Top 500 Henry James Quotes (2026 Update)
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151. “If we pretend to respect the artist at all we must allow him his freedom of choice, in the face, in particular cases, of innumerable presumptions that the choice will not fructify.”

— Henry James

152. “Money’s a horrid thing to follow, but a charming thing to meet.”

— Henry James

153. “There are women who are for all your ‘times of life.’ They’re the most wonderful sort.”

— Henry James

154. “The peril for you is that you live too much in the world of your own dreams. You’re not enough in contact with reality – with the toiling, striving, suffering, I may even say sinning, world that surrounds you. You’re too fastidious; you’ve too many graceful illusions.”

— Henry James

155. “I think I don’t regret a single ‘excess’ of my responsive youth – I only regret, in my chilled age, certain occasions and possibilities I didn’t embrace.”

— Henry James

156. “I don’t care anything about reasons, but I know what I like.”

— Henry James

157. “The summer had turned, the summer had gone; the autumn had dropped upon Bly and had blown out half our lights. The place, with its gray sky and withered garlands, its bared spaces and scattered dead leaves, was like a theater after the performance – all strewn with crumpled playbills.”

— Henry James

158. “The visible world is but man turned inside out that he may be revealed to himself.”

— Henry James

159. “Experience is never limited, and it is never complete.”

— Henry James

160. “You’re a very nice girl, but I wish you’d flirt with me, and me only.”

— Henry James

161. “The black and merciless things that are behind the great possessions.”

— Henry James

162. “Autobiography may be the preeminent kind of American expression.”

— Henry James

163. “The flash of this knowledge – for it was knowledge in the midst of dread – produced in me the most extraordinary effect.”

— Henry James

164. “Her memory’s your love. You want no other.”

— Henry James

165. “She had her own way of doing all that she did, and this is the simplest description of a character which, although by no means without liberal motions, rarely succeeded in giving an impression of suavity.”

— Henry James

166. “I reflected acutely that the sense of such differences, such superiorities of quality, always, on the part of the majority – which could include even stupid, sordid headmasters – turn infallibly to the vindictive.”

— Henry James

167. “I hold any writer sufficiently justified who is himself in love with his theme.”

— Henry James

168. “He was absolutely, on this occasion, a living, detestable, dangerous presence.”

— Henry James

169. “It was the first time, in a manner, that I had known space and air and freedom, all the music of summer and all the mystery of nature.”

— Henry James

170. “We care what happens to people only in proportion as we know what people are.”

— Henry James

171. “I intend to judge things for myself; to judge wrongly, I think, is more honorable than not to judge at all.”

— Henry James

172. “You seemed to me to be soaring far up in the blue – to be sailing in the bright light, over the heads of men. Suddenly some one tosses up a faded rosebud – a missile that should never have reached you – and down you drop to the ground.”

— Henry James

173. “The artist beholds in nature more than she herself Nature is conscious of.”

— Henry James

174. “There was nothing in the room the next minute but the sunshine and a sense that I must stay.”

— Henry James

175. “People can be in general pretty well trusted, of course – with the clock of their freedom ticking as loud as it seems to do here – to keep an eye on the fleeting hour.”

— Henry James

176. “A solitary maple on a woodside flames in single scarlet, recalls nothing so much as the daughter of a noble house dressed for a fancy ball, with the whole family gathered around to admire her before she goes.”

— Henry James

177. “I would give all I possess to get out of myself; but somehow, at the end, I find myself so vastly more interesting than nine tenths of the people I meet.”

— Henry James

178. “To criticize is to appreciate, to appropriate, to take intellectual possession, to establish in fine a relation with the criticized thing and to make it one’s own.”

— Henry James

179. “Innocent and infinite are the pleasures of observation.”

— Henry James

180. “She was a coquette; he was sure she had a spirit of her own; but in her bright, sweet, superficial little visage there was no mockery, no irony. Before long it became obvious that she was much disposed towards conversation.”

— Henry James

181. “Even iron sometimes melts.”

— Henry James

182. “Europe was best described, to his mind, as an elaborate engine for dissociating the confined American from that indispensable knowledge, and was accordingly only rendered bearable by these occasional stations of relief, traps for the arrest of wandering western airs.”

— Henry James

183. “I call it relief, though it was only the relief that a snap brings to a strain or the burst of a thunderstorm to a day of suffocation. It was at least change, and it came with a rush.”

— Henry James

184. “To treat a big subject in the intensely summarized fashion demanded by an evening’s traffic of the stage when the evening, freely clipped at each end, is reduced to two hours and a half, is a feat of which the difficulty looms large.”

— Henry James

185. “From five o’clock to eight is on certain occasions a little eternity; but on such an occasion as this the interval could be only an eternity of pleasure.”

— Henry James

186. “There were several ways of understanding her: there was what she said, and there was what she meant, and there was something between the two, that was neither.”

— Henry James

187. “His egotism lay like a serpent in a bank of flowers.”

— Henry James

188. “If I should certainly say to a novice, ‘Write from experience and experience only,’ I should feel that this was rather a tantalizing monition if I were not careful immediately to add, ‘Try to be one of the people on whom nothing is lost.’”

— Henry James

189. “Feel, feel, I say – feel for all you’re worth, and even if it half kills you, for that is the only way to live.”

— Henry James

190. “What is character but the determination of incident?”

— Henry James

191. “Oh,” said Catherine, with some eagerness, “it doesn’t take long to like a person – when once you begin.”

— Henry James

192. “This was the sound he cherished when alone in the stillness of his rooms. He sought and guarded the stillness, so that it might prevail there till the inevitable sounds of life, once more, comparatively coarse and harsh, should smother and deaden it – doubtless by the same process with which they would officiously heal the ache in his soul that was somehow one with it.”

— Henry James

193. “It was not that I didn’t wait, on this occasion, for more, for I was rooted as deeply as I was shaken. Was there a “secret” at Bly – a mystery of Udolpho or an insane, an unmentionable relative kept in unsuspected confinement?”

— Henry James

194. “It was the way the autumn day looked into the high windows as it waned; the way the red light, breaking at the close from under a low sombre sky, reached out in a long shaft and played over old wainscots, old tapestry, old gold, old colour.”

— Henry James

195. “Of course what he most intensely dreams of is being taken out on walks, and the more you are able to indulge him the more will he adore you and the more all the latent beauty of his nature will come out.”

— Henry James

196. “It’s never permitted to be surprised at the aberrations of born fools.”

— Henry James

197. “He had gone in late to see her, but evening hadn’t settled and she was presented to him in that long fresh light of waning April days which affects us often with a sadness sharper than the greyest hours of autumn.”

— Henry James

198. “My sole wish is to frustrate as utterly as possible the post-mortem exploiter.”

— Henry James

199. “Now that she was in the secret, now that she knew something that so much concerned her and the eclipse of which had made life resemble an attempt to play whilst with an imperfect pack of cards, the truth of things, their mutual relations, their meaning, and for the most part their horror, rose before her with a kind of architectural vastness.”

— Henry James

200. “Ideas are, in truth, force.”

— Henry James