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Top 10 Carl Rollyson Quotes (2025 Update)

Carl Rollyson Quote: “June 5: Eunice Murray calls the studio to report Marilyn is ill, and Dr. Lee Siegel is dispatched to her home. He discovers that she is suffering from sinusitis and has a temperature of 102 degrees. Marilyn’s lawyer, Mickey Rudin, receives a letter stating Fox’s intention to sue for breach of contract. June.”

1. “June 5: Eunice Murray calls the studio to report Marilyn is ill, and Dr. Lee Siegel is dispatched to her home. He discovers that she is suffering from sinusitis and has a temperature of 102 degrees. Marilyn’s lawyer, Mickey Rudin, receives a letter stating Fox’s intention to sue for breach of contract. June.”

— Carl Rollyson

Carl Rollyson Quote: “The discussion later turned to Jamaica, which Michael had visited in January. Noel Coward had spent a good deal of time there, Michael noted. Michael met Coward once in a hotel: “He took me upstairs. He didn’t seduce me. I didn’t know about such things then,” he claimed. “An innocent abroad,” I commented. “Yes, I was.”

2. “The discussion later turned to Jamaica, which Michael had visited in January. Noel Coward had spent a good deal of time there, Michael noted. Michael met Coward once in a hotel: “He took me upstairs. He didn’t seduce me. I didn’t know about such things then,” he claimed. “An innocent abroad,” I commented. “Yes, I was.”

— Carl Rollyson

Carl Rollyson Quote: “May 27: Marilyn poses nude for Tom Kelley’s calendar photographs while listening to Artie Shaw. She is given a fifty-dollar flat fee for signing a contract, using the name Mona Monroe. Altogether Kelley takes shots of twenty-four poses, although only two are published, titled “A New Wrinkle” and “Golden Dreams.”

3. “May 27: Marilyn poses nude for Tom Kelley’s calendar photographs while listening to Artie Shaw. She is given a fifty-dollar flat fee for signing a contract, using the name Mona Monroe. Altogether Kelley takes shots of twenty-four poses, although only two are published, titled “A New Wrinkle” and “Golden Dreams.”

— Carl Rollyson

Carl Rollyson Quote: “February 1: Photographer Sam Shaw escorts Marilyn to a party at the home of Paul Bigelow, an assistant to Broadway producer Cheryl Crawford, an original member of the Group Theatre, where Kazan, Harold Clurman, Lee Strasberg, and other important theater professionals made their mark in the 1930s. Crawford invites Marilyn to accompany her to the Actors Studio, formed some years after the dissolution of the Group Theatre.”

4. “February 1: Photographer Sam Shaw escorts Marilyn to a party at the home of Paul Bigelow, an assistant to Broadway producer Cheryl Crawford, an original member of the Group Theatre, where Kazan, Harold Clurman, Lee Strasberg, and other important theater professionals made their mark in the 1930s. Crawford invites Marilyn to accompany her to the Actors Studio, formed some years after the dissolution of the Group Theatre.”

— Carl Rollyson

Carl Rollyson Quote: “January 14: Marilyn draws up a new will, removing Arthur Miller as her beneficiary and substituting Lee Strasberg, with bequests to Marianne Kris, a small trust for her mother, and gifts to Michael Chekhov’s widow and Patricia Rosten.”

5. “January 14: Marilyn draws up a new will, removing Arthur Miller as her beneficiary and substituting Lee Strasberg, with bequests to Marianne Kris, a small trust for her mother, and gifts to Michael Chekhov’s widow and Patricia Rosten.”

— Carl Rollyson

Carl Rollyson Quote: “April 12: Venus at Large, a comedy by Henry Denker featuring characters based on Marilyn and Arthur Miller, opens on Broadway and receives negative reviews. Marilyn announces her intention to consult with Lee Strasberg before Something’s Got to Give starts shooting.”

6. “April 12: Venus at Large, a comedy by Henry Denker featuring characters based on Marilyn and Arthur Miller, opens on Broadway and receives negative reviews. Marilyn announces her intention to consult with Lee Strasberg before Something’s Got to Give starts shooting.”

— Carl Rollyson

Carl Rollyson Quote: “January 23: Niagara is released, making Marilyn a star. She plays Rose Loomis, a femme fatale. The picture features her 116-foot walk to the falls.”

7. “January 23: Niagara is released, making Marilyn a star. She plays Rose Loomis, a femme fatale. The picture features her 116-foot walk to the falls.”

— Carl Rollyson

Carl Rollyson Quote: “April 24: Marilyn again reports in sick, refusing to come in to meet the Shah of Iran, since she does not know his position on Israel.”

8. “April 24: Marilyn again reports in sick, refusing to come in to meet the Shah of Iran, since she does not know his position on Israel.”

— Carl Rollyson

Carl Rollyson Quote: “May 22: Grace pays twenty-five dollars to Nellie Atkinson for Norma Jeane’s care.”

9. “May 22: Grace pays twenty-five dollars to Nellie Atkinson for Norma Jeane’s care.”

— Carl Rollyson

Carl Rollyson Quote: “I went to Europe in 1917 with sixty-five lbs. on my back,” he told Hedda Hopper in a May 17, 1960, radio interview. To another interviewer, he quipped, “I learned to run the 100-yard dash in eight seconds flat, carrying a full pack.” He served for nineteen months as a private in the 101st Field Artillery Regiment in France. He never said much about what combat was like, except to confess that he was “severely frightened 500 times.”

10. “I went to Europe in 1917 with sixty-five lbs. on my back,” he told Hedda Hopper in a May 17, 1960, radio interview. To another interviewer, he quipped, “I learned to run the 100-yard dash in eight seconds flat, carrying a full pack.” He served for nineteen months as a private in the 101st Field Artillery Regiment in France. He never said much about what combat was like, except to confess that he was “severely frightened 500 times.”

— Carl Rollyson

Carl Rollyson Quote: “How many different photographs do we have of Norman Mailer? Suppose we had only five painted portraits of him, like the five Joshua Reynolds did of Dr. Johnson? Would Mailer’s greatness seem more singular? Would Dr. Johnson’s uniqueness suffer from various replications of his likeness in photographs?”

11. “How many different photographs do we have of Norman Mailer? Suppose we had only five painted portraits of him, like the five Joshua Reynolds did of Dr. Johnson? Would Mailer’s greatness seem more singular? Would Dr. Johnson’s uniqueness suffer from various replications of his likeness in photographs?”

— Carl Rollyson

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