Top 150 John Berger Quotes (2024 Update)

1. “All creation is in the art of seeing.”

— John Berger

2. “What makes photography a strange invention is that its primary raw materials are light and time.”

— John Berger

3. “You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.”

— John Berger

4. “We only see what we look at. To look is an act of choice.”

— John Berger

5. “For the artist, drawing is discovery. And that is not just a slick phrase; it is quite literally true.”

— John Berger

6. “The zoo cannot but disappoint.”

— John Berger

7. “Without ethics, man has no future. This is to say, mankind without them cannot be itself. Ethics determine choices and actions and suggest difficult priorities.”

— John Berger

8. “Never again shall a single story be told as though it were the only one.”

— John Berger

Featured in: Quotes About Stories

9. “Seeing comes before words. The child looks and recognizes before it can speak.”

— John Berger

10. “The relation between what we see and what we know is never settled. Each evening we see the sun set. We know that the earth is turning away from it. Yet the knowledge, the explanation, never quite fits the sight.”

— John Berger

11. “Drawing is a way of coming upon the connection between things, just like metaphor in poetry reconnects what has become separated.”

— John Berger

12. “Every painted image of something is also about the absence of the real thing. All painting is about the presence of absence.”

— John Berger

13. “To be desired is perhaps the closest anybody in this life can reach to feeling immortal.”

— John Berger

14. “The camera relieves us of the burden of memory.”

— John Berger

15. “A drawing is essentially a private work, related only to the artist’s own needs; a ‘finished’ statue or canvas is essentially a public, presented work – related far more directly to the demands of communication.”

— John Berger

16. “History always constitutes the relation between a present and its past. Consequently fear of the present leads to mystification of the past.”

— John Berger

17. “Words are so often used in the opposite sense, as a screen of diversion. It’s the struggle towards truthfulness which is the same whether one is writing a poem, a novel or an argument.”

— John Berger

18. “Photographs do not translate from appearances. They quote from them.”

— John Berger

19. “Ours is the century of enforced travel of disappearances. The century of people helplessly seeing others, who were close to them, disappear over the horizon.”

— John Berger

20. “Your lips, beloved, are like a honeycomb: honey and milk are under the tongue. And the smell of your clothes is like the smell of my home.”

— John Berger

21. “The contradiction in perspective was that it structured all images of reality to address a single spectator who, unlike God, could only be in one place at a time.”

— John Berger

22. “Propaganda requires a permanent network of communication so that it can systematically stifle reflection with emotive or utopian slogans. Its pace is usually fast.”

— John Berger

23. “When we read a story, we inhabit it. The covers of the book are like a roof and four walls. What is to happen next will take place within the four walls of the story. And this is possible because the story’s voice makes everything its own.”

— John Berger

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24. “Whenever the intensity of looking reaches a certain degree, one becomes aware of an equally intense energy coming towards one through the appearance of whatever it is one is scrutinizing.”

— John Berger

25. “What any true painting touches is an absence – an absence of which without the painting, we might be unaware. And that would be our loss.”

— John Berger

26. “The opposite of love is not to hate but to separate. If love and hate have something in common it is because, in both cases, their energy is that of bringing and holding together.”

— John Berger

27. “Men look at women. Women watch themselves being looked at.”

— John Berger

28. “Between the experience of living a normal life at this moment on the planet and the public narratives being offered to give a sense to that life, the empty space, the gap, is enormous.”

— John Berger

29. “We never look at just one thing; we are always looking at the relation between things and ourselves.”

— John Berger

30. “It is seeing which establishes our place in the surrounding world; we explain that world with words, but words can never undo the fact that we are surrounded by it.”

— John Berger

31. “A drawing of a tree shows not a tree but a tree being looked at.”

— John Berger

32. “Common-sense is part of the home-made ideology of those who have been deprived of fundamental learning, of those who have been kept ignorant.”

— John Berger

33. “A drawing is an autobiographical record of one’s discovery of an event – either seen, remembered or imagined. A ‘finished’ work is an attempt to construct an event in itself.”

— John Berger

34. “The strange power of art is sometimes it can show that what people have in common is more urgent than what differentiates them. It seems to me it’s something that theatre can do, but it’s rare; it’s very rare.”

— John Berger

35. “Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.”

— John Berger

36. “The poverty of our century is unlike that of any other. It is not, as poverty was before, the result of natural scarcity, but of a set of priorities imposed upon the rest of the world by the rich.”

— John Berger

37. “We who draw do so not only to make something observed visible to others, but also to accompany something invisible to its incalculable destination.”

— John Berger

38. “When we read a story, we inhabit it. The covers of the book are like a roof and four walls.”

— John Berger

Featured in: Quotes About Stories

39. “All publicity works upon anxiety.”

— John Berger

40. “Fanaticism comes from any form of chosen blindness accompanying the pursuit of a single dogma.”

— John Berger

41. “It is comparatively easy to achieve a certain unity in a picture by allowing one colour to dominate, or by muting all the colours. Matisse did neither. He clashed his colours together like cymbals and the effect was like a lullaby.”

— John Berger

42. “We can become anything. That is why injustice is impossible here. There may be the accident of birth, there is no accident of death. Nothing forces us to remain what we were.”

— John Berger

43. “Advertising is not merely an assembly of competing messages; it is a language itself which is always being used to make the same general proposal.”

— John Berger

44. “Drawing is a form of probing. And the first generic impulse to draw derives from the human need to search, to plot points, to place things and to place oneself.”

— John Berger

45. “The transcendental face of art is always a form of prayer.”

— John Berger

46. “The clown knows that life is cruel. The ancient jester’s motley coloured costume turned his usually melancholy expression in to a joke. The clown is used to loss. Loss is his prologue.”

— John Berger

47. “You can plan events, but if they go according to your plan they are not events.”

— John Berger

48. “All publicity works upon anxiety. The sum of everything is money, to get money is to overcome anxiety. Alternatively the anxiety on which publicity plays is the fear that having nothing you will be nothing.”

— John Berger

49. “Clouds gather visibility, and then disperse into invisibility. All appearances are of the nature of clouds.”

— John Berger

50. “The true content of a photograph is invisible, for it derives from a play, not with form, but with time.”

— John Berger