Top 200 Ruta Sepetys Quotes (2024 Update)
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201. “He wrapped his arms around me and planted a kiss straight on my lips, hard and long. It felt like I was watching the kiss instead of being inside of it.”

— Ruta Sepetys

202. “That sounded like something Mother would say, throwing color onto a black-and-white picture.”

— Ruta Sepetys

203. “When it’s time, we have to be ready.” “For what?” asked Cici. “To fight,” he replied.”

— Ruta Sepetys

204. “You’re a photographer, a storyteller. In a dozen pictures, you showed me ten layers of Texas. Choose an angle and show me ten layers of Madrid.”

— Ruta Sepetys

205. “Everyone has been calm for a year or two. But if it be your will... Let the silence remain.”

— Ruta Sepetys

206. “When he asks Fuga about his stillness, his friend shrugs and says, “El momento.” The moment. To Fuga, the past no longer exists. The future is yet to exist. Fuga pledges loyalty to the “is,” not the “if.”

— Ruta Sepetys

207. “Better to die standing than live kneeling.”

— Ruta Sepetys

208. “It’s difficult navigating two cultures,” she once told him. “I feel like a bookmark wedged between chapters. I live in America, but I am not born of it. I’m Spanish.”

— Ruta Sepetys

209. “That’s what the letter from Ms. Mona Wright had said. I still had no idea what “Ms.” meant. I’d have to look it up in the practical business-writing handbook. It was obviously a title of some sort.”

— Ruta Sepetys

210. “Willie never spoke about her childhood. I stared at the picture, shocked that she had ever been a child at all. Somehow, I imagined Willie Woodley had been born with a rusty voice and street smarts to outwit any hustler. But here she was, a sweet child with a wide smile. What had happened to the Willie in the photo? I often longed to look at childhood photos of myself, but there weren’t any.”

— Ruta Sepetys

211. “Right before you arrived, Mrs. Lefevre told us that she held a gun to her husband’s head in the bedroom last night because he smelled like Tabu.” Charlotte shook her head, whispering. “Mrs. Lefevre does not wear Tabu. But a gun? Can you imagine the insanity of that?” I shook my head, feeling the cold steel of my pistol against my leg under my skirt. Unfortunately, I knew that insanity all too well.”

— Ruta Sepetys

212. “His difficult past was not a burden to him but an inspiration.”

— Ruta Sepetys

213. “Words are weapons. I’ll be able to fight our American and Birtish enemies with words, not only guns.”

— Ruta Sepetys

214. “There are colors of beauty in Madrid, but also colors of hardship. Ghosts of war walk the streets in Spain. Daniel passes blind lottery vendors, citizens missing limbs, young people using canes. Should he look directly at them and acknowledge their sacrifice or look away and honor their dignity?”

— Ruta Sepetys

215. “Attendants and domestics have been part of Daniel’s life since birth. They fade into his background, like Franco’s security guards. They are silent witnesses, seemingly blind and deaf to all conversations and indiscretions. But they are not blind and deaf. Everything is noted.”

— Ruta Sepetys

216. “History is the gateway to our collective story and the story of humanity. Historical fiction allows us to explore underrepresented stories and illuminate countries on the map.”

— Ruta Sepetys

217. “Was it better to know, or better not to?”

— Ruta Sepetys

218. “Puri takes a deep breath. “Julia, when should a secret be kept and what should be kept a secret? If I see something that troubles me, that doesn’t feel correct, do I have the right to question it? Should I say something?”

— Ruta Sepetys

219. “Was there a lot of carryin’ on in there?” asked Cokie. “I don’t know,” I said. “You don’t know?” said Patrick, turning around from the front seat. “Jo, they have a baby grand piano, but no one in the family plays. They have shelves of books they’ve never read, and the tension between the couples was so thick it nearly choked us.”

— Ruta Sepetys

220. “Fuga pledges loyalty to the “is,” not the “if.”

— Ruta Sepetys

221. “Memories are hungry, tesoro. You mustn’t feed them.”

— Ruta Sepetys

222. “Take comfort that this silence is not yours alone, Teresa. In the fields, across the mountains, under the streets, and beneath the trees lie thousands of souls, condemned to silence. But one day, far into the future when the pain is less sharp, the voices of the dead will find harmony with the living. They will make a melody. Listen for the music, Teresa. I sing for you, my children, and for the better day I know will come.”

— Ruta Sepetys

223. “What is the cost of self-worth?”

— Ruta Sepetys

224. “Mileage doesn’t make the man.”

— Ruta Sepetys

225. “To Fuga, the past no longer exists. The future is yet to exist. Fuga pledges loyalty to the “is,” not the “if.”

— Ruta Sepetys

226. “The temporary victory is silent, but sings through his soul.”

— Ruta Sepetys

227. “Patrick wanted someone else. I wanted him to be happy, but why couldn’t he be happy with me? I knew the answer. He couldn’t choose me.”

— Ruta Sepetys

228. “Trading Kents for the lives of children. And he said it without hesitation, without the pain and shameful truth it carried – that the guards cared more about nicotine than humans.”

— Ruta Sepetys

229. “Light fell, and so did my confidence.”

— Ruta Sepetys

230. “Gold is tried by fire and brave men by adversity,” says Rafa.”

— Ruta Sepetys

231. “I stood there, thinking about Dora’s question. What sort of a woman steals from her child?”

— Ruta Sepetys

232. “We know us. They’re wrong. And don’t ever allow them to convince you otherwise. Do you understand?”

— Ruta Sepetys

233. “It’s not her fault, but Sissy’s presence seems to amplify his mother’s absence. It stings.”

— Ruta Sepetys

234. “The baby is not yet strong. Neither is Julia. She clings desperately to the child, and together they cry through the nights.”

— Ruta Sepetys

235. “Questions. Why does she cling so tightly to questions? Why can’t she open her fist and let them fly away? Together with doctors, bishops, and priests, Sister Hortensia devotes her entire existence to the orphans. It is disrespectful to question their authority. Yet something nags at her. Hesitation. Doubt. She is ashamed by it, yet compelled to probe further.”

— Ruta Sepetys

236. “Everyone who isn’t a maid has one.”

— Ruta Sepetys

237. “Do others in Spain have ghosts in the attic of their mind? Do they try to face them as he does? The door to the attic creaks constantly, beckoning Rafa with a long, crooked finger back to his childhood. Back to the war.”

— Ruta Sepetys