Top 500 Rina Kent Quotes (2026 Update)
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201. “Nikolai.” “Yes, baby?” “Don’t call me any of those nicknames in front of anyone else. Don’t act like you know me in public.” “But why? I want to hang out with you.”

— Rina Kent

202. “I always have this inexplicable need to protect you.”

— Rina Kent

203. “If you were a woman, I’d say you’re PMS’ing, but you’re not. So I’m not sure how to categorize this behavior.”

— Rina Kent

204. “Like he wants to shield you from the world. I don’t think you even notice it, but sometimes, he looks at you like he can’t breathe without you. And believe me, that’s not the King everyone knows.”

— Rina Kent

205. “Nietzsche said that there’s always some madness in love, but there’s also always some reason in madness.”

— Rina Kent

206. “Bad girls get punished, and there’s nothing I love more than punishing.”

— Rina Kent

207. “And when people told her they’d look cute in similar clothes, she said that she wasn’t ready to sacrifice their sense of identity just so everyone would think they were cute.”

— Rina Kent

208. “Does joking include a bloody nose and lips, soldier?” He’s asking Matvey, but he’s still looking at me. “Sometimes, yes, sir,” Matvey replies confidently like the lowlife he is. “Very well.” The captain finally pushes back, but before I can breathe properly, he swings his fist and punches Matvey across the face so hard, he reels back from the power of it.”

— Rina Kent

209. “I love this man with everything I have and don’t have. I love him with my sane and insane parts.”

— Rina Kent

210. “Falling for you was effortless and final.”

— Rina Kent

211. “Do it properly,” I order, pushing my finger farther against her tongue. “Suck like you mean it.”

— Rina Kent

212. “Give the world a middle finger with a smile.”

— Rina Kent

213. “She might have been the one who experienced issues with alcoholism, but my addiction to her is far worse. The only difference is that I don’t wish to ever become sober.”

— Rina Kent

214. “All humans are prone to violence. I just have better control over it.” “You don’t sound so convincing with blood dripping all over your face.” “Worried about me, baby?” “You’d be bleeding out and I wouldn’t even notice. In fact, I’d use the blood to mix colors on my palette.” “Ouch.” His voice drops. “Though you’re such a horrible liar. You looked as pale as a ghost when I was being punched.”

— Rina Kent

215. “But then again, one can’t simply dictate the demands of their heart.”

— Rina Kent

216. “You’ll ruin me.” I lick her upper lip over her cupid bow. “I promise you’ll love every second of it.”

— Rina Kent

217. “No one messes with a King and lives to talk about it.”

— Rina Kent

218. “If you think i’m the devil, you should search for a higher position for Aiden.”

— Rina Kent

219. “If you’re far from the enemy, make him believe you’re near.”

— Rina Kent

220. “Silver belongs to me as much as I belong to her. The fact that I can finally shout it to the world fills me with a strange feeling I’ve never experienced before. Giddiness? Nervousness? Or maybe it’s... happiness. Before Silver, I didn’t know what that word meant. After her, it simply means... my Butterfly. My chaos. My world.”

— Rina Kent

221. “She wants to kill me the next time she sees me? By all means. Anything for my beautiful wife.”

— Rina Kent

222. “I love him with my sane and insane parts. He’s my lotus flower. My Prince Charming. The love of my life. Mine.”

— Rina Kent

223. “They’re nicknamed the four horsemen because whenever they’re on the field, they bring conquest, war, famine, and eventually death.”

— Rina Kent

224. “Because I look at myself in the mirror and get the urge to shatter it to pieces. Because I’ve been haunted by the bitter taste of nausea and self-loathing for so long, I don’t know how to live without them.”

— Rina Kent

225. “Eyes on me when you come for me, baby.”

— Rina Kent

226. “If you’re the devil, why am I not running? Why am I barging into your hell instead?”

— Rina Kent

227. “Truth is, everyone loves a bit of anarchy. A touch of chaos and violence.”

— Rina Kent

228. “He might not be officially diagnosed, but he has clear signs of antisocial personality disorder and possible narcissistic tendencies.”

— Rina Kent

229. “The pretentiousness and the fake sympathy, or even the real tears, are all useless. Why cry for someone who will never come back? They can’t hear you, so the whole point behind crying is selfishness. People don’t cry for the dead. People cry because of the uncontrollable rush of their own emotions.”

— Rina Kent

230. “My obsession with you might have started as a form of limerence, a need to possess and dominate. An urge to prove that you’re a phase and mean nothing in the grand scheme of things. But you have slithered between my heart and rib cage and I’m unable to breathe without you. You’ve conquered me, heart and soul, Dahlia. I don’t know what love is and whether or not it’s real, but if it exists, you’re its definition for me.”

— Rina Kent

231. “Someone had the audacity not only to terrorize my Mia but also to threaten and traumatize her enough to steal her voice for a whole decade.”

— Rina Kent

232. “That’s the last thought I have before Aiden slams his fist in Xander’s face.”

— Rina Kent

233. “Happy Birthday, little muse. Remember, a future where you don’t belong to me doesn’t exist.”

— Rina Kent

234. “Not all girls like the hero. I was fated to fall in love with the villain.”

— Rina Kent

235. “I’m high maintenance.” “Just the way I like it.” “I have extremely expensive tastes.” “Good thing I come from old money and I’m rich enough to outshine a few countries’ GDP.”

— Rina Kent

236. “You’re my goddamn home, baby.”

— Rina Kent

237. “The lack of you has stripped my world of color and made me realize you’re my sole light in the darkness.”

— Rina Kent

238. “I thought if I chopped off the branches, it’d all be over, but I failed to realise that she left her roots somewhere I didn’t know existed.”

— Rina Kent

239. “That’s it. Good boy.”

— Rina Kent

240. “Never say never, baby.”

— Rina Kent

241. “Souls are attracted to each other.”

— Rina Kent

242. “Yeah. One of us has to be a people person. Honestly, you’re lucky to have the Gareth Carson. Must’ve done so many good things in your past life.” “The elusive Gareth Carson no one can have is all mine?” “Uh-huh. You’ve seriously hit the jackpot.” “I have?” “Duh. You’re welcome, Professor.”

— Rina Kent

243. “Once upon a time, he used to be mine. Now, he’s anything but.”

— Rina Kent

244. “Now, why don’t you tell me the real reason you’re here, Dahlia Thorne?”

— Rina Kent

245. “What are you going to do to me?” “I’m going to teach you to behave.”

— Rina Kent

246. “Mia, however? She was the definition of a lifeless statue.”

— Rina Kent

247. “The back garden is like an unkempt jungle, with huge old trees, half-dead branches hanging like skeletons, and suspicious mushrooms lying around. Pretty sure a few aimless ghosts fly overhead, moaning about having a subpar location and few to no visitors on a daily basis. The moonlight plays hide-and-seek with the clouds and night owls scream in the distance, adding some DJing to the whole creepy vibe. Four out of five. Would recommend it for satanic rituals.”

— Rina Kent

248. “Yellow Mask can only be Nikolai Sokolov. Another Russian mafia prince, Killian and Gareth’s cousin, and the craziest twat who ever walked the earth.”

— Rina Kent

249. “I’m not gay, but I can’t stop thinking about my superior – Help?!”

— Rina Kent

250. “Even I can’t deny that he scores high on physical perfection. But all monsters look beautiful from afar. It’s up close that the ugliness shows. It’s up close that the need to run becomes a need to survive.”

— Rina Kent