“The art of writing an English prose at once scholarly, clear-cut, and vigorous, was well understood by Defoe’s great contemporaries, Dryden, Swift, and Congreve; it does not seem to have occurred to Defoe that he could learn anything from their practice. He has his reward. “Robinson Crusoe” may continue to hold the child and the kitchen wench; but the “Essay on Dramatic Poesy,” “The Battle of the Books,” and “Love for Love,” are for the men and women of culture.”
