Top 500 Richelle Mead Quotes (2025 Update)
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251. “Smiling, I cut across the quadrangle toward the commons. I felt better about life than I had in a very long time. We could do this, Lissa and me. We could do this together.”

— Richelle Mead

252. “Ooh. Top secret angel business, huh? What’re you going to do? Dance on a pinhead? Lobby for National Cute Puppy Day?”

— Richelle Mead

253. “Adrian: I can visit people in their dreams. Christian: Stop. I can feel there is a comment coming on about how women already dream about you. I just ate, you know.”

— Richelle Mead

254. “I clung to that spark of hope, nurturing it into a small flame that chased some of the shadows in my heart away.”

— Richelle Mead

255. “You’ve always been my equal, Roza.”

— Richelle Mead

256. “Any life worth living is going to have risks.”

— Richelle Mead

257. “Dorian used to watch you like a starving man who wants meat. Now he looks at you like he wants seconds.”

— Richelle Mead

258. “A girl just asked for SAT scores good enough to get her into Yale. I think she was nine.”

— Richelle Mead

259. “I set off, off to kill the man I love.”

— Richelle Mead

260. “Oh God. She probably thinks we were off doing – you know – romantic type, um, things –.”

— Richelle Mead

261. “Do you want me to call you Celery Stick instead of Cupcake or Honey-Pie? It just doesn’t inspire the same warm and fuzzy feelings.”

— Richelle Mead

262. “You’re a terrible liar, Sage, but I’m still touched you’d attempt it for my sake. A for effort.”

— Richelle Mead

263. “If you try to turn me against Lissa one more time the stories are going to be about you bleeding because I’ll have ripped your throat out!”

— Richelle Mead

264. “This is politics. People in power never have to play by the same rules.”

— Richelle Mead

265. “One of the few downsides to being awakened is that we no longer require sleep; therefore we also no longer dream. It’s a shame, because if I could dream, I know I’d dream about you.”

— Richelle Mead

266. “How we love others is affected by how we love ourselves, and for the first time in a long time, I was whole.”

— Richelle Mead

267. “You did good Roza. Very good. Now sleep.”

— Richelle Mead

268. “Study’s overrated. Just find someone smart to copy off. -Adrian to Lissa.”

— Richelle Mead

269. “She studied him for a few more seconds. “You look too pretty to be useful.” I gasped in spite of myself. Adrian chuckled and shook her hand. “Truer words were never spoken,” he said.”

— Richelle Mead

270. “You, know I’m the Queen’s favorite great nephew, Well, yeah I’m her only great nephew, but that’s not important, I’d still be her favorite...”

— Richelle Mead

271. “The future of our relationship hinged on advice from a fifteen-year old girl, a probably untrue story from a one-eyed Chihuahua trainer, and me unromantically – yet skillfully – kissing you on top of silverware and china?”

— Richelle Mead

272. “Adrian’s face was the picture of perfect politeness and restraint, meaning something disastrous was about to happen.”

— Richelle Mead

273. “My death will not be penciled on someone’s calendar.”

— Richelle Mead

274. “When I look into his eyes, I could see without a doubt that he loved me more than anyone else in the world, that I was his salvation, the same way that he was mine.”

— Richelle Mead

275. “So. You’re saying my sister’s dressed like a prostitute.”

— Richelle Mead

276. “Wait. You think I’m going to die? That’s why you slept with me?”

— Richelle Mead

277. “It doesn’t matter. Take Eddie’s blood. Take Belikov’s blood. Take your own for all I care. But If she doesn’t want to give hers, then that’s all there is to it. She said no. This conversation is done.”

— Richelle Mead

278. “Sunshine had never tasted so sweet as it did at that moment.”

— Richelle Mead

279. “Dmitri was in my arms.”

— Richelle Mead

280. “Oh God. Why, oh why, did I have to be the one to deliver this news? Why couldn’t I be locked away in my room or the library doing something enjoyable, like homework?”

— Richelle Mead

281. “Right. As opposed to your cradle-robbing mentor. I don’t really see you making much progress with him.”

— Richelle Mead

282. “Finn crossed his arms and glared at Volusian. It was kind of a bold move, considering Finn looked like a cartoon character and Volusian looked like he ate the souls of small children. For all I knew, he probably did.”

— Richelle Mead

283. “After the bitching I’d done to Abe about going to remote, crappy places, I should have been excited about the prospect of going to Sin City.”

— Richelle Mead

284. “Never would I have guessed I’d fall so comfortably into the role of husband and father. Never would I have guessed I’d be married to a human. And I certainly wouldn’t have guessed I’d be so happy without spirit.”

— Richelle Mead

285. “I’d do a lot of things to protect you.”

— Richelle Mead

286. “That’s what humanity is: a series of successes and failures, a testing of one’s own nature and aptitude. Neither the body nor the soul can sustain such a state. Eventually it consumes a person.”

— Richelle Mead

287. “I’d been raised to be practical and keep my emotions in check, but I loved cars. That was one of the few legacies I’d picked up from my mom. She was a mechanic, and some of my best childhood memories were of working in the garage with her.”

— Richelle Mead

288. “I thought I’d finally get to relax with Dimitri.”

— Richelle Mead

289. “Sex had been amazing, but it wasn’t a magical cure for everything. Damn. Somewhere along the way, I’d picked up common sense.”

— Richelle Mead

290. “How come all the harmless people were so lame? Maybe that was the definition of safe.”

— Richelle Mead

291. “We cannot road trip to Paris.”

— Richelle Mead

292. “The love in his eyes was so powerful, I needed to look away. Seth had an amazing grasp of the English language, but there were days when that skill was nothing compared to what he told me in his looks.”

— Richelle Mead

293. “I’d seen him fight before, but it never got old. He was captivating. He never stopped moving. Every action was graceful and lethal. He was a dancer of death.”

— Richelle Mead

294. “We could have died just now. We didn’t. Maybe we’ll die tomorrow. I don’t know. What matters is that we’re alive now.”

— Richelle Mead

295. “Metaphors. This was the cost of making out with an artist.”

— Richelle Mead

296. “I disconnected as a sleepy Seth stepped out of the bedroom. “Who’s Dante? Was that a collect call to the Inferno?” “They won’t accept the charges,” I murmured.”

— Richelle Mead

297. “When you’ve got everything you need, why complicate it?”

— Richelle Mead

298. “You and me are going to have so much fun, Rose. Picking out curtains, doing each other’s hair, telling ghost stories...”

— Richelle Mead

299. “While I’m fine with you two dating and being happy, please try not to break his heart too much when the time comes.”

— Richelle Mead

300. “The other problem in my life is Dimitri. He’s the one who killed Natalie, and he’s a total badass. He’s also pretty good-looking. Okay – more than good-looking. He’s hot – like, the kind of hot that makes you stop walking on the street and get hit by traffic.”

— Richelle Mead