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The first year I started in San Francisco, there was an American work on every program and there’s been a lot of music by living composers and gradually that was part of the process of getting the audience really to trust me.

Michael Tilson Thomas Quote: “The first year I started in San Francisco, there was an American work on every program and there’s been a lot of music by living composers and gradually that was part of the process of getting the audience really to trust me.”

“The first year I started in San Francisco, there was an American work on every program and there’s been a lot of music by living composers and gradually that was part of the process of getting the audience really to trust me.”

Michael Tilson Thomas

Michael Tilson Thomas Quote: “The first year I started in San Francisco, there was an American work on every program and there’s been a lot of music by living composers and gradually that was part of the process of getting the audience really to trust me.”
Michael Tilson Thomas Quote: “The first year I started in San Francisco, there was an American work on every program and there’s been a lot of music by living composers and gradually that was part of the process of getting the audience really to trust me.”
Michael Tilson Thomas Quote: “The first year I started in San Francisco, there was an American work on every program and there’s been a lot of music by living composers and gradually that was part of the process of getting the audience really to trust me.”
Michael Tilson Thomas Quote: “The first year I started in San Francisco, there was an American work on every program and there’s been a lot of music by living composers and gradually that was part of the process of getting the audience really to trust me.”
Michael Tilson Thomas Quote: “The first year I started in San Francisco, there was an American work on every program and there’s been a lot of music by living composers and gradually that was part of the process of getting the audience really to trust me.”
Michael Tilson Thomas Quote: “The first year I started in San Francisco, there was an American work on every program and there’s been a lot of music by living composers and gradually that was part of the process of getting the audience really to trust me.”
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