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Electra spends the entirety of Sophocles’s play in a doorway, I say to my students, when we read his Theban trilogy in my Adaptations course. She is unable to return home and unable to venture into the world. Pay attention to doorways, to paths, to in-between spaces, I tell them, these are the places of transformation.

Julia May Jonas Quote: “Electra spends the entirety of Sophocles’s play in a doorway, I say to my students, when we read his Theban trilogy in my Adaptations course. She is unable to return home and unable to venture into the world. Pay attention to doorways, to paths, to in-between spaces, I tell them, these are the places of transformation.”

“Electra spends the entirety of Sophocles’s play in a doorway, I say to my students, when we read his Theban trilogy in my Adaptations course. She is unable to return home and unable to venture into the world. Pay attention to doorways, to paths, to in-between spaces, I tell them, these are the places of transformation.”

Julia May Jonas

Julia May Jonas Quote: “Electra spends the entirety of Sophocles’s play in a doorway, I say to my students, when we read his Theban trilogy in my Adaptations course. She is unable to return home and unable to venture into the world. Pay attention to doorways, to paths, to in-between spaces, I tell them, these are the places of transformation.”
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