“In an era when museum curators were busy introducing the public to photographs of daily life taken by Robert Frank, Henri Cartier-Bresson, and Diane Arbus, why did they simultaneously disdain paintings depicting the same kind of people?”
“In an era when museum curators were busy introducing the public to photographs of daily life taken by Robert Frank, Henri Cartier-Bresson, and Diane Arbus, why did they simultaneously disdain paintings depicting the same kind of people?”
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