“How to adjust to a world in which the climax of a scene – and sometimes the central event – is going to sleep? We’re going to have to adapt, maybe even invert our sense of priority and our assumptions about what constitutes drama, as most of us foreigners have to do when traveling to Japan.”

“How to adjust to a world in which the climax of a scene – and sometimes the central event – is going to sleep? We’re going to have to adapt, maybe even invert our sense of priority and our assumptions about what constitutes drama, as most of us foreigners have to do when traveling to Japan.”

— Pico Iyer