Top 250 Stephanie Perkins Quotes (2024 Update)
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151. “It was the most popular tree-buying destination in Asheville. Lots were everywhere in the mountains of North Carolina – this was Christmas-tree-farm country, after all – so to distinguish themselves, the Drummonds offered friendliness and tradition and atmosphere. And free organic hot apple cider. Asheville loved anything organic. It was that type of town.”

— Stephanie Perkins

152. “Did you wake me up... to talk about candy?”

— Stephanie Perkins

153. “I’m beginning to think that maybe it’s okay to be a blank canvas. maybe it’s okay that my future is unknown.”

— Stephanie Perkins

154. “One of the new girls followed me in and said she thinks Toph is an insensitive douchebag motherhumping assclown, and that I shouldn’t let him get to me. Which was sweet, but didn’t really help.”

— Stephanie Perkins

155. “When two people are in love, it’s supposed to work. It has to work. No matter how difficult the circumstances are.”

— Stephanie Perkins

156. “There’s another uncomfortable tug on my heart. Why do I care so much about him, and why do I wish I didn’t? How can one person make me so confused all the time?”

— Stephanie Perkins

157. “Is it possible for a home to be a person and not a place? Brigette used to be home to me. Maybe St. Clair is my new home.”

— Stephanie Perkins

158. “We talk about the shiny little nothings we see – people and cars and cathedrals, even la Tour Eiffel – but it’s not that we don’t have anything meaningful to say. The feeling is that we have everything to say. And where do you begin with everything?”

— Stephanie Perkins

159. “It’s often suggested that as a culture, we’re only interested in immediate gratification. Fast food. Self-checkout. Downloadable music, movies, books. Instant coffee, instant rebates, instant messaging. Instant weight loss! Shall I go on?”

— Stephanie Perkins

160. “There’s no reason to suffer this flight alone when we can suffer it together.”

— Stephanie Perkins

161. “I wish for the thing that is best for me.”

— Stephanie Perkins

162. “St. Clair wanders around, picking up things and examining them like I did in Meredith’s room. He inspects the collection of banana and elephant figurines lined up on my dresser. He holds up a glass elephant and raises his dark eyebrows in question.”

— Stephanie Perkins

163. “The lines are careful. They reveal he pays attention. People don’t think he does, because he daydreams and skips class and neglects his homework, but when I see his drawings, I know they’re wrong.”

— Stephanie Perkins

164. “Everyone is worthy of love.” – Hattie.”

— Stephanie Perkins

165. “And then the darkness gives way to white neon. An Art Deco font, burning into the night, announces our arrival at the CINEMA LE CHAMPO. The letters dwarf me. Cinema. Has there ever been a more beautiful word? My heart soars as we pass the colorful film posters and walk through the gleaming glass doors. The lobby is smaller than what I’m used to, and though it’s missing the tang of artificially buttered popcorn, there’s something in the air I recognize, something both musty and comforting.”

— Stephanie Perkins

166. “You read a lot. – Safer than going on a real adventure.”

— Stephanie Perkins

167. “He tastes like my deepest craving fulfilled.”

— Stephanie Perkins

168. “I don’t actually have any accounts, because social networking has always felt like a popularity contest to me. A public record of my own inadequacies.”

— Stephanie Perkins

169. “Not always getting what you want, but sometimes getting what you need.”

— Stephanie Perkins

170. “I have the strangest feeling that he’s aware of me as I am of him.”

— Stephanie Perkins

171. “It’s strange. Home. How I could wish for it so long, only to come back and find it gone.”

— Stephanie Perkins

172. “For a certain type of person, high school will always be brutal,′ the head says. ‘The best advice that I can give you is to figure out what comes next, and work towards that.”

— Stephanie Perkins

173. “It’s so Hogwarts.”

— Stephanie Perkins

174. “I finally realized how absurd it was that I’d worried so much about what my classmates thought about me. It’s not like I wanted to look like them.”

— Stephanie Perkins

175. “You’ve crafted this bored veneer, but you’re always giving yourself away in moments like that. In the moments that really matter.”

— Stephanie Perkins

176. “I don’t know what I believe. I guess that makes me a Christmas tree agnostic.” He smiles. “I like it and you’re a Yom Kippur atheist.”

— Stephanie Perkins

177. “Seriously. We were never like that were we?”

— Stephanie Perkins

178. “Love can be so sttange and sad. It can be hard to understand why we run toward certain people and away from others at different times in our lives. Why we search so hard for that thing we are looking for, and the run so fast when we find it. Sick Pleasure – Francesca Lia Block.”

— Stephanie Perkins

179. “In Paris, it’s common to acknowledge someone attractive. The French don’t avert their gaze like other cultures do. Haven’t you noticed?”

— Stephanie Perkins

180. “I’ve learned that if I never leave those areas of my life that feel comfortable, I’ll never have a chance at a greater happiness.”

— Stephanie Perkins

181. “Zeke doesn’t talk,” said Lena. “Why not?” asked Arlo. Lena shrugged. “He never said.” She pointed to the front of the crowd. “Brice is about to start.”

— Stephanie Perkins

182. “I need you to be my person,” Mags said. “I need to see you. And hear you. I need you to stay alive. And I need you to stop kissing other people just because they’re standing next to you when the ball drops.”

— Stephanie Perkins

183. “How could I have ever for a moment believed I wasn’t in love with him?”

— Stephanie Perkins

184. “When it’s right, it’s simple,” he says to my unasked question. “Unlike your hair.”

— Stephanie Perkins

185. “El mundo guarda silencio salvo por los latidos constantes de nuestros corazones.”

— Stephanie Perkins

186. “Things are not always how they seem.”

— Stephanie Perkins

187. “I am worried about being in love, because it involves asking so much. I am worried that my life will never fit into his. That I will never know him. That he will never know me. That we get to hear the stories, but never get to hear the full truth.”

— Stephanie Perkins

188. “How does one proceed in a situation like this? If only the discovery of mutual admiration could lead promptly into making out. If only I could say, ‘Listen. I like you, and you like me, so let’s go find a secluded park and touch each other.”

— Stephanie Perkins

189. “But, for me, yes. I have to be with Anna. But this is something you have to figure out on your own.”

— Stephanie Perkins

190. “Put this on your list of things to know: the combination of tinsel, baby angel wings, and manger hay burns like weed at a Miley Cyrus concert.”

— Stephanie Perkins

191. “But I could be mistaking our friendship for something more, because I want to mistake it for something more.”

— Stephanie Perkins

192. “You’re so bad at good-byes, he whispers in my ear. Which is true. There is an average of about forty-seven minutes between the time we first type “goodnight” and the moment we actually stop sending our words back and forth.”

— Stephanie Perkins

193. “So he started writing these novels set in Small Town Georgia about folks with Good American Values who Fall in Love and then contract Life-Threatening Diseases and Die. I’m.”

— Stephanie Perkins

194. “Tomorrow. Right now, I only want you.”

— Stephanie Perkins

195. “YOU feel sorry for ME? I am not the one who has never tasted bread pudding.”

— Stephanie Perkins

196. “He was the kind of beautiful that got under your skin.”

— Stephanie Perkins

197. “Andy once clipped a magazine article about how black dogs are always the last to be adopted at shelters and, therefore, more likely to be put down. Which is totally Dog Racism, if you ask me.”

— Stephanie Perkins

198. “Would you rather be great at something you like, or just okay at something you love?”

— Stephanie Perkins

199. “I don’t know what I believe. I guess that makes me a Christmas Tree Agnostic.”

— Stephanie Perkins

200. “And it didn’t matter how many songs or poems had already been written about them, because whenever he thought about the girl, the stars shone brighter. As if she were the one keeping them illuminated.”

— Stephanie Perkins