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Most of the time, I get auditions for deaf characters where the scene has them communicating in really convoluted ways, like reading lips from across the room when the other persons back is turned or having other people parrot what they say.

Shoshannah Stern Quote: “Most of the time, I get auditions for deaf characters where the scene has them communicating in really convoluted ways, like reading lips from across the room when the other persons back is turned or having other people parrot what they say.”

“Most of the time, I get auditions for deaf characters where the scene has them communicating in really convoluted ways, like reading lips from across the room when the other persons back is turned or having other people parrot what they say.”

Shoshannah Stern

Shoshannah Stern Quote: “Most of the time, I get auditions for deaf characters where the scene has them communicating in really convoluted ways, like reading lips from across the room when the other persons back is turned or having other people parrot what they say.”
Shoshannah Stern Quote: “Most of the time, I get auditions for deaf characters where the scene has them communicating in really convoluted ways, like reading lips from across the room when the other persons back is turned or having other people parrot what they say.”
Shoshannah Stern Quote: “Most of the time, I get auditions for deaf characters where the scene has them communicating in really convoluted ways, like reading lips from across the room when the other persons back is turned or having other people parrot what they say.”
Shoshannah Stern Quote: “Most of the time, I get auditions for deaf characters where the scene has them communicating in really convoluted ways, like reading lips from across the room when the other persons back is turned or having other people parrot what they say.”
Shoshannah Stern Quote: “Most of the time, I get auditions for deaf characters where the scene has them communicating in really convoluted ways, like reading lips from across the room when the other persons back is turned or having other people parrot what they say.”
Shoshannah Stern Quote: “Most of the time, I get auditions for deaf characters where the scene has them communicating in really convoluted ways, like reading lips from across the room when the other persons back is turned or having other people parrot what they say.”
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