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Top 15 George P. Baker Quotes (2025 Update)

George P. Baker Quote: “Rare is the human being, immature or mature, who has never felt an impulse to pretend he is some one or something else.”

1. “Rare is the human being, immature or mature, who has never felt an impulse to pretend he is some one or something else.”

— George P. Baker

George P. Baker Quote: “Drama read to oneself is never drama at its best, and is not even drama as it should be.”

2. “Drama read to oneself is never drama at its best, and is not even drama as it should be.”

— George P. Baker

George P. Baker Quote: “When the drama attains a characterization which makes the play a revelation of human conduct and a dialogue which characterizes yet pleases for itself, we reach dramatic literature.”

3. “When the drama attains a characterization which makes the play a revelation of human conduct and a dialogue which characterizes yet pleases for itself, we reach dramatic literature.”

— George P. Baker

George P. Baker Quote: “No drama, however great, is entirely independent of the stage on which it is given.”

4. “No drama, however great, is entirely independent of the stage on which it is given.”

— George P. Baker

George P. Baker Quote: “The drama is a great revealer of life.”

5. “The drama is a great revealer of life.”

— George P. Baker

George P. Baker Quote: “What then is tragedy? In the Elizabethan period it was assumed that a play ending in death was a tragedy, but in recent years we have come to understand that to live on is sometimes far more tragic than death.”

6. “What then is tragedy? In the Elizabethan period it was assumed that a play ending in death was a tragedy, but in recent years we have come to understand that to live on is sometimes far more tragic than death.”

— George P. Baker

George P. Baker Quote: “Farce treats the improbable as probable, the impossible as possible.”

7. “Farce treats the improbable as probable, the impossible as possible.”

— George P. Baker

George P. Baker Quote: “Possibly, a crush is merely the attraction a person has for another person. Most relationships start with some sort of attraction. You see someone you like or you see things about a person you like and feel attracted to them. Many mistake this for love, but attraction is a powerful force.”

8. “Possibly, a crush is merely the attraction a person has for another person. Most relationships start with some sort of attraction. You see someone you like or you see things about a person you like and feel attracted to them. Many mistake this for love, but attraction is a powerful force.”

— George P. Baker

George P. Baker Quote: “In reading plays, however, it should always be remembered that any play, however great, loses much when not seen in action.”

9. “In reading plays, however, it should always be remembered that any play, however great, loses much when not seen in action.”

— George P. Baker

George P. Baker Quote: “Sensitive, responsive, eagerly welcomed everywhere, the drama, holding the mirror up to nature, by laughter and by tears reveals to mankind the world of men.”

10. “Sensitive, responsive, eagerly welcomed everywhere, the drama, holding the mirror up to nature, by laughter and by tears reveals to mankind the world of men.”

— George P. Baker

George P. Baker Quote: “Back through the ages of barbarism and civilization, in all tongues, we find this instinctive pleasure in the imitative action that is the very essence of all drama.”

11. “Back through the ages of barbarism and civilization, in all tongues, we find this instinctive pleasure in the imitative action that is the very essence of all drama.”

— George P. Baker

George P. Baker Quote: “Acted drama requires surrender of one’s self, sympathetic absorption in the play as it develops.”

12. “Acted drama requires surrender of one’s self, sympathetic absorption in the play as it develops.”

— George P. Baker

George P. Baker Quote: “In all the great periods of the drama perfect freedom of choice and subject, perfect freedom of individual treatment, and an audience eager to give itself to sympathetic listening, even if instruction be involved, have brought the great results.”

13. “In all the great periods of the drama perfect freedom of choice and subject, perfect freedom of individual treatment, and an audience eager to give itself to sympathetic listening, even if instruction be involved, have brought the great results.”

— George P. Baker

George P. Baker Quote: “There is no essential difference between the material of comedy and tragedy. All depends on the point of view of the dramatist, which, by clever emphasis, he tries to make the point of view of his audience.”

14. “There is no essential difference between the material of comedy and tragedy. All depends on the point of view of the dramatist, which, by clever emphasis, he tries to make the point of view of his audience.”

— George P. Baker

George P. Baker Quote: “We do not kill the drama, we do not really limit its appeal by failing to encourage the best in it; but we do thereby foster the weakest and poorest elements.”

15. “We do not kill the drama, we do not really limit its appeal by failing to encourage the best in it; but we do thereby foster the weakest and poorest elements.”

— George P. Baker

George P. Baker Quote: “Out of the past come the standards for judging the present; standards in turn to be shaped by the practice of present-day dramatists into broader standards for the next generation.”

16. “Out of the past come the standards for judging the present; standards in turn to be shaped by the practice of present-day dramatists into broader standards for the next generation.”

— George P. Baker

George P. Baker Quote: “But what is drama? Broadly speaking, it is whatever by imitative action rouses interest or gives pleasure.”

17. “But what is drama? Broadly speaking, it is whatever by imitative action rouses interest or gives pleasure.”

— George P. Baker

George P. Baker Quote: “In the best farce today we start with some absurd premise as to character or situation, but if the premises be once granted we move logically enough to the ending.”

18. “In the best farce today we start with some absurd premise as to character or situation, but if the premises be once granted we move logically enough to the ending.”

— George P. Baker

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