“That’s quite all right,” I said. Sfumato, that was what the painters called it; a blurring or elision of the lines, the kind Leonardo had used to give his Mona Lisa her beguiling flux.”
“That’s quite all right,” I said. Sfumato, that was what the painters called it; a blurring or elision of the lines, the kind Leonardo had used to give his Mona Lisa her beguiling flux.”
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