“Randolph Henry Ash’s Proserpine had been seen as a Victorian reflection of religious doubt, a meditation on the myths of resurrection. Lord Leighton had painted her, distraught and floating, a golden figure in a tunnel of darkness. Blackadder.”
“Randolph Henry Ash’s Proserpine had been seen as a Victorian reflection of religious doubt, a meditation on the myths of resurrection. Lord Leighton had painted her, distraught and floating, a golden figure in a tunnel of darkness. Blackadder.”
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