Top 100 Pico Iyer Quotes (2024 Update)
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Pico Iyer Quote: “I’d turned to writing because it offered few escape routes or hiding places; it’s harder to lie to yourself on the page than in the world.”

101. “I’d turned to writing because it offered few escape routes or hiding places; it’s harder to lie to yourself on the page than in the world.”

Pico Iyer Quote: “Gandhi or Bishop Tutu or the Dalai Lama. I think they’re really embodiments of what we aspire to and, by keeping them in our heads, we’re reminding ourselves of who we could be. That’s what we’re hoping to climb up towards.”

102. “Gandhi or Bishop Tutu or the Dalai Lama. I think they’re really embodiments of what we aspire to and, by keeping them in our heads, we’re reminding ourselves of who we could be. That’s what we’re hoping to climb up towards.”

Pico Iyer Quote: “The Sufis, like all mystics, are singers of a homesickness that is a kind of hope; all of us are exiles in the world, they tell us, longing to get back to the place that is our rightful home.”

103. “The Sufis, like all mystics, are singers of a homesickness that is a kind of hope; all of us are exiles in the world, they tell us, longing to get back to the place that is our rightful home.”

Pico Iyer Quote: “All his novels are unreliable gospels for those who can’t be sure of a thing.”

104. “All his novels are unreliable gospels for those who can’t be sure of a thing.”

Pico Iyer Quote: “When he gives lectures in the West, I heard the Dalai Lama say in Japan, the audience tunes out the minute he starts speaking about ritual and comes to life as soon as he speaks about philosophy; in Japan, the formula is reversed.”

105. “When he gives lectures in the West, I heard the Dalai Lama say in Japan, the audience tunes out the minute he starts speaking about ritual and comes to life as soon as he speaks about philosophy; in Japan, the formula is reversed.”

Pico Iyer Quote: “Autumn is the season of subtractions, the Japanese art of taking more and more away to charge the few things that remain. At least four times as many classical poems are set in autumn and spring, the seasons of transition, than in summer and winter. But what that means, I realize as the years pass, is that nothing can be taken for granted; people are on alert, wide awake, ready to seize each day as a blessing because the next one can’t be counted on.”

106. “Autumn is the season of subtractions, the Japanese art of taking more and more away to charge the few things that remain. At least four times as many classical poems are set in autumn and spring, the seasons of transition, than in summer and winter. But what that means, I realize as the years pass, is that nothing can be taken for granted; people are on alert, wide awake, ready to seize each day as a blessing because the next one can’t be counted on.”

Pico Iyer Quote: “What avails monastic aspirations when, as Mark had said, religious geniuses were born and not made? Could not renouncing the world be a form of self-indulgence? Was not monasticism, in the end, as much an act of cowardice as courage?”

107. “What avails monastic aspirations when, as Mark had said, religious geniuses were born and not made? Could not renouncing the world be a form of self-indulgence? Was not monasticism, in the end, as much an act of cowardice as courage?”

Pico Iyer Quote: “More important than learning to speak Japanese when you come to Japan is learning to speak silence. My neighbors seem most at home with nonverbal cues, with pauses and the exchange of formulae. What is the virtue of speaking Japanese, Lafcadio Hearn noted, if you cannot think in Japanese?”

108. “More important than learning to speak Japanese when you come to Japan is learning to speak silence. My neighbors seem most at home with nonverbal cues, with pauses and the exchange of formulae. What is the virtue of speaking Japanese, Lafcadio Hearn noted, if you cannot think in Japanese?”

Pico Iyer Quote: “And the question at the heart of every one was as simple as it was unanswerable: how make peace and passion rhyme?”

109. “And the question at the heart of every one was as simple as it was unanswerable: how make peace and passion rhyme?”

Pico Iyer Quote: “This reticence has little to do with trying to protect oneself and everything to do with trying to protect others from one’s problems, which shouldn’t be theirs; it’s one reason Japan is so confounding to foreigners, as its people faultlessly sparkle and attend to one another in in public, while often seeming passive and unconvinced of their ability to do anything decisive at home.”

110. “This reticence has little to do with trying to protect oneself and everything to do with trying to protect others from one’s problems, which shouldn’t be theirs; it’s one reason Japan is so confounding to foreigners, as its people faultlessly sparkle and attend to one another in in public, while often seeming passive and unconvinced of their ability to do anything decisive at home.”

Pico Iyer Quote: “If they can’t get to Europe, they’ll find their way to a local theme-park Eiffel Tower. Even a place that we write off as “inauthentic,” they realize, can arouse emotions that are entirely authentic.”

111. “If they can’t get to Europe, they’ll find their way to a local theme-park Eiffel Tower. Even a place that we write off as “inauthentic,” they realize, can arouse emotions that are entirely authentic.”

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