“The design is based on the old St. Stephen’s Chapel, where the earliest parliamentarians sat, like choirboys in facing pews, yet there is little that is angelic in the modern set-up. Members face each other in confrontation, as antagonists. They are separated by two red lines on the carpet, whose distance apart represents the distance of two sword lengths, yet this is misleading, for the most imminent danger is never more than a dagger’s distance away, on the benches behind.”
