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When we speak of the perfection of art, we must recollect what the materials are with which a painter contends with nature. For the light of the sun he has but patent yellow and white lead – for the darkest shade, umber or soot.

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John Constable Quote: “When we speak of the perfection of art, we must recollect what the materials are with which a painter contends with nature. For the light of the sun he has but patent yellow and white lead – for the darkest shade, umber or soot.”

“When we speak of the perfection of art, we must recollect what the materials are with which a painter contends with nature. For the light of the sun he has but patent yellow and white lead – for the darkest shade, umber or soot.”

John Constable

John Constable Quote: “When we speak of the perfection of art, we must recollect what the materials are with which a painter contends with nature. For the light of the sun he has but patent yellow and white lead – for the darkest shade, umber or soot.”
John Constable Quote: “When we speak of the perfection of art, we must recollect what the materials are with which a painter contends with nature. For the light of the sun he has but patent yellow and white lead – for the darkest shade, umber or soot.”
John Constable Quote: “When we speak of the perfection of art, we must recollect what the materials are with which a painter contends with nature. For the light of the sun he has but patent yellow and white lead – for the darkest shade, umber or soot.”
John Constable Quote: “When we speak of the perfection of art, we must recollect what the materials are with which a painter contends with nature. For the light of the sun he has but patent yellow and white lead – for the darkest shade, umber or soot.”
John Constable Quote: “When we speak of the perfection of art, we must recollect what the materials are with which a painter contends with nature. For the light of the sun he has but patent yellow and white lead – for the darkest shade, umber or soot.”
John Constable Quote: “When we speak of the perfection of art, we must recollect what the materials are with which a painter contends with nature. For the light of the sun he has but patent yellow and white lead – for the darkest shade, umber or soot.”
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