Top 500 Richelle Mead Quotes (2024 Update)
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251. “I set off, off to kill the man I love.”

— Richelle Mead

252. “Oh God. She probably thinks we were off doing – you know – romantic type, um, things –.”

— Richelle Mead

253. “Do you want me to call you Celery Stick instead of Cupcake or Honey-Pie? It just doesn’t inspire the same warm and fuzzy feelings.”

— Richelle Mead

254. “I realized I’m in love. It’s always been right in front of me.”

— Richelle Mead

255. “You’re a terrible liar, Sage, but I’m still touched you’d attempt it for my sake. A for effort.”

— Richelle Mead

256. “If you try to turn me against Lissa one more time the stories are going to be about you bleeding because I’ll have ripped your throat out!”

— Richelle Mead

257. “How was it that Adrian Ivashkov, who never seemed to take anything seriously was the only one among these “responsible” people who paid attention to such small details? How was he the only one to really understand the magnitude of what I was feeling?”

— Richelle Mead

258. “This is politics. People in power never have to play by the same rules.”

— Richelle Mead

259. “You’re a solid person, Sage. You’re easy on the eyes, if a little skinny, and your ability to memorize useless information is going to totally hook in some guy.”

— Richelle Mead

260. “How we love others is affected by how we love ourselves, and for the first time in a long time, I was whole.”

— Richelle Mead

261. “You did good Roza. Very good. Now sleep.”

— Richelle Mead

262. “You make a joke out of everything. Life’s too painful not to.”

— Richelle Mead

263. “Study’s overrated. Just find someone smart to copy off. -Adrian to Lissa.”

— Richelle Mead

264. “She studied him for a few more seconds. “You look too pretty to be useful.” I gasped in spite of myself. Adrian chuckled and shook her hand. “Truer words were never spoken,” he said.”

— Richelle Mead

265. “You, know I’m the Queen’s favorite great nephew, Well, yeah I’m her only great nephew, but that’s not important, I’d still be her favorite...”

— Richelle Mead

266. “The future of our relationship hinged on advice from a fifteen-year old girl, a probably untrue story from a one-eyed Chihuahua trainer, and me unromantically – yet skillfully – kissing you on top of silverware and china?”

— Richelle Mead

267. “Smiling, I cut across the quadrangle toward the commons. I felt better about life than I had in a very long time. We could do this, Lissa and me. We could do this together.”

— Richelle Mead

268. “Adrian’s face was the picture of perfect politeness and restraint, meaning something disastrous was about to happen.”

— Richelle Mead

269. “We cannot road trip to Paris.”

— Richelle Mead

270. “So. You’re saying my sister’s dressed like a prostitute.”

— Richelle Mead

271. “Wait. You think I’m going to die? That’s why you slept with me?”

— Richelle Mead

272. “Sunshine had never tasted so sweet as it did at that moment.”

— Richelle Mead

273. “It doesn’t matter. Take Eddie’s blood. Take Belikov’s blood. Take your own for all I care. But If she doesn’t want to give hers, then that’s all there is to it. She said no. This conversation is done.”

— Richelle Mead

274. “Dmitri was in my arms.”

— Richelle Mead

275. “Oh God. Why, oh why, did I have to be the one to deliver this news? Why couldn’t I be locked away in my room or the library doing something enjoyable, like homework?”

— Richelle Mead

276. “Don’t you know that I’d lie with you in the groves, under the light of the moon? That I’d defy the laws of gods and men for you?”

— Richelle Mead

277. “Never would I have guessed I’d fall so comfortably into the role of husband and father. Never would I have guessed I’d be married to a human. And I certainly wouldn’t have guessed I’d be so happy without spirit.”

— Richelle Mead

278. “Finn crossed his arms and glared at Volusian. It was kind of a bold move, considering Finn looked like a cartoon character and Volusian looked like he ate the souls of small children. For all I knew, he probably did.”

— Richelle Mead

279. “After the bitching I’d done to Abe about going to remote, crappy places, I should have been excited about the prospect of going to Sin City.”

— Richelle Mead

280. “One of the few downsides to being awakened is that we no longer require sleep; therefore we also no longer dream. It’s a shame, because if I could dream, I know I’d dream about you.”

— Richelle Mead

281. “I’d do a lot of things to protect you.”

— Richelle Mead

282. “You know, I might miss some of your witticisms when you’re gone, but one thing I won’t miss? Your overwhelming sense of melodrama and despair. It’s too much even for me.”

— Richelle Mead

283. “That’s what humanity is: a series of successes and failures, a testing of one’s own nature and aptitude. Neither the body nor the soul can sustain such a state. Eventually it consumes a person.”

— Richelle Mead

284. “I’d been raised to be practical and keep my emotions in check, but I loved cars. That was one of the few legacies I’d picked up from my mom. She was a mechanic, and some of my best childhood memories were of working in the garage with her.”

— Richelle Mead

285. “My death will not be penciled on someone’s calendar.”

— Richelle Mead

286. “Sex had been amazing, but it wasn’t a magical cure for everything. Damn. Somewhere along the way, I’d picked up common sense.”

— Richelle Mead

287. “You did what you did out of love. I can’t be mad at you over that. It was stupid, but that’s how love is. Do you have any idea what I’d do for you? To keep you safe?”

— Richelle Mead

288. “How come all the harmless people were so lame? Maybe that was the definition of safe.”

— Richelle Mead

289. “The love in his eyes was so powerful, I needed to look away. Seth had an amazing grasp of the English language, but there were days when that skill was nothing compared to what he told me in his looks.”

— Richelle Mead

290. “Dorian used to watch you like a starving man who wants meat. Now he looks at you like he wants seconds.”

— Richelle Mead

291. “I’d seen him fight before, but it never got old. He was captivating. He never stopped moving. Every action was graceful and lethal. He was a dancer of death.”

— Richelle Mead

292. “Metaphors. This was the cost of making out with an artist.”

— Richelle Mead

293. “I disconnected as a sleepy Seth stepped out of the bedroom. “Who’s Dante? Was that a collect call to the Inferno?” “They won’t accept the charges,” I murmured.”

— Richelle Mead

294. “While I’m fine with you two dating and being happy, please try not to break his heart too much when the time comes.”

— Richelle Mead

295. “When you’ve got everything you need, why complicate it?”

— Richelle Mead

296. “You and me are going to have so much fun, Rose. Picking out curtains, doing each other’s hair, telling ghost stories...”

— Richelle Mead

297. “Right. As opposed to your cradle-robbing mentor. I don’t really see you making much progress with him.”

— Richelle Mead

298. “A man can never compete with a woman’s father.”

— Richelle Mead

299. “Adrian, I’m on a date. Why are you here? On my car?”

— Richelle Mead

300. “Not much could have distracted me from coffee, but hearing Julius Caesar quoted at Spencer’s certainly did.”

— Richelle Mead