Top 450 Stephanie Garber Quotes (2024 Update)
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201. “I’m just not fond of cages,′ she said, ’and this place looks like one giant dungeon.”

— Stephanie Garber

202. “Ballads never end happily, everyone knows that.”

— Stephanie Garber

203. “He held on to her as if she were a grudge, his body rigid ad tense, as if he really didn’t want her there, and yet his arms were tight around her waist as though he had no intention of ever letting her go.”

— Stephanie Garber

204. “Sommige dingen zijn het nastreven waard, ongeacht wat het kost. – Aiko.”

— Stephanie Garber

205. “He’d heard every person gets one impossible wish – just one – if the person wants something more than anything, and they can find a bit of magic to help them along.”

— Stephanie Garber

206. “His steady gaze was even softer than his voice. It reached out to the broken parts of her like a caress. The type of touch that moves through damaged flesh, past fractured bones and into a person’s wounded soul.”

— Stephanie Garber

207. “Scar, I don’t know what you’re thinking, but I swear there is nothing going on between Dante and me. You know how I feel about boys who are prettier than me.”

— Stephanie Garber

208. “I hurt everyone, Little Fox. But you have to be alive to hate me.′ His eyes iced over. ‘I do not want you dead, and I’ll kill anyone who tries.”

— Stephanie Garber

209. “There were shipwrecks more graceful than Tella.”

— Stephanie Garber

210. “Tella imagined wanting someone without loving them was like an endless hunger – even if you managed to hold the person you wanted in your grasp it would never be enough, and letting them go would be even worse.”

— Stephanie Garber

211. “Yes, her father had always treated her like a possession, but she was not a thing to be bought or sold.”

— Stephanie Garber

212. “The Archer had always been so sure of himself and what he could do. He’d never been given a task he could not complete. There was no beast he could not track, no target he could not hit. He could shoot an apple from the hand of a friend at a thousand paces away- while it was being tossed in the air. He was a legend, he was the Archer, and he would have sacrificed it all to save her.”

— Stephanie Garber

213. “Evangeline didn’t want love that made sense, she wanted love that made her feel, love that made her want to fight and hope for the impossible.”

— Stephanie Garber

214. “Remember, it’s only a game.”

— Stephanie Garber

215. “Legend laughed, deep and rumbling “I’ll always want to play with you. But tonight I’m not playing. I want you, Donatella Dragna. I’ve never felt like this about anyone, and I’ve never asked anyone this either.”

— Stephanie Garber

216. “When did you become such an idealist?” “When I met a girl who loved her sister so much she was able to wish her back to life. You might possess magic, but love like that is real power.” “And yet all the love in the world wouldn’t have brought Tella back without my magic.” “She never would have died without your magic, either.” Julian’s smile disappeared. “Tella would have found another way. She didn’t and doesn’t need you to save her. She needs to save you.”

— Stephanie Garber

217. “Tick Tock Little Fox.”

— Stephanie Garber

218. “But you have to have a working heart for it to break.”

— Stephanie Garber

219. “Evangeline wanted a real love powerful enough to break a spell, which was exactly what Jacks wanted, too.”

— Stephanie Garber

220. “She didn’t make being alone seem lonely as Evangeline had always feared. She made it seem like an adventure, as if every moment were the start of a story with endless possibilities.”

— Stephanie Garber

221. “Every story has four parts: the beginning, the middle, the almost-ending, and the true ending. Unfortunately, not everyone gets a true ending.”

— Stephanie Garber

222. “She wasn’t making love choices, she was making compromising choices because she wanted love. Luc wasn’t her weakness- love was. Not even just love but the idea of it.”

— Stephanie Garber

223. “Relax, Crimson – ” “It’s Scarlett.” “Same difference.”

— Stephanie Garber

224. “Jacks’s mouth twisted bitterly. “Since then, every girl I’ve kissed has died, except for one. And you are not that girl.”

— Stephanie Garber

225. “He was terrible. There was no other word to describe him- except maybe heartless or depraved or rotten. The way Jacks seemed to enjoy pain was absolutely staggering. The apple in his hand probably possessed more sympathy than he did. This was not the same young man who’d practically bled heartbreak all over the knave of the church. Something inside of him was broken.”

— Stephanie Garber

226. “Luck had nothing to do with it,” Jacks mumbled. “I wanted you here, Little Fox. Who do you think asked Poison to save you and suggest to his empress that she send you to Nocte Neverending?”

— Stephanie Garber

227. “He gritted his teeth. “Being yours does not make you mine.”

— Stephanie Garber

228. “You know, biting is really like kissing but better, if you do it right.”

— Stephanie Garber

229. “If Evangeline had a dagger, she imagined she could have sliced into that night as if it were a cake and stolen a piece of it to take a bite of all the wondrous dark.”

— Stephanie Garber

230. “Relax. Jacks’s voice in Evangeline’s head. Fear only excites them, Little Fox.”

— Stephanie Garber

231. “Jacks ran across the cavern and punched Apollo in the face. Then he punched him again and again. He punched until he stopped feeling his fist, breaking Apollo’s bones. When blood spewed from the prince’s nose, Jacks felt it spray his cheek.”

— Stephanie Garber

232. “I’m not going to tell you to trust me, because that’s a terrible idea. But you can believe that if I were going to have you harm Apollo, I wouldn’t be around when it happened.”

— Stephanie Garber

233. “But she was like the tide drawn by the tremendous force of the moon. It was no wonder waves were always crashing; they must have hated the pull as much as she did.”

— Stephanie Garber

234. “He was a thousand cuts happening all at once. Devastation made of hair as blue as dark ocean waves, and lips sharp as cracked glass that would delightedly cut her.”

— Stephanie Garber

235. “All stories are made of both truths and lies, she used to say. What matters is the way that we believe in them.”

— Stephanie Garber

236. “People who don’t like me call me Jacks.”

— Stephanie Garber

237. “When we feel, it’s intense and consuming. It devours us and drives us. And the strongest of our feelings is always the urge to be that which we were made to be.”

— Stephanie Garber

238. “I’m glad you came.” “I’ll always come. Even when you don’t want me to.”

— Stephanie Garber

239. “I think I’ve made a mistake.” “Then make it into something better.”

— Stephanie Garber

240. “And it struck her how intimate words could be, how they could be spoken only once, for only one person, and they would never be heard again, they would disappear like a moment, gone almost as soon as you realized they were there.”

— Stephanie Garber

241. “You think love is a disease, but you’ve become the disease. Your fear of love is destroying you and everyone you touch. And it doesn’t make you powerful, it makes the world around you tragic.”

— Stephanie Garber

242. “The truth is never what you want it to be, Little Fox.”

— Stephanie Garber

243. “Hurt is what made me.”

— Stephanie Garber

244. “Once the future is foretold, that future becomes a living thing and it will fight very hard to bring itself about.”

— Stephanie Garber

245. “LaLa is my friend, this is her engagement party, and it is going to be magical. No one is going to die at this celebration. You are not going to kill people while we’re here.” Jacks leaned back in his seat and picked up his apple, mouth twisting into a sullen frown. “That’s a terrible plan, Little Fox.” He took a wide bite, sharp teeth tearing at the fruit. “Someone is going to die. It will either be one of them or one of us.”

— Stephanie Garber

246. “Dark was for stars and dreams and the magic that took place in between days.”

— Stephanie Garber

247. “She liked the thrill that came with taking risks. She loved the feeling of doing something bold enough to make her future hold its breath while she closed her eyes and reveled in the sensation that she’d made a choice with the power to alter the course of her life. It was the closest she ever came to holding real power.”

— Stephanie Garber

248. “In the fairy tales, sixteen was always the age when girls either learned they had magical powers, were truly princesses in disguise, or were cursed and needed a handsome prince to help them break the dark enchantment.”

— Stephanie Garber

249. “But Scarlett had decided after Caraval that she would not let fear rule her.”

— Stephanie Garber

250. “Red. The color of love and heartache and other things both virtuous and vile.”

— Stephanie Garber