Top 50 Dana Spiotta Quotes (2025 Update)

1. “Although a great restaurant experience must include great food, a bad restaurant experience can be achieved through bad service alone. Ideally, service is invisible. You notice it only when something goes wrong.”

— Dana Spiotta

2. “The writer has to take risks and go somewhere full of mystery and possibility for the novel to deepen over the years it takes to write it.”

— Dana Spiotta

3. “It takes a long time to write a novel when you have to keep interrupting your work to earn money.”

— Dana Spiotta

4. “The idea that you can live off the grid and just do your own thing is a very American idea – that you should be able to do your own thing, if you want to, if you’re willing to pay the price for it. I think the price has gotten higher and higher.”

— Dana Spiotta

5. “The issue isn’t, Am I good enough? No. The issue is, Do I not have any other choice? Will and desire don’t matter. Ability doesn’t matter. Need is the only thing that matters.”

— Dana Spiotta

6. “My husband is a musician. He cooks and he’s a chef but he also, he makes basement recordings. So many people in my life make basement recordings, so I feel very lucky, I’m surrounded by very creative people.”

— Dana Spiotta

7. “I like to mix the real and the imaginary. Sometimes it is characters inspired by real people I know or know of. Sometimes it is a named person from the common cultural dreamscape. And it is tricky, because they have a lot of associated ideas that come with them, and a lot of actual facts.”

— Dana Spiotta

8. “Most human things are full of conflict and ambivalence, not ease and simplicity. The world has grown increasingly fundamentalist, and the parameters of discussion have become narrowed. People, when they’re fearful, are vulnerable to certainty in rhetoric.”

— Dana Spiotta

9. “Memory is not particularly linear – it is associative, repetitive, subjective and porous. But the writer needs to convey disorder and dysfunction without making the novel itself disorderly or dysfunctional.”

— Dana Spiotta

10. “Your memories from your early childhood seem to have such purchase on your emotions. They are so concrete.”

— Dana Spiotta

11. “I am always trying to do something new and different. The first step is curiosity, questions. You pay attention to what fascinates you. If you can’t shake it, there is something there.”

— Dana Spiotta

12. “Each character requires different language, and these issues become inseparable. You have all these balls in the air: language, character, narrative. For me, the primary focus must be words, sentences, paragraphs.”

— Dana Spiotta

13. “My teaching forces me to articulate what I think works in a piece of fiction and how I think it works. All of that gives me energy as a writer.”

— Dana Spiotta

14. “I always think the novelist should go to the culture’s dark places and poke around. Pose a lot of hard questions.”

— Dana Spiotta

15. “I think there’s a lot to be learned from pop culture. But at the same time I see the dangers of using it in an exclusive way to construct meaning in your life.”

— Dana Spiotta

16. “I take the outline from a real person as inspiration, but the in-line is totally made up. Which is why I usually invent imaginary names.”

— Dana Spiotta

17. “I think there’s a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.”

— Dana Spiotta

18. “Tell me it’s forbidden, unthinkable, and that’s where I want to go. Because the chances are it’s complicated, and the complications are meaningful.”

— Dana Spiotta

19. “And if I am comfortable with it, why do I still call it loneliness? Because – and I think somehow she would understand this – you can have and recognize a sadness in your alienation and in other people’s alienation and still not long to be around anyone. I think that if you wonder about other people’s loneliness, or contemplate it at all, you’ve got a real leg up on being comfortable on your own.”

— Dana Spiotta

20. “The novel is about, for me, sustained and organized looking. I do think that people have a hunger for a sustained engagement, that concentration that the book can offer.”

— Dana Spiotta

21. “I don’t feel sentimental about the past, but I can’t help noticing how hard it has become to keep a grip on anything. Maybe it’s the totalizing impact of corporate culture, maybe it’s the atomizing impact of technology.”

— Dana Spiotta

22. “I am one Dana when I am talking to my daughter, another when I am talking to the IRS, and another still when I do an interview. These characters are just extreme versions of ordinary human self-switching.”

— Dana Spiotta

23. “I like the challenge of creating a world with only sentences.”

— Dana Spiotta

24. “I like to buy books for the kids in my family. I guess that’s why they call me the ‘mean’ aunt.”

— Dana Spiotta

25. “Occupy Wall Street means making Wall Street and the corporate power elite understand that the people affected by the binge of unregulated greed are not going away, and they are not going to give up.”

— Dana Spiotta

26. “I try to write about how we live today, how we use language, technology, our bodies.”

— Dana Spiotta

27. “I am, it seems, interested in people with multiple identities. I think we all have multiple identities.”

— Dana Spiotta

28. “I think most writers have to have a practice of writing. For me it is very early in the morning. I try to make it a separate world from the rest of my life.”

— Dana Spiotta

29. “I don’t have a lot of skills, but one thing I can do is, I can compartmentalize. I can make that a little world that I can go back to, so I can be a waitress, or I can be a teacher, and then go and work on my book.”

— Dana Spiotta

30. “Usually there is a paradox in what a character wants. A conflict is built deeply within them. And then you put them in motion, throw everything at them until they reveal themselves further.”

— Dana Spiotta

31. “You are always working towards the moments in which characters experience reckonings or insight or change. I like to track them past those moments.”

— Dana Spiotta

32. “When I write characters, I need to hear their voice. As soon as I get them speaking, and I feel how they use language, I understand who they are and what they want.”

— Dana Spiotta

33. “A good novel should be deeply unsettling – its satisfactions should come from its authenticity and its formal coherence. We must feel something crucial is at stake.”

— Dana Spiotta

34. “Yes, I did try acting when I was in high school and I was terrible at it. So I definitely have had the experience of being bad at artistic endeavor.”

— Dana Spiotta

35. “There are lots of authentic, moving characters in so-called systems novels, just as there are certainly deep structural ideas in some character-driven novels.”

— Dana Spiotta

36. “That was one of the reasons I became a writer – I never really had that many friends. I would read a lot, and listen to music. And that was my life.”

— Dana Spiotta

37. “The writer has to be brave, I think.”

— Dana Spiotta

38. “I think it’s harder than ever to be an artist. I think that you end up, especially as a middle-aged person, you pay such big consequences for saying, ‘I’m just going to devote my life to making art,’ or ‘I’m going to devote my life to writing novels.’ You end up with no resources.”

— Dana Spiotta

39. “Even if we try to see people in our lives accurately, it is distorted by our own wants and prejudices and experiences.”

— Dana Spiotta

40. “There’s lots of things that can’t make it in the world that are worth making. There are lots of great artists who never make it, there are lots of great writers who don’t get published – is it still worthwhile? Aren’t we glad people are still doing it?”

— Dana Spiotta

41. “A lie of invention, a lie about yourself, should not be called a lie. It needs a different word.”

— Dana Spiotta

42. “People think it’s suspect and self-indulgent to make art, and I don’t think that’s true. Some people think you should be busy making something that you can sell in the marketplace, and if nobody wants to buy it, it must be crap. And that’s not true.”

— Dana Spiotta

43. “I find poignancy in the moments when a person realizes that she has made mistakes. I am not as interested in the mistakes themselves as I am with the consequences and how the person responds to her realization.”

— Dana Spiotta

44. “In order to be a living, breathing thing, a novel has to be failed in some kind of way. Or at least that’s how I keep writing them.”

— Dana Spiotta

45. “I am a great procrastinator. When the writing is going really well, the laundry piles up.”

— Dana Spiotta

46. “Getting an audience requires luck as well as talent. Some artists are private and shy. It costs them too much.”

— Dana Spiotta

47. “Even a documentary portrait of a person that tries to be very accurate is shaped by the filmmaker in so many ways.”

— Dana Spiotta

48. “I want what I write to be deeply engaging and strange and true.”

— Dana Spiotta

49. “I have to say that movies have as much impact on me as music. And that I learned as much about narrative from movies as I did from reading novels, how to arrange stories, how to juxtapose things.”

— Dana Spiotta

50. “My teaching exists in a different part of my brain. However, I am lucky enough to teach very smart graduate students.”

— Dana Spiotta