“She was determined to live as fully as possible – to write, to travel, to cook, to draw, to love as much and as often as she could. She was, in the words of a close friend, “operatic” in her desires, a “Renaissance woman” molded as much by Romantic sublimity as New England stoicism.5 She was as fluent in Nietzsche as she was in Emerson; as much in thrall to Yeats’s gongs and gyres as Frost’s silences and snow.”
