Top 200 Sarah Rees Brennan Quotes (2024 Update)
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101. “Wearing that? Wouldn’t you fancy a shapeless cardigan instead? You rock a shapeless cardigan, honey.”

— Sarah Rees Brennan

102. “Kami concentrated on the scarecrows going by and scribbled: “Write in your notebook to avoid this awkward moment!” Angela.”

— Sarah Rees Brennan

103. “Nick spoke for the first time. “Can I go to the nurse’s office too?” Ms. Popplewell looked at him It obviously took her only one look to decide. “No.” “I’m traumatized too,” Nick claimed, his voice completely flat. “He’s a delicate flower,” Alan said under his breath.”

— Sarah Rees Brennan

104. “Happiness is self-sabotage, a mean trick that your own mind plays on you. It makes you careless, makes you lose your grip and once you lose your grip, you lose everything. You certainly aren’t happy anymore.”

— Sarah Rees Brennan

105. “Elliot was left to trail behind. As he did, he thought about Luke talking about literary tropes – the fearless hero, the valiant heroine, and where did it all leave him? Sidekick: a horrible indignity, Elliot refused to accept it. And the other idea was some sort of lurking, jealous figure: an Iago, a pathetic pseudo-villain waiting in the wings to plot and bring the hero down. He wasn’t going to plot against Luke, who had dumb daffodil hair and said “tropez,” for God’s sake.”

— Sarah Rees Brennan

106. “Kami glanced over at Angela. Angela lay serenely with her hands folded across her chest and her lashes like black lace against her white cheeks. “You look so sweet when you sleep,” Kami said. “Like an emo ten-year-old’s first Vampire Bride Barbie. Pull the string on the back and she says cruel things to her hardworking friends.”

— Sarah Rees Brennan

107. “Maybe that is the only thing I have ever learned about love: love is when you save someone no matter what the cost.”

— Sarah Rees Brennan

108. “I’m not doing much, said Jared, warm in her mind, the amusement lingering. Just stuck in an elevator with this creepy Asian girl giving me a death glare.”

— Sarah Rees Brennan

109. “This place is starting to feel like a home away from home,” Rusty said, settling on the sofa. “We come here, we discuss evil sorcerers, we eat packets of peanuts. It’s a soothing and familiar routine. Or it would be if people would just bring me some peanuts.”

— Sarah Rees Brennan

110. “I bet he also didn’t mention that I stick pins into the eyes of everybody who annoys me. In the land of the blind, the one-eyed man is the man who was wise enough to only annoy me once.”

— Sarah Rees Brennan

111. “It wasn’t her fault if Elliot had expressed his feelings wrong. He always did that, as if life were a dance where everybody else knew the moves but Elliot was constantly and fatally out of step.”

— Sarah Rees Brennan

112. “She did know that she liked the way happiness flooded back into his face, eyes on hers suddenly, warm and private, as if he was about to lean over to her and whisper the best secret ever.”

— Sarah Rees Brennan

113. “They were curved together like quotation marks with no words in between.”

— Sarah Rees Brennan

114. “If you must know, she is the one soul destined for my own, and we are going to be together forever,” he declared loftily. “That’s weird,” Luke told him. “We’re thirteen.”

— Sarah Rees Brennan

115. “Kami closed her latest book with a slam. She did not know why the townspeople had not risen up against the Lynburns years ago, frankly. Whatever happened to the folksy and charming tradition of storming the castle with burning torches and pitchforks?”

— Sarah Rees Brennan

116. “I do not know if you are not interested, or protecting yourself, but you cannot guard yourself against the whole world. You only succeed in placing a barrier between yourself from the world.” He hesitated. “I know that from personal experience.”

— Sarah Rees Brennan

117. “I want to be hurt. I want to be in so much pain that I can’t think and I can’t remember why. That’s what I want. That’s all I want.”

— Sarah Rees Brennan

118. “Jared glared. Some people, Kami knew, had bedroom eyes. She was saddened to have to admit that Jared had filthy alleyway eyes.”

— Sarah Rees Brennan

119. “Being with you is the only definition of happiness I have.”

— Sarah Rees Brennan

120. “He had talked to her the same way when her grandmother died. Even though that had been different, had been an ordinary tragedy.”

— Sarah Rees Brennan

121. “One of the lambs fixed its attention on Jared. “Baa,” it flirted. “Boo,” said Jared. “Oh my God, Jared. Don’t tough-talk the lambs.”

— Sarah Rees Brennan

122. “She had to remember that there was power and magic in life: that when the sun laid a ray as warm as a hand on her head as they left the graveyard, it could be an unseen hand, reaching out to her with love. Only changed, and not strange forever.”

— Sarah Rees Brennan

123. “That’s how we roll,” Kami said. “We live a mock-and-roll lifestyle.”

— Sarah Rees Brennan

124. “Magic lands in books had always seemed close to nature, but in a nice way, without all the unpleasant details.”

— Sarah Rees Brennan

125. “The first thing to do was slip away from her father, who might have questions about why she kept insisting on going back to the lair of ultimate evil. Kami saw why so many teenagers who had adventures in books were interestingly tragic orphans. Parents were a real buzzkill, adventure-wise.”

— Sarah Rees Brennan

126. “What do you mean, the police were suspicious because you weren’t wearing enough clothes?” Ash demanded, staring coldly at Jared. “Where were your clothes?”

— Sarah Rees Brennan

127. “Two harpies, one stone,” he added, and then saw the way Serene was looking at him. “A diplomatic stone! A diplomatic stone.”

— Sarah Rees Brennan

128. “Best if you think of this room as a minefield. Tread carefully or get exploded, she advised Jared, and then said aloud, “Hideous brats! We have a guest. Conceal evidence of your crimes.”

— Sarah Rees Brennan

129. “Oh no, Nick” Jaime said in tones of supremely unconvincing shock, “how could you? When my back was turned for one momement. And my food was so delicious.”

— Sarah Rees Brennan

130. “One of the boringly human pair of boys, the obvious leader, was tall and broad-shouldered, with golden hair, as if Nature has said, ‘No worries, buddy, I gotcha, no nasty tiring thinking will ever be necessary, also have a crown.”

— Sarah Rees Brennan

131. “I wasn’t showing what I really felt. Real grief is ugly and uncomfortable. People look away from grief the same way they look away from severed limbs or gaping wounds. What they want is pain like death on a stage: beautiful, bloodless, presented for their entertainment.”

— Sarah Rees Brennan

132. “Whoosh! went the bluebird of sarcasm, zooming miles above Dale’s head.”

— Sarah Rees Brennan

133. “Do not have a catfight, boys, even if it is that time of the month,” said Serene, and when she saw them staring at her, she explained: “You know – women shed their dark feelings with their menses every month? But men, robbed of that outlet, have strange moodswings and become hysterical at a certain phase of the moon?”

— Sarah Rees Brennan

134. “It was one of those nonsense things that people said, like “It’s not you, it’s me” and “You’re too good for me.” It meant, “I would like to very politely and very swiftly escape this relationship, like a Victorian gentleman in a rocket.”

— Sarah Rees Brennan

135. “I love you,” said Aunt Lillian. “And I’m sorry you were buried alive. I hope you get over it quickly.”

— Sarah Rees Brennan

136. “Ash and Rusty were both objectively better-looking than he was; she remembered knowing that, even though it no longer felt true.”

— Sarah Rees Brennan

137. “There were certain kids at school who could only be described as mad, bad, and dangerous to teach, and Jared Moore was their king.”

— Sarah Rees Brennan

138. “A riddle wrapped up in an enigma, wrapped up in a giant pain in the ass. Well done, Kami.”

— Sarah Rees Brennan

139. “That Kami Glass, people must say as she went by. About as sexy as a teapot.”

— Sarah Rees Brennan

140. “Angela Montgomery was in the hall, shadows and her own long black hair wrapping around her. Ash could see only her face, which gave the impression that she was a beautiful human Cheshire cat, come not to smile but to look deeply disdainful of everything.”

— Sarah Rees Brennan

141. “Think of a book special to you, and how much bleaker and poorer your life would be if that one writer had not existed... You’re going to be that one writer, one day, for somebody you may never meet. Nobody can write that book you’re going to write – but you.”

— Sarah Rees Brennan

142. “Also, vampires don’t eat food. You never get to eat chocolate again. Ever. I’d rather die.”

— Sarah Rees Brennan

143. “Anyone would love him, but I do not know if anyone could love him as much as I do.”

— Sarah Rees Brennan

144. “Abracadabra, moron.”

— Sarah Rees Brennan

145. “I don’t want to be friends with them, Dale.” He gave Dale the soulful look that he had practised on the elves. “I only want to be friends with you.”

— Sarah Rees Brennan

146. “I’ll do a deal with you McFarlane,” he said. “You can exist. And you can even have coffee. But if you raise your voice or make any sudden movements, I shall die. And that’ll show you.” Seb shrugged in return, hiding how pleased he was pretty badly. “Fair enough.”

— Sarah Rees Brennan

147. “There had been talk of cutting Luke from Trigon, but then everyone on Luke’s team had wept and had nervous breakdowns at the idea of cutting Luke from Trigon, so nobody talked about it anymore.”

— Sarah Rees Brennan

148. “I was slightly overwrought. Sometimes that happens when you get phone calls saying that your child has tumbled into a well.”

— Sarah Rees Brennan

149. “You do not have any masculine attributes that could be compared to other men’s: it would be ridiculous if you did, since you could have only the most minuscule difference between one man’s attribute and the other.”

— Sarah Rees Brennan

150. “Does it get easier? Elliot thought, looking at her still pale face. Or is it just that you shut doors in your own heart and never open them again for fear of what is behind them?”

— Sarah Rees Brennan