Top 15 Julia Kristeva Quotes (2024 Update)

Julia Kristeva Quote: “Love is the time and space where “I” give myself the right to be extraordinary.”

1. “Love is the time and space where “I” give myself the right to be extraordinary.”

— Julia Kristeva

Julia Kristeva Quote: “Naming suffering, exalting it, dissecting it into its smallest components – that is doubtless a way to curb mourning.”

2. “Naming suffering, exalting it, dissecting it into its smallest components – that is doubtless a way to curb mourning.”

— Julia Kristeva

Julia Kristeva Quote: “Abjection is above all ambiguity. Because, while releasing a hold, it does not radically cut off the subject from what threatens it – on the contrary, abjection acknowledges it to be in perpetual danger.”

3. “Abjection is above all ambiguity. Because, while releasing a hold, it does not radically cut off the subject from what threatens it – on the contrary, abjection acknowledges it to be in perpetual danger.”

— Julia Kristeva

Julia Kristeva Quote: “Significance is inherent in the human body.”

4. “Significance is inherent in the human body.”

— Julia Kristeva

Julia Kristeva Quote: “The depressed person is a radical, sullen atheist.”

5. “The depressed person is a radical, sullen atheist.”

— Julia Kristeva

Julia Kristeva Quote: “Or should one recognize that one becomes a foreigner in another country because one is already a foreigner from within?”

6. “Or should one recognize that one becomes a foreigner in another country because one is already a foreigner from within?”

— Julia Kristeva

Julia Kristeva Quote: “Since he has nothing, since he is nothing, he can sacrifice everything.”

7. “Since he has nothing, since he is nothing, he can sacrifice everything.”

— Julia Kristeva

Julia Kristeva Quote: “Can the beautiful be sad? Is beauty inseparable from the ephemeral and hence from mourning? Or else is the beautiful object the one that tirelessly returns following destructions and wars in order to bear witness that there is survival after death, that immortality is possible?”

8. “Can the beautiful be sad? Is beauty inseparable from the ephemeral and hence from mourning? Or else is the beautiful object the one that tirelessly returns following destructions and wars in order to bear witness that there is survival after death, that immortality is possible?”

— Julia Kristeva

Julia Kristeva Quote: “He is a foreigner, he is from nowhere, from everywhere, citizen of the world, cosmopolitan. Do not send him back to his origins.”

9. “He is a foreigner, he is from nowhere, from everywhere, citizen of the world, cosmopolitan. Do not send him back to his origins.”

— Julia Kristeva

Julia Kristeva Quote: “To be deprived of parents – is that where freedom starts?”

10. “To be deprived of parents – is that where freedom starts?”

— Julia Kristeva

Julia Kristeva Quote: “Music, rhythm, rigadoon, without end, for no reason.”

11. “Music, rhythm, rigadoon, without end, for no reason.”

— Julia Kristeva

Julia Kristeva Quote: “To be of no account to others. No one listens to you.”

12. “To be of no account to others. No one listens to you.”

— Julia Kristeva

Julia Kristeva Quote: “But by the way, who is the murderer? The one who does not know my relatives, or myself, as I erect my new life like a fragile mausoleum where their shadowy figure is integrated, like a corpse, at the source of my wandering?”

13. “But by the way, who is the murderer? The one who does not know my relatives, or myself, as I erect my new life like a fragile mausoleum where their shadowy figure is integrated, like a corpse, at the source of my wandering?”

— Julia Kristeva

Julia Kristeva Quote: “The sadness that overwhelms us, the retardation that paralyzes us, are also a shield – sometimes the last one – against madness.”

14. “The sadness that overwhelms us, the retardation that paralyzes us, are also a shield – sometimes the last one – against madness.”

— Julia Kristeva

Julia Kristeva Quote: “And nevertheless, no, I have nothing to say to them, to my parents. Nothing. Nothing and everything, as always. If I tried – out of boldness, through luck, or in distress – to share with them some of the violence that causes me to be so totally on my own, they would not know where I am, who I am, what it is, in others, that rubs me the wrong way.”

15. “And nevertheless, no, I have nothing to say to them, to my parents. Nothing. Nothing and everything, as always. If I tried – out of boldness, through luck, or in distress – to share with them some of the violence that causes me to be so totally on my own, they would not know where I am, who I am, what it is, in others, that rubs me the wrong way.”

— Julia Kristeva

Julia Kristeva Quote: “The foreigner’s friends, aside from bleeding hearts who feel obliged to do good, could only be those who feel foreign to themselves.”

16. “The foreigner’s friends, aside from bleeding hearts who feel obliged to do good, could only be those who feel foreign to themselves.”

— Julia Kristeva

Julia Kristeva Quote: “The phobic has no other object than the abject. But that word, “fear”- a fluid haze an elusive clamminess- no sooner has it cropped up than it shades off like a mirage and permeates all words of the language with nonexistence, with a hallucinatory, ghostly glimmer. Thus, fear having been bracketed, discourse will seem tenable only if it ceaselessly confront that otherness, a burden both repellent and repelled, a deep well of memory that is unapproachable and intimate: the abject.”

17. “The phobic has no other object than the abject. But that word, “fear”- a fluid haze an elusive clamminess- no sooner has it cropped up than it shades off like a mirage and permeates all words of the language with nonexistence, with a hallucinatory, ghostly glimmer. Thus, fear having been bracketed, discourse will seem tenable only if it ceaselessly confront that otherness, a burden both repellent and repelled, a deep well of memory that is unapproachable and intimate: the abject.”

— Julia Kristeva

18. “We found so much to say, to share, to learn... For it wasn’t just the Marquis de Sade profile and the sporty thighs-and-calves that seduced me. It was even more, perhaps, or certainly just as much, the speed at which you used to read, and still do.”

— Julia Kristeva

Julia Kristeva Quote: “The depressed narcissist mourns not an Object but the Thing. Let me posit the “Thing” as the real that does not lend itself to signification, the center of attraction and repulsion, seat of the sexuality from which the object of desire will become separated... the Thing is an imagined sun, bright and black at the same time.”

19. “The depressed narcissist mourns not an Object but the Thing. Let me posit the “Thing” as the real that does not lend itself to signification, the center of attraction and repulsion, seat of the sexuality from which the object of desire will become separated... the Thing is an imagined sun, bright and black at the same time.”

— Julia Kristeva

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