Top 160 Theodor W. Adorno Quotes (2024 Update)
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51. “People have so manipulated the concept of freedom that it finally boils down to the right of the stronger and richer to take from the weaker and poorer whatever they still have.”

— Theodor W. Adorno

52. “Art respects the masses, by standing up to them for what they could be, rather than conforming to them in their degraded state.”

— Theodor W. Adorno

53. “The almost insoluble task is to let neither the power of others, nor our own powerlessness, stupefy us.”

— Theodor W. Adorno

54. “The great artists were never those whose works embodied style in its least fractured, most perfect form but those who adopted style as a rigor to set against the chaotic expression of suffering, as a negative truth.”

— Theodor W. Adorno

55. “Art is the social antithesis of society, not directly deducible from it.”

— Theodor W. Adorno

56. “The culture industry is not the art of the consumer but rather the projection of the will of those in control onto their victims. The automatic self-reproduction of the status quo in its established forms is itself an expression of domination.”

— Theodor W. Adorno

57. “True thoughts are those alone which do not understand themselves.”

— Theodor W. Adorno

58. “The hardest hit, as everywhere, are those who have no choice.”

— Theodor W. Adorno

59. “Modernity is a qualitative, not a chronological, category.”

— Theodor W. Adorno

60. “There are no more ideologies in the authentic sense of false consciousness, only advertisements for the world through its duplication and the provocative lie which does not seek belief but commands silence.”

— Theodor W. Adorno

61. “Art as a whole is a riddle. Another way of putting this is to say that art expresses something while at the same time hiding it.”

— Theodor W. Adorno

62. “The poor are prevented from thinking by the discipline of others, the rich by their own.”

— Theodor W. Adorno

63. “The forms of art reflect the history of man more truthfully than do documents themselves.”

— Theodor W. Adorno

64. “The idea that after this war life will continue ‘normally’ or even that culture might be ‘rebuilt’ – as if the rebuilding of culture were not already its negation – is idiotic.”

— Theodor W. Adorno

65. “Culture is only true when implicitly critical, and the mind which forgets this revenges itself in the critics it breeds. Criticism is an indispensable element of culture.”

— Theodor W. Adorno

66. “In sharp contrasts to traditional art, modern art does not hide the fact that it is something made and produced: on the contrary, it underscores the fact.”

— Theodor W. Adorno

67. “What we had set out to do was nothing less than to explain why humanity, instead of entering a truly human state, is sinking into a new kind of barbarism.”

— Theodor W. Adorno

68. “The lie has long since lost its honest function of misrepresenting reality. Nobody believes anybody, everyone is in the know. Lies are told only to convey to someone that one has no need either of him or his good opinion.”

— Theodor W. Adorno

69. “What human beings seek to learn from nature is how to use it to dominate wholly both it and human beings. Nothing else counts. Ruthless toward itself, the Enlightenment has eradicated the last remnant of its own self-awareness. Only thought which does violence to itself is hard enough to shatter myths.”

— Theodor W. Adorno

70. “What the philosophers once knew as life has become the sphere of private existence and now of mere consumption, dragged along as an appendage of the process of material production, without autonomy or substance of its own.”

— Theodor W. Adorno

71. “Love is the ability to discover similarities in the dis-similar. The audience has a right not to be fooled – even if it insists on being fooled.”

— Theodor W. Adorno

72. “In Anglo-Saxon countries the prostitutes look as if they purveyed, along with sin, the attendant pains of hell.”

— Theodor W. Adorno

73. “Humanity had to inflict terrible injuries on itself before the self, the identical, purpose-directed, masculine character of human beings was created, and something of this process is repeated in every childhood.”

— Theodor W. Adorno

74. “The inadequacy of the purely purpose-oriented form is revealed for what it is-a monotonous, impoverished boring practicality.”

— Theodor W. Adorno

75. “The darkening of the world makes the irrationality of art rational: radically darkened art.”

— Theodor W. Adorno

76. “Of the world as it exists, it is not possible to be enough afraid.”

— Theodor W. Adorno

77. “To say ‘we’ and mean ‘I’ is one of the most recondite insults.”

— Theodor W. Adorno

78. “There is tenderness only in the coarsest demand: that no-one shall go hungry any more.”

— Theodor W. Adorno

79. “History does not merely touch on language, but takes place in it.”

— Theodor W. Adorno

80. “Triviality is evil – triviality, that is, in the form of consciousness and mind that adapts itself to the world as it is, that obeys the principle of inertia. And this principle of inertia truly is what is radically evil.”

— Theodor W. Adorno

81. “Life has become the ideology of its own absence.”

— Theodor W. Adorno

82. “That all men are alike is exactly what society would like to hear. It considers actual or imagined differences as stigmas indicating that not enough has yet been done; that something has still been left outside its machinery, not quite determined by its totality.”

— Theodor W. Adorno

83. “And how comfortless is the thought that the sickness of the normal does not necessarily imply as its opposite the health of the sick, but that the latter usually only present, in a different way, the same disastrous pattern.”

— Theodor W. Adorno

84. “Tact is the discrimination of differences. It consists in conscious deviations.”

— Theodor W. Adorno

85. “In the age of the individual’s liquidation, the question of individuality must be raised anew.”

— Theodor W. Adorno

86. “The objective tendency of the Enlightenment, to wipe out the power of images over man, is not matched by any subjective progress on the part of enlightened thinking towards freedom from images.”

— Theodor W. Adorno

87. “Fascism was not simply a conspiracy – although it was that – but it was something that came to life in the course of a powerful social development. Language provides it with a refuge. Within this refuge a smoldering evil expresses itself as though it were salvation.”

— Theodor W. Adorno

88. “The only true thoughts are those which do not grasp their own meaning.”

— Theodor W. Adorno

89. “It is not the office of art to spotlight alternatives, but to resist by its form alone the course of the world, which permanently puts a pistol to men’s heads.”

— Theodor W. Adorno

90. “Words of the jargon sound as if they said something higher than what they mean.”

— Theodor W. Adorno

91. “People at the top are closing ranks so tightly that all possibility of subjective deviation has gone, and difference can be sought only in the more distinguished cut of an evening dress.”

— Theodor W. Adorno

92. “The basest person is capable of perceiving the weaknesses of the greatest, the most stupid, the errors in the thought of the most intelligent.”

— Theodor W. Adorno

93. “Myth is already enlightenment, and enlightenment reverts to mythology.”

— Theodor W. Adorno

94. “Only thought which does violence to itself is hard enough to shatter myth.”

— Theodor W. Adorno

95. “Very evil people cannot really be imagined dying.”

— Theodor W. Adorno

96. “Enlightenment, understood in the widest sense as the advance of thought, has always aimed at liberating human beings from fear and installing them as masters. Yet the wholly enlightened earth is radiant with triumphant calamity.”

— Theodor W. Adorno

97. “If all pleasure has, preserved within it, earlier pain, then here pain, as pride in bearing it, is raised directly, untransformed, as a stereotype, to pleasure: unlike wine, each glass of whisky, each inhalation of cigar smoke, still recalls the repugnance that it cost the organism to become attuned to such strong stimuli, and this alone is registered as pleasure.”

— Theodor W. Adorno

98. “In contrast to the Kantian, the categorical imperative of the culture industry no longer has anything in common with freedom. It proclaims: you shall conform, without instruction as to what; conform to that which exists anyway as a reflex of its power and omnipresence. The power of the culture industry’s ideology is such that conformity has replaced consciousness.”

— Theodor W. Adorno

99. “The bliss of contemplation consists in disenchanted charm.”

— Theodor W. Adorno

100. “The neon signs which hang over our cities and outshine the natural light of the night with their own are comets presaging the natural disaster of society, its frozen death.”

— Theodor W. Adorno