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That seduction or initiation into evil can be understood by recognizing that most actors are not solitary figures improvising on the empty stage of life. Rather, they are often an ensemble of different players, on a stage with various props and changing costumes, scripts, and stage directions from producers and directors.

Philip Zimbardo Quote: “That seduction or initiation into evil can be understood by recognizing that most actors are not solitary figures improvising on the empty stage of life. Rather, they are often an ensemble of different players, on a stage with various props and changing costumes, scripts, and stage directions from producers and directors.”

“That seduction or initiation into evil can be understood by recognizing that most actors are not solitary figures improvising on the empty stage of life. Rather, they are often an ensemble of different players, on a stage with various props and changing costumes, scripts, and stage directions from producers and directors.”

Philip Zimbardo

Philip Zimbardo Quote: “That seduction or initiation into evil can be understood by recognizing that most actors are not solitary figures improvising on the empty stage of life. Rather, they are often an ensemble of different players, on a stage with various props and changing costumes, scripts, and stage directions from producers and directors.”
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