to grow inside. Armies need beasts, don’t they? Pet beasts, to do their terrible work!”

— Laini Taylor

92. “Where am I and doing what? You might well ask. Freaky chick, you say? You can’t imagine. I am priestess of a sandcastle in a land of dust and starlight.”

— Laini Taylor

93. “When a street musician lowered his violin to inquire, ‘Hey lovely, what you got there?’ she said, ‘Musicians who ask questions,’ and kept on dragging.”

— Laini Taylor

94. “We’re all on the same side. Even her. You can be on the same side and have different ideas.”

— Laini Taylor

95. “All empires fail. They overreach, spread too thin, collect one enemy too many. They’re gnawed at from within by corruption, greed, betrayal.”

— Laini Taylor

96. “There was a word from a myth: sathaz. It was the desire to possess that which can never be yours. It meant senseless, hopeless yearning, the way a gutter child might dream of being king, and it came from the tale of the man who loved the moon.”

— Laini Taylor

97. “Te has preguntado alguna vez si son los monstruos los que provocan la guerra, o si es la guerra la que genera monstruos.”

— Laini Taylor

98. “The thing he wished for most was a thing he had never wished for at all, not until he had discovered her. And it came true that night, and many nights after. A brief and shining span of happiness, it was the pivot point around which his whole life spun.”

— Laini Taylor

99. “This is the story of the curse and the kiss, the demon and the girl. It’s a love story with dancing and death in it, and singing and souls and shadows reeled out on kite strings.”

— Laini Taylor

100. “She had fallen in love with him twice. She loved him now with both loves, so overpowering it was almost unbearable.”

— Laini Taylor