Top 140 Rachel Gillig Quotes (2026 Update)
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51. “He always seemed to open the door to himself the moment I needed somewhere to go.”

— Rachel Gillig

52. “Human life is short. You are not as a tree, stoic and unyielding, but a butterfly. Delicate, fleeting. Inconsequential.”

— Rachel Gillig

53. “Am I all that you imagined?” I said, looking down at her. “Or am I so much more?”

— Rachel Gillig

54. “Rory rolled his eyes. Brought his wax-laden thumb to my mouth. “You don’t like it when I’m a bad knight,” he muttered, “and you don’t like it when I’m a good one.” I reached out. Smudged blood he’d shed sparring from his own bottom lip and wiped it on my dress. “Have you considered that’s because I don’t like you at all?”

— Rachel Gillig

55. “You believed a story, and that story was a lie. The Omens are not divine. They are mortals who are paid like kings to live like gods.”

— Rachel Gillig

56. “I am stronger than my doubts.”

— Rachel Gillig

57. “My darling, you’ve always had a choice.”

— Rachel Gillig

58. “Highwayman, Destrier, and another. One of age, of birthright. Tell me, Ravyn Yew, after your long walk in my wood – do you finally know your name?”

— Rachel Gillig

59. “Don’t worry, Bartholomew,” the gargoyle called. “If you accidentally kill her, I will not be upset.”

— Rachel Gillig

60. “But no matter how often I asked, he would not tell me who he was or how he had come to exist in the Nightmare Card.”

— Rachel Gillig

61. “It sounds awful when I say it out loud.” “True things often do.”

— Rachel Gillig

62. “You’d like me better if you called me Rory.” “I’d like you better if you were on your back again.” He smiled. An unfamiliar heat burrowed into my face. “From throwing you and your inferior strength down, obviously.” “Loud and clear, Diviner. I hear you loud and clear.”

— Rachel Gillig

63. “But first, I want a hundred years with you.”

— Rachel Gillig

64. “It felt better than it should, hearing my father stick up for me. But stronger than the tug at the corner of my lips was a dull, aged pain, knotted deep in my chest, reminding me of the truth, ever present, between us. He hadn’t always stuck up for me.”

— Rachel Gillig

65. “Here we are, my darling girl, he whispered to me. The end of all things. The last page of our story.”

— Rachel Gillig

66. “But the tide always turns, and the truth always outs.”

— Rachel Gillig

67. “I am a battlefield of admiration.” He nodded at the horizon. “I cannot decide which I like best. The sunrise, or the sunset. They are like life, and her quiet companion, death.”

— Rachel Gillig

68. “Get up, the Nightmare called. Get up, Elspeth.”

— Rachel Gillig

69. “Violence is a craft. So is compassion.”

— Rachel Gillig

70. “And what a useless thing pity is, for a guest is always a kind of trespasser.”

— Rachel Gillig

71. “Be wary the pink, the Nightmare said as he sniffed the air. Be wary the rose. Be wary of beauty divine, unopposed.”

— Rachel Gillig

72. “Faith requires a display. The greater the spectacle, the greater the illusion.”

— Rachel Gillig

73. “There were not enough pages in all the books Elm had read, in all the libraries he’d wandered, in all the notebooks he’d scrawled, that could measure – denote or describe – just how beautiful she was.”

— Rachel Gillig

74. “I’m tied to a post with a grating headache and the dimmest Yews in five centuries,” the Nightmare muttered. “Never been better.”

— Rachel Gillig

75. “Dead as a doorhanger?”

— Rachel Gillig

76. “Children are strongest when their eyes are clear. Only then can they make their own choices. Only then are they truly free. Tell them. Tell them the truth.”

— Rachel Gillig

77. “You are more special than you realize. I don’t even know your name” – he drew in a breath – “and I would do anything for you.”

— Rachel Gillig

78. “I dreamed of a knight with gold in his ears and charcoal around his eyes, who did all the ignoble things I asked of him.”

— Rachel Gillig

79. “The disgust,” Ione said, her tone idle, “is mutual.”

— Rachel Gillig

80. “The Yew girl wears a tunic and pants. Why not you? Jespyr’s entirely more fearsome than I am. I glanced down at my legs. I look like a bloody stable boy. How you look is – and perhaps always has been – utterly irrelevant.”

— Rachel Gillig

81. “The Nightmare’s smile was a thinly veiled threat. “I know what I know. My secrets are deep. But long have I kept them. And long will they keep.”

— Rachel Gillig

82. “I don’t want rest, Elspeth,” he murmured into my lips. “I want you.”

— Rachel Gillig

83. “Balance,” she answered, head tilting like a bird of prey. “To right terrible wrongs. To free Blunder from the Rowans.” Her yellow eyes narrowed, wicked and absolute. “To collect his due.”

— Rachel Gillig

84. “I love when they argue,” Emory said into his soup. “Keeps my weak little heart beating.”

— Rachel Gillig

85. “Which one, Diviner?” Rory’s voice was deathly calm. He looked over his shoulder at me. “Which one marked up your face?”

— Rachel Gillig

86. “I was losing my faith in everything, but the two of us meeting... it felt almost divine.”

— Rachel Gillig

87. “You’re a Rowan. Don’t you take whatever you fancy?” “Clearly not, when all I fancy is a proper night’s sleep.”

— Rachel Gillig

88. “Tell them. Tell them the truth. When your children ask, do not lie- do not hide the risk of magic. Children are strongest when their eyes are clear. Only then can they make their own choices. Only then are they truly free. Tell them. Tell them the truth.”

— Rachel Gillig

89. “No is a sufficient answer.”

— Rachel Gillig

90. “Starving things make for loyal pets, so long as you feed them just enough.”

— Rachel Gillig

91. “People who love you for your usefulness don’t love you at all.”

— Rachel Gillig

92. “He held me in his gaze like he needed to. “Do you want to know how it ends?” “Does it end?” He nodded. “It ends a handful of minutes from now. After you’ve won, and there is one less Omen in the world.” He grinned. “It ends when you kiss me.” “You mean it ends after I’ve won, and there is one less Omen in the world – and I hit you as hard as I can.” “With your mouth.”

— Rachel Gillig

93. “If I am wonderful and wretched for learning the truth of the Omens, your hands are marked by the blood of my metamorphosis.”

— Rachel Gillig

94. “She cried out, calling his name, ripping the last whole piece of his rotted-out heart to tatters. Go, he commanded. Don’t look back. She fought it. Damn her, she fought to look back. Tears burned Elm’s eyes. “See you in the woods,” he murmured. “Mud on my ankles.”

— Rachel Gillig

95. “I confess horses are not the intelligent beasts I imagined them to be. Though I don’t think that merits the abuse they suffer postmortem.” That one took me a moment. “No one actually beats dead horses, gargoyle. It’s an expression.” “Really? How morbid.”

— Rachel Gillig

96. “Elspeth returned. She made a noise in her throat. Ravyn? Even now, taut with strain, her voice eased him, like a warm cloth pressed over his eyes. Yes, Elspeth? Don’t die. I won’t. Because if you do, and we never get the time we’re owed, I’ll hate you, Ravyn Yew. I’ll love you and hate you forever.”

— Rachel Gillig

97. “I think I would like to stop promising myself away, or else there will be nothing left of me to give, King Castor.”

— Rachel Gillig

98. “There once was a girl,” he said, his voice slick, “clever and good, who tarried in shadow in the depths of the wood. There also was a King – a shepherd by his crook, who reigned over magic and wrote the old book. The two were together, so the two were the same: “The girl, the King, and the monster they became.”

— Rachel Gillig

99. “But his soul carried on, buried deep in Elspeth Spindle, the only woman Ravyn had ever loved.”

— Rachel Gillig

100. “I was its author.”

— Rachel Gillig