Top 7 Christine Heppermann Quotes (2024 Update)

Christine Heppermann Quote: “Rubenesque: the word for masterpiece curves. Screw you, unsalted rice cakes.”

1. “Rubenesque: the word for masterpiece curves. Screw you, unsalted rice cakes.”

— Christine Heppermann

Christine Heppermann Quote: “The Anorexic Eats a Salad Mountains rise, fall, rise again. Stars complete their slow trek into oblivion. A snail tours the length of China’s Great Wall twice. All those pesky cancers – cured. Somewhere in Lower Manhattan, a barista finally smiles. Roundworms evolve into ovals. Flatworms get chesty. Molasses, a tortoise, and sedimentation run the fifty-yard dash. Results pending. Temps plunge in hell. The devil waxes his skis. She has almost made it through her first bite.”

2. “The Anorexic Eats a Salad Mountains rise, fall, rise again. Stars complete their slow trek into oblivion. A snail tours the length of China’s Great Wall twice. All those pesky cancers – cured. Somewhere in Lower Manhattan, a barista finally smiles. Roundworms evolve into ovals. Flatworms get chesty. Molasses, a tortoise, and sedimentation run the fifty-yard dash. Results pending. Temps plunge in hell. The devil waxes his skis. She has almost made it through her first bite.”

— Christine Heppermann

Christine Heppermann Quote: “But here’s a great thing about stories: they can be retold.”

3. “But here’s a great thing about stories: they can be retold.”

— Christine Heppermann

Christine Heppermann Quote: “If you find the dividing line between fairy tales and reality, let me know. In my mind, the two run together, even though the intersections aren’t always obvious. The girl sitting quietly in class or waiting for the bus or roaming the mall doesn’t want anyone to know, or doesn’t know how to tell anyone, that she is locked in a tower. Maybe she’s a prisoner of a story she’s heard all her life- that fairest means best, or that bruises prove she is worthy of love.”

4. “If you find the dividing line between fairy tales and reality, let me know. In my mind, the two run together, even though the intersections aren’t always obvious. The girl sitting quietly in class or waiting for the bus or roaming the mall doesn’t want anyone to know, or doesn’t know how to tell anyone, that she is locked in a tower. Maybe she’s a prisoner of a story she’s heard all her life- that fairest means best, or that bruises prove she is worthy of love.”

— Christine Heppermann

Christine Heppermann Quote: “And those women were sneaky. They understood that including fantastical elements in their tales- golden eggs, signing harps, talking frogs- worked to mask a deeper purpose... it made the stories look on the surface like ‘a mere bubble of nonsense’ within which it was possible to ‘utter harsh truths, to say what you dare’ about the state of women’s lives. Because they were just stories, right? Harmless little fantasies?”

5. “And those women were sneaky. They understood that including fantastical elements in their tales- golden eggs, signing harps, talking frogs- worked to mask a deeper purpose... it made the stories look on the surface like ‘a mere bubble of nonsense’ within which it was possible to ‘utter harsh truths, to say what you dare’ about the state of women’s lives. Because they were just stories, right? Harmless little fantasies?”

— Christine Heppermann

Christine Heppermann Quote: “Once there was a girl who longed to be brave enough to stick her finger down her throat, to measure herself by the teaspoon, to shrink to the size of a serving. Once.”

6. “Once there was a girl who longed to be brave enough to stick her finger down her throat, to measure herself by the teaspoon, to shrink to the size of a serving. Once.”

— Christine Heppermann

Christine Heppermann Quote: “To avoid reproach, I learned how to pose as a Good Girl, but even that persona couldn’t completely shield me. It seemed that, for girls, there was no such thing as “good” enough.”

7. “To avoid reproach, I learned how to pose as a Good Girl, but even that persona couldn’t completely shield me. It seemed that, for girls, there was no such thing as “good” enough.”

— Christine Heppermann

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