Top 3 Cari Beauchamp Quotes (2024 Update)

Cari Beauchamp Quote: “Adding to her frustration was the much more frequent attention being given to her gender. Throughout the twenties, Frances was hailed as “one of the most famous scenario writers” or “highest paid scenarist” and now The Big House was promoted in the Los Angeles Examiner under the headline “Woman Writes Film Plot of Penitentiary.”

1. “Adding to her frustration was the much more frequent attention being given to her gender. Throughout the twenties, Frances was hailed as “one of the most famous scenario writers” or “highest paid scenarist” and now The Big House was promoted in the Los Angeles Examiner under the headline “Woman Writes Film Plot of Penitentiary.”

— Cari Beauchamp

Cari Beauchamp Quote: “She wanted her work to be wanted, but still was unwilling to push. After all the years of watching self-promoters get ahead, she could not bring herself to participate. She cautioned herself against anticipation, saying, “I don’t let my hopes wing too high – I’m scared to” and berated herself for “being so dammed afraid of a ‘mike’ ” that it prevented her from accepting offers for television interviews with Mary Margaret McBride and others.”

2. “She wanted her work to be wanted, but still was unwilling to push. After all the years of watching self-promoters get ahead, she could not bring herself to participate. She cautioned herself against anticipation, saying, “I don’t let my hopes wing too high – I’m scared to” and berated herself for “being so dammed afraid of a ‘mike’ ” that it prevented her from accepting offers for television interviews with Mary Margaret McBride and others.”

— Cari Beauchamp

Cari Beauchamp Quote: “Half of the films being made in Hollywood were adaptations of books or plays and Frances was the unquestioned champion of successfully taking books to the screen. She had adapted Dumas and Balzac and walked the tightrope of bringing the potentially censorious Cytherea to the screen. There was simply no one else of her caliber and experience.”

3. “Half of the films being made in Hollywood were adaptations of books or plays and Frances was the unquestioned champion of successfully taking books to the screen. She had adapted Dumas and Balzac and walked the tightrope of bringing the potentially censorious Cytherea to the screen. There was simply no one else of her caliber and experience.”

— Cari Beauchamp

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