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Top 6 Andrea Barrett Quotes (2024 Update)

Andrea Barrett Quote: “It’s hard to explain how much one can love writing. If people knew how happy it can make you, we would all be writing all the time. It’s the greatest secret of the world.”

1. “It’s hard to explain how much one can love writing. If people knew how happy it can make you, we would all be writing all the time. It’s the greatest secret of the world.”

— Andrea Barrett

Andrea Barrett Quote: “Adrianne Harun’s dark, mysterious novel is by turns Gothic and grittily realistic, astute and poetic in its evocation of evil everywhere.”

2. “Adrianne Harun’s dark, mysterious novel is by turns Gothic and grittily realistic, astute and poetic in its evocation of evil everywhere.”

— Andrea Barrett

Andrea Barrett Quote: “We write in response to what we read and learn; and in the end we write out of our deepest selves.”

3. “We write in response to what we read and learn; and in the end we write out of our deepest selves.”

— Andrea Barrett

Andrea Barrett Quote: “We all feel unhoused in some sense. That’s part of why we write.”

4. “We all feel unhoused in some sense. That’s part of why we write.”

— Andrea Barrett

Andrea Barrett Quote: “Sarah Cornwell has a brilliant eye for the telling detail, and a wonderfully original way of embodying family history. I was captivated by her memorable characters and the perfectly paced revelations of their surprising relationships.”

5. “Sarah Cornwell has a brilliant eye for the telling detail, and a wonderfully original way of embodying family history. I was captivated by her memorable characters and the perfectly paced revelations of their surprising relationships.”

— Andrea Barrett

Andrea Barrett Quote: “Slowly, I began to relearn something I’d once grasped but had lost sight of: that emotion – that central element of fiction – derives not from information or from explanation, nor from a logical arrangement of the facts, but specifically from powerful images and from the qualities of language: diction, rhythm, form, structure, association, metaphor. And sometimes I also had glimmers of another thing I’d once known: how effectively information can be used to wall off emotion.”

6. “Slowly, I began to relearn something I’d once grasped but had lost sight of: that emotion – that central element of fiction – derives not from information or from explanation, nor from a logical arrangement of the facts, but specifically from powerful images and from the qualities of language: diction, rhythm, form, structure, association, metaphor. And sometimes I also had glimmers of another thing I’d once known: how effectively information can be used to wall off emotion.”

— Andrea Barrett

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