Top 300 Richard Powers Quotes (2026 Update)
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151. “The most wondrous products of four billion years of life need help.”

— Richard Powers

152. “Her budget is blessedly free of those two core expenses, entertainment and status.”

— Richard Powers

153. “Berries may compete to be eaten more than animals compete for the berries.”

— Richard Powers

154. “CHRISTMAS EVE: There’s a fire blazing in the fireplace, food enough for five thousand, and a new TV as big as Wyoming tuned to a football game no one cares about.”

— Richard Powers

155. “The confirmation of others: a sickness the entire race will die of.”

— Richard Powers

156. “Love was long over, but what was lost to him he still loved so harshly that it prevented him from listening even to its trace.”

— Richard Powers

157. “There is no safety. There is only forgetfulness.”

— Richard Powers

158. “What?” he asks the tree. “What? ” The tree feels no need to reply.”

— Richard Powers

159. “Once you’ve bought a novel in your pajamas, there’s no turning back.”

— Richard Powers

160. “Define a feather when condemned to the wind. Say how the shaft tapers, straining to be weightless. Describe what the vanes do on the air, how they luff and ruffle and flute, how the barbs somersault on the downward curve of their resisting ride.”

— Richard Powers

161. “For me, university was just awful because it was closing one door after the other of all these candy shops of professional possibilities.”

— Richard Powers

162. “I’d like, each time out as a writer, to reinvent who I am and what I’m doing. That’s one of the great pleasures and rewards of the occupation.”

— Richard Powers

163. “The world is vicious, too huge to care about even its own survival.”

— Richard Powers

164. “She becomes her father’s star and only pupil for the simple reason that she alone, of all the family, sees what he knows: plants are willful and crafty and after something, just like people.”

— Richard Powers

165. “Written music is like nothing in the world – an index of time. The idea is so bizarre, it’s almost miraculous: fixed instructions on how to recreate the simultaneous. How to be a flow, both motion and instant, both stream and cross section.”

— Richard Powers

166. “The greatest delight which the fields and woods minister, is the suggestion of an occult relation between man and the vegetable. I am not alone and unacknowledged. They nod to me, and I to them. The waving of the boughs in the storm, is new to me and old. It takes me by surprise, and yet is not unknown. Its effect is like that of a higher thought or a better emotion coming over me, when I deemed I was thinking justly or doing right.”

— Richard Powers

167. “I think that if the novel’s task is to describe where we find ourselves and how we live now, the novelist must take a good, hard look at the most central facts of contemporary life – technology and science.”

— Richard Powers

168. “There’s a Chinese saying. ‘When is the best time to plan a tree? Twenty years ago.”

— Richard Powers

169. “And the goal of the game will be to figure out what the new and desperate world wants from you.”

— Richard Powers

170. “I keep a quotes journal – of every sentence that I’ve wanted to remember from my reading of the past 30 years.”

— Richard Powers

171. “What’s wrong with How Trees Will Save the World? Trees won’t save the world?” “I’m sure they will. After the world shrugs us off.”

— Richard Powers

172. “I read then, everything I could lay hands on. Reading was my virgin continent. I read instantly upon awakening, and was still at it well past the hour that consciousness shut down. I read for nothing, for a pleasure difficult to describe and impossible afterward to recover.”

— Richard Powers

173. “The loss of a great library to fire is a tragedy. But the surreptitious introduction of thousands of untraceable errors into reliable books, errors picked up and distributed endlessly by tireless researchers, is a nightmare beyond measure.”

— Richard Powers

174. “Time didn’t age you; memory did.”

— Richard Powers

175. “We made this! It’s so beautiful. The word lay beyond the rest of the team’s list of formal descriptors. It seemed to have a real referent; the new woman apparently meant something when she used it. Beauty might even have had some physical reality, some selective advantage conferred over the last billion or so years. But what formal rules the quality adhered to, what behaviors it meant to elicit, not even Spider Lim’s body could begin to guess.”

— Richard Powers

176. “She lies awake at night, staring upward, remembering being right next to the only discovery that matters. Life was whispering instructions to her, and she failed to write them down.”

— Richard Powers

177. “She saw how the mind makes forever, in order to store the things it had already lost.”

— Richard Powers

178. “Trees give it all away, don’t they?”

— Richard Powers

179. “The web: yet another total disorientation that becomes status quo without anyone realizing it.”

— Richard Powers

180. “Dad, I would very much like to plunge off the edge of commonsense existence, at your expense, and become certifiably unemployable.”

— Richard Powers

181. “Way too late in life, Els learned that the time to concentrate yourself was right before sunrise.”

— Richard Powers

182. “How much they knew, these new children. How concentrated their knowledge of every mechanism, except for life.”

— Richard Powers

183. “Listen deep down: most life happens on scales a million times smaller than ours.”

— Richard Powers

184. “There was nothing more pressing to do all day, every day, except think about the question that his whole life had failed to answer: How did music trick the body into thinking it had a soul?”

— Richard Powers

185. “The trees have vanished and the town forgets. But not the land.”

— Richard Powers

186. “The law is simply human will, written down.”

— Richard Powers

187. “If we could see green, we’d see a thing that keeps getting more interesting the closer we get. If we could see what green was doing, we’d never be lonely or bored. If we could understand green, we’d learn how to grow all the food we need in layers three deep, on a third of the ground we need right now, with plants that protected one another from pests and stress. If we knew what green wanted, we wouldn’t have to choose between the Earth’s interests and ours. They’d be the same!”

— Richard Powers

188. “He has always been alien to her, a man of procedures where there should be passions. Now she wonders if he might have died, once, too.”

— Richard Powers

189. “But people aren’t alone, and they never have been.”

— Richard Powers

190. “Such a small difference, between forever and once.”

— Richard Powers

191. “She knows she’ll never see him again in this or any life to come. Yet she sees him wherever she looks. That’s life; the dead keep the living alive.”

— Richard Powers

192. “A guy in a dirty suit jacket and shorts, his hair bound up in a bungee cord, cuts behind her on the sidewalk, talking out loud: voices or cell phone – choose your schizophrenia.”

— Richard Powers

193. “Chance was just an order that you hadn’t yet perceived.”

— Richard Powers

194. “Something in those jittery black-and-golden scraps recalled her sight’s desire. So it always went, with life and its paler imitations.”

— Richard Powers

195. “Tagore said, Trees are the earth’s endless effort to speak to the listening heaven.”

— Richard Powers

196. “What frightens people most will one day turn to wonder. And then people will do what four billion years have shaped them to do: stop and see just what it is they’re seeing.”

— Richard Powers

197. “I don’t know any sad songs. Except for the funny ones.”

— Richard Powers

198. “All we can ever do is lay a word in the hands of those who have put one in ours.”

— Richard Powers

199. “What we want, finally, from friends, is that they have no more clue than we do.”

— Richard Powers

200. “When the people come for you, your choice is already made. All you can do is lift up the light God sets in your hand. That light don’t belong to you anyway. It’s not yours to hide.”

— Richard Powers