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Top 10 Arnold Hauser Quotes (2024 Update)

Arnold Hauser Quote: “In interpreting a work of art, we draw upon our own aims and endeavors, inform it with a meaning that has its origin in our own ways of life and thought. In a word, any art that really affects us becomes to that extent modern art.”

1. “In interpreting a work of art, we draw upon our own aims and endeavors, inform it with a meaning that has its origin in our own ways of life and thought. In a word, any art that really affects us becomes to that extent modern art.”

— Arnold Hauser

Arnold Hauser Quote: “This decorum and etiquette, the whole self-stylization of the upper class, demand among other things that one does not allow oneself to be portrayed as one really is, but according to how one must appear to conform with certain hallowed conventions, remote from reality and the present time. Etiquette is the highest law not merely for the ordinary mortal, but also for the king, and in the imagination of this society even the gods accept the forms of courtly ceremonial.”

2. “This decorum and etiquette, the whole self-stylization of the upper class, demand among other things that one does not allow oneself to be portrayed as one really is, but according to how one must appear to conform with certain hallowed conventions, remote from reality and the present time. Etiquette is the highest law not merely for the ordinary mortal, but also for the king, and in the imagination of this society even the gods accept the forms of courtly ceremonial.”

— Arnold Hauser

Arnold Hauser Quote: “The price of poetry is life.”

3. “The price of poetry is life.”

— Arnold Hauser

Arnold Hauser Quote: “For the artists the humanists were the guarantors of their intellectual status, and the humanists themselves recognized the value of art as a mean of propaganda for the ideas on which their own intellectual supremacy is based.”

4. “For the artists the humanists were the guarantors of their intellectual status, and the humanists themselves recognized the value of art as a mean of propaganda for the ideas on which their own intellectual supremacy is based.”

— Arnold Hauser

Arnold Hauser Quote: “Every honest attempt to discover the truth and depict things faithfully is a struggle against one’s own subjectivity and partiality, one’s individual and class interests; one can seek to become aware of these as a source of error, while realizing that they can never be finally excluded.”

5. “Every honest attempt to discover the truth and depict things faithfully is a struggle against one’s own subjectivity and partiality, one’s individual and class interests; one can seek to become aware of these as a source of error, while realizing that they can never be finally excluded.”

— Arnold Hauser

Arnold Hauser Quote: “If we do not know or even want to know the aims that the artist was pursuing through his work – his aim to inform, to convince, to influence people – then we do not get much farther in understanding his art than the ignorant spectator who judges a football game simply by the beauty of the players’ movement.”

6. “If we do not know or even want to know the aims that the artist was pursuing through his work – his aim to inform, to convince, to influence people – then we do not get much farther in understanding his art than the ignorant spectator who judges a football game simply by the beauty of the players’ movement.”

— Arnold Hauser

Arnold Hauser Quote: “In fact, the age of the Tyrants is the scene of a religious renaissance which on all sides throws up new ecstatic confessions of faith, new secret cults and new sects; but at first these develop underground and do not as yet reach the light of art. Thus we no longer find art being commissioned and stimulated by religion, but, on the contrary, we find in this period religious zeal being inspired by the increased skill of the artist.”

7. “In fact, the age of the Tyrants is the scene of a religious renaissance which on all sides throws up new ecstatic confessions of faith, new secret cults and new sects; but at first these develop underground and do not as yet reach the light of art. Thus we no longer find art being commissioned and stimulated by religion, but, on the contrary, we find in this period religious zeal being inspired by the increased skill of the artist.”

— Arnold Hauser

Arnold Hauser Quote: “The Tyrants who, at the end of the seventh century, had everywhere gained control, first in the leading Ionian states and then on the mainland, signify a decisive victory for individualism over the ideology of kinship. In this respect, as in others, they form the bridge to democracy, many of whose conquests they anticipate, for all their own undemocratic character.”

8. “The Tyrants who, at the end of the seventh century, had everywhere gained control, first in the leading Ionian states and then on the mainland, signify a decisive victory for individualism over the ideology of kinship. In this respect, as in others, they form the bridge to democracy, many of whose conquests they anticipate, for all their own undemocratic character.”

— Arnold Hauser

Arnold Hauser Quote: “Aristocracy in general does not favour individualism; it bases its claim to privilege upon virtues which are common to the whole class or at least to whole clans.”

9. “Aristocracy in general does not favour individualism; it bases its claim to privilege upon virtues which are common to the whole class or at least to whole clans.”

— Arnold Hauser

Arnold Hauser Quote: “The expression of personality in art had been sought after and appreciated long before anyone had realized that art was based no longer on an objective What but on a subjective How. Long after it had become a self-confession, people still continued to talk about the objective truth in art, although it was precisely the self-expressionism in art which enabled it to win through to general recognition.”

10. “The expression of personality in art had been sought after and appreciated long before anyone had realized that art was based no longer on an objective What but on a subjective How. Long after it had become a self-confession, people still continued to talk about the objective truth in art, although it was precisely the self-expressionism in art which enabled it to win through to general recognition.”

— Arnold Hauser

Arnold Hauser Quote: “Now a regular occurrence in the eighteenth century repeats itself: the aristocracy accepts the viewpoint and standards of value of the middle class; virtue becomes a fashion in the upper class.”

11. “Now a regular occurrence in the eighteenth century repeats itself: the aristocracy accepts the viewpoint and standards of value of the middle class; virtue becomes a fashion in the upper class.”

— Arnold Hauser

Arnold Hauser Quote: “Absolute parallelism of stylistic approach in the different arts and genres presupposes a level of development on which art no longer has to wrestle for the means of expression, but is able, to a certain extent, to choose freely among the different possibilities of formal treatment.”

12. “Absolute parallelism of stylistic approach in the different arts and genres presupposes a level of development on which art no longer has to wrestle for the means of expression, but is able, to a certain extent, to choose freely among the different possibilities of formal treatment.”

— Arnold Hauser

Arnold Hauser Quote: “But it was not forgotten that an outside historical influence is never the ultimate reason for an intellectual revolution, for such an influence can become effective only if the preconditions fro its reception are already in existence.”

13. “But it was not forgotten that an outside historical influence is never the ultimate reason for an intellectual revolution, for such an influence can become effective only if the preconditions fro its reception are already in existence.”

— Arnold Hauser

Arnold Hauser Quote: “But without Rousseau’s pessimistic approach to history and without his doctrine of the depravity of the present, the nineteenth-century novel of disillusionment is just as inconceivable as the conception of tragedy held by Schiller, Kleist, and Hebbel.”

14. “But without Rousseau’s pessimistic approach to history and without his doctrine of the depravity of the present, the nineteenth-century novel of disillusionment is just as inconceivable as the conception of tragedy held by Schiller, Kleist, and Hebbel.”

— Arnold Hauser

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