Top 70 Mervyn Peake Quotes (2024 Update)
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Mervyn Peake Quote: “But his mind saw nothing of all this. His mind was engaged in a warfare of the gods. His mind paced outwards over no-man’s-land, over the fields of the slain, paced to the rhythm of the blood’s red bugles. To be alone and evil! To be a god at bay. What was more absolute?”

51. “But his mind saw nothing of all this. His mind was engaged in a warfare of the gods. His mind paced outwards over no-man’s-land, over the fields of the slain, paced to the rhythm of the blood’s red bugles. To be alone and evil! To be a god at bay. What was more absolute?”

— Mervyn Peake

Mervyn Peake Quote: “He is climbing the spiral staircase of the soul of Gormenghast, bound for some pinnacle of the itching fancy – some wild, invulnerable eyrie best known to himself; where he can watch the world spread out below him, and shake exultantly his clotted wings.”

52. “He is climbing the spiral staircase of the soul of Gormenghast, bound for some pinnacle of the itching fancy – some wild, invulnerable eyrie best known to himself; where he can watch the world spread out below him, and shake exultantly his clotted wings.”

— Mervyn Peake

Mervyn Peake Quote: “I want a lot to eat, I’m going to think today.”

53. “I want a lot to eat, I’m going to think today.”

— Mervyn Peake

Mervyn Peake Quote: “He watched her almost with indifference -for it was all in the past-and even the present was nothing to the pride of his memory.”

54. “He watched her almost with indifference -for it was all in the past-and even the present was nothing to the pride of his memory.”

— Mervyn Peake

Mervyn Peake Quote: “Yet not with all of me am I in love. Too much of my own quietness is with me.”

55. “Yet not with all of me am I in love. Too much of my own quietness is with me.”

— Mervyn Peake

Mervyn Peake Quote: “Take him away. Prepare a feast. Forget nothing. My crown: the golden cutlery. The poison bottles; and the fumes; the wreaths of ivy and the bloody joints; the chains; the bowl of nettles; the spices; the baskets of fresh grass; the skulls and spines; the ribs and shoulder-blades. Forget nothing or, by the blindness of my sockets, I will have your hearts out. Take him away...”

56. “Take him away. Prepare a feast. Forget nothing. My crown: the golden cutlery. The poison bottles; and the fumes; the wreaths of ivy and the bloody joints; the chains; the bowl of nettles; the spices; the baskets of fresh grass; the skulls and spines; the ribs and shoulder-blades. Forget nothing or, by the blindness of my sockets, I will have your hearts out. Take him away...”

— Mervyn Peake

Mervyn Peake Quote: “Bellgrove, eminently lovable, because of his individual weakness, his incompetence, his failure as a man, a scholar, a leader or even as a companion, was neverless utterly alone. For the weak, above all, have their friends. Yet his gentleness, his pretence at authority, his palpable humanity were unable, for some reason or other, to function. He was demonstrably the type of venerable and absent-minded professor about whom all the sharp-beaked boys of the world should swarm.”

57. “Bellgrove, eminently lovable, because of his individual weakness, his incompetence, his failure as a man, a scholar, a leader or even as a companion, was neverless utterly alone. For the weak, above all, have their friends. Yet his gentleness, his pretence at authority, his palpable humanity were unable, for some reason or other, to function. He was demonstrably the type of venerable and absent-minded professor about whom all the sharp-beaked boys of the world should swarm.”

— Mervyn Peake

Mervyn Peake Quote: “Something to remember, that: cats for missiles.”

58. “Something to remember, that: cats for missiles.”

— Mervyn Peake

Mervyn Peake Quote: “His mind had been working away behind his high forehead. Unimaginative himself he could recognize imagination in her: he had come upon one whose whole nature was the contradiction of his own. He knew that behind her simplicity was something he could never have. Something he despised as impractical. Something which would never carry her to power or riches, but would retard her progress and keep her apart in a world of her own make-believe. To win her favour he must talk in her own language.”

59. “His mind had been working away behind his high forehead. Unimaginative himself he could recognize imagination in her: he had come upon one whose whole nature was the contradiction of his own. He knew that behind her simplicity was something he could never have. Something he despised as impractical. Something which would never carry her to power or riches, but would retard her progress and keep her apart in a world of her own make-believe. To win her favour he must talk in her own language.”

— Mervyn Peake

Mervyn Peake Quote: “Every blade of the grass was of consequence, and the few scattered stones held an authority that made their solid, separate marks upon the brain – each one with its own unduplicated shape: each rising brightly from the ink of its own spilling.”

60. “Every blade of the grass was of consequence, and the few scattered stones held an authority that made their solid, separate marks upon the brain – each one with its own unduplicated shape: each rising brightly from the ink of its own spilling.”

— Mervyn Peake

Mervyn Peake Quote: “Let them touch him. For every hair that’s hurt I’ll stop a heart.”

61. “Let them touch him. For every hair that’s hurt I’ll stop a heart.”

— Mervyn Peake

Mervyn Peake Quote: “The Aunts put their arms about one another so that their faces were cheek to cheek, and from this doublehead they gazed up at Steerpike with a row of four equidistant eyes. There was no reason why there should not have been forty, or four hundred of them. It so happened that only four had been removed from a dead and endless frieze whose inexhaustible and repetitive theme was forever, eyes, eyes, eyes.”

62. “The Aunts put their arms about one another so that their faces were cheek to cheek, and from this doublehead they gazed up at Steerpike with a row of four equidistant eyes. There was no reason why there should not have been forty, or four hundred of them. It so happened that only four had been removed from a dead and endless frieze whose inexhaustible and repetitive theme was forever, eyes, eyes, eyes.”

— Mervyn Peake

Mervyn Peake Quote: “He ran because his decision had been made. It had been made for him by the convergence of half-forgotten motives, of desires and reasons, of varied yet congruous impulses. And the convergence of all these to a focus point of action.”

63. “He ran because his decision had been made. It had been made for him by the convergence of half-forgotten motives, of desires and reasons, of varied yet congruous impulses. And the convergence of all these to a focus point of action.”

— Mervyn Peake

Mervyn Peake Quote: “His habitual melancholy was changing day by day into something more sinister. There were moments when he would desecrate the crumbling and mournful mask of his face with a smile more horrible than the darkest lineaments of pain. Across the stoniness of his eyes a strange light would pass for a moment, as though the moon were flaring on the gristle, and his lips would open and the gash of his mouth would widen in a dead, climbing curve.”

64. “His habitual melancholy was changing day by day into something more sinister. There were moments when he would desecrate the crumbling and mournful mask of his face with a smile more horrible than the darkest lineaments of pain. Across the stoniness of his eyes a strange light would pass for a moment, as though the moon were flaring on the gristle, and his lips would open and the gash of his mouth would widen in a dead, climbing curve.”

— Mervyn Peake

Mervyn Peake Quote: “As the figure moved before him he followed the muscles as they wove beneath the skin. he was not only fighting with an assailant who was awaiting for that split second in which to strike him dead, but he was stabbing at a masterpiece – at sculpture that leapt and heaved, at a marvel of inky shadow and silver light. A great wave of nausea surged through him and his knife felt putrid in his hand. His body went on fighting.”

65. “As the figure moved before him he followed the muscles as they wove beneath the skin. he was not only fighting with an assailant who was awaiting for that split second in which to strike him dead, but he was stabbing at a masterpiece – at sculpture that leapt and heaved, at a marvel of inky shadow and silver light. A great wave of nausea surged through him and his knife felt putrid in his hand. His body went on fighting.”

— Mervyn Peake

Mervyn Peake Quote: “It was Crabcalf who, surrounded and walled in by the hundreds of unsold copies of his ill-fated novel, felt that he if anyone should be the judge not only of literature, but all that went on behind the sordid scenes.”

66. “It was Crabcalf who, surrounded and walled in by the hundreds of unsold copies of his ill-fated novel, felt that he if anyone should be the judge not only of literature, but all that went on behind the sordid scenes.”

— Mervyn Peake

Mervyn Peake Quote: “Forse non siete a conoscenza, ma vostra madre aveva il sangue cattivo. Molto cattivo. Oppure sognate degli ermellini.”

67. “Forse non siete a conoscenza, ma vostra madre aveva il sangue cattivo. Molto cattivo. Oppure sognate degli ermellini.”

— Mervyn Peake

Mervyn Peake Quote: “It was not often that Flay approved of happiness in others. He saw in happiness the seeds of independence, and in independence the seeds of revolt.”

68. “It was not often that Flay approved of happiness in others. He saw in happiness the seeds of independence, and in independence the seeds of revolt.”

— Mervyn Peake

Mervyn Peake Quote: “Il castello era silenzioso come un mostro impalato.”

69. “Il castello era silenzioso come un mostro impalato.”

— Mervyn Peake

Mervyn Peake Quote: “Then slowly, as his erratic shape approached the next guttering aura he would begin by degrees to become a silhouette, until immediately before the candle he would for a moment appear like an inky scarecrow, a mantis of pitch-black cardboard worked with strings.”

70. “Then slowly, as his erratic shape approached the next guttering aura he would begin by degrees to become a silhouette, until immediately before the candle he would for a moment appear like an inky scarecrow, a mantis of pitch-black cardboard worked with strings.”

— Mervyn Peake

Mervyn Peake Quote: “The rain streamed through the window and splashed on the boards, so that little beads of dust ran to and fro on the floor like globules of mercury.”

71. “The rain streamed through the window and splashed on the boards, so that little beads of dust ran to and fro on the floor like globules of mercury.”

— Mervyn Peake

Mervyn Peake Quote: “Thereon were seated in a hundred decorative attitudes, or stood immobile like carvings, or walked superbly across their sapphire setting, interweaving with each other like a living arabesque, a swarm of snowwhite cats.”

72. “Thereon were seated in a hundred decorative attitudes, or stood immobile like carvings, or walked superbly across their sapphire setting, interweaving with each other like a living arabesque, a swarm of snowwhite cats.”

— Mervyn Peake

Mervyn Peake Quote: “Her need for love had never been fulfilled; her love for others had never been suspected, or wanted. Rich as a dusky orchard, she had never been discovered. Her green boughs had been spread, but no travellers came and rested in their shade nor tasted their sweet fruit.”

73. “Her need for love had never been fulfilled; her love for others had never been suspected, or wanted. Rich as a dusky orchard, she had never been discovered. Her green boughs had been spread, but no travellers came and rested in their shade nor tasted their sweet fruit.”

— Mervyn Peake

Mervyn Peake Quote: “I enjoy the fantastic and the sheer excitement of having a sheet of white paper and a pen in one’s hand and no dictator on earth can say what word I put down – I put down what I want to put down.”

74. “I enjoy the fantastic and the sheer excitement of having a sheet of white paper and a pen in one’s hand and no dictator on earth can say what word I put down – I put down what I want to put down.”

— Mervyn Peake

Mervyn Peake Quote: “She was not in love with Rantel: she was in love with what he meant to her as someone she could love.”

75. “She was not in love with Rantel: she was in love with what he meant to her as someone she could love.”

— Mervyn Peake

Mervyn Peake Quote: “Imagination runs most surely over land that it knows.”

76. “Imagination runs most surely over land that it knows.”

— Mervyn Peake

Mervyn Peake Quote: “Here and there a thin beam of light threaded the warm brooding dusk and was filled with slowly moving motes like an attenuate firmament of stars revolving in grave order.”

77. “Here and there a thin beam of light threaded the warm brooding dusk and was filled with slowly moving motes like an attenuate firmament of stars revolving in grave order.”

— Mervyn Peake

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