“As a result of Malory’s plangent and often elaborate prose, the song of Arthur has never ended. Le Morte d’Arthur inspired both Milton and Dryden with dreams of Arthurian epic, and in the nineteenth century Tennyson revived the themes of Malory in Idylls of the King. William Morris wrote The Defence of Guenevere, and Algernon Swinburne composed Tristram of Liones. The Round Table was reconstituted in the libraries of nineteenth-century England.”

“As a result of Malory’s plangent and often elaborate prose, the song of Arthur has never ended. Le Morte d’Arthur inspired both Milton and Dryden with dreams of Arthurian epic, and in the nineteenth century Tennyson revived the themes of Malory in Idylls of the King. William Morris wrote The Defence of Guenevere, and Algernon Swinburne composed Tristram of Liones. The Round Table was reconstituted in the libraries of nineteenth-century England.”

— Peter Ackroyd