“For Gascoigne and Clinch were not so dissimilar in temperament, and even in their differences, showed a harmony of sorts – with Gascoigne as the upper octave, the clearer, brighter sound, and Clinch as the bass-note, thrumming.”
“For Gascoigne and Clinch were not so dissimilar in temperament, and even in their differences, showed a harmony of sorts – with Gascoigne as the upper octave, the clearer, brighter sound, and Clinch as the bass-note, thrumming.”
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