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From the very early stage when I started doing performance art in the ’70s, the general attitude – not just me, but also my colleagues – was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.

Marina Abramović Quote: “From the very early stage when I started doing performance art in the ’70s, the general attitude – not just me, but also my colleagues – was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.”

“From the very early stage when I started doing performance art in the ’70s, the general attitude – not just me, but also my colleagues – was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.”

Marina Abramović

Marina Abramović Quote: “From the very early stage when I started doing performance art in the ’70s, the general attitude – not just me, but also my colleagues – was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.”
Marina Abramović Quote: “From the very early stage when I started doing performance art in the ’70s, the general attitude – not just me, but also my colleagues – was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.”
Marina Abramović Quote: “From the very early stage when I started doing performance art in the ’70s, the general attitude – not just me, but also my colleagues – was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.”
Marina Abramović Quote: “From the very early stage when I started doing performance art in the ’70s, the general attitude – not just me, but also my colleagues – was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.”
Marina Abramović Quote: “From the very early stage when I started doing performance art in the ’70s, the general attitude – not just me, but also my colleagues – was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.”
Marina Abramović Quote: “From the very early stage when I started doing performance art in the ’70s, the general attitude – not just me, but also my colleagues – was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.”
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