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It’s a kind of de-familiarization in relation to the song: if she were to sing absolutely straight, right on the beat, because of the richness and intensity of her instrument – her voice – I think it could actually feel a little inhuman, too good somehow, separate from our concerns.

Matthew Zapruder Quote: “It’s a kind of de-familiarization in relation to the song: if she were to sing absolutely straight, right on the beat, because of the richness and intensity of her instrument – her voice – I think it could actually feel a little inhuman, too good somehow, separate from our concerns.”

“It’s a kind of de-familiarization in relation to the song: if she were to sing absolutely straight, right on the beat, because of the richness and intensity of her instrument – her voice – I think it could actually feel a little inhuman, too good somehow, separate from our concerns.”

Matthew Zapruder

Matthew Zapruder Quote: “It’s a kind of de-familiarization in relation to the song: if she were to sing absolutely straight, right on the beat, because of the richness and intensity of her instrument – her voice – I think it could actually feel a little inhuman, too good somehow, separate from our concerns.”
Matthew Zapruder Quote: “It’s a kind of de-familiarization in relation to the song: if she were to sing absolutely straight, right on the beat, because of the richness and intensity of her instrument – her voice – I think it could actually feel a little inhuman, too good somehow, separate from our concerns.”
Matthew Zapruder Quote: “It’s a kind of de-familiarization in relation to the song: if she were to sing absolutely straight, right on the beat, because of the richness and intensity of her instrument – her voice – I think it could actually feel a little inhuman, too good somehow, separate from our concerns.”
Matthew Zapruder Quote: “It’s a kind of de-familiarization in relation to the song: if she were to sing absolutely straight, right on the beat, because of the richness and intensity of her instrument – her voice – I think it could actually feel a little inhuman, too good somehow, separate from our concerns.”
Matthew Zapruder Quote: “It’s a kind of de-familiarization in relation to the song: if she were to sing absolutely straight, right on the beat, because of the richness and intensity of her instrument – her voice – I think it could actually feel a little inhuman, too good somehow, separate from our concerns.”
Matthew Zapruder Quote: “It’s a kind of de-familiarization in relation to the song: if she were to sing absolutely straight, right on the beat, because of the richness and intensity of her instrument – her voice – I think it could actually feel a little inhuman, too good somehow, separate from our concerns.”
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