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Top 8 Kathleen Jamie Quotes (2024 Update)

Kathleen Jamie Quote: “When we were young, we were told that poetry is about voice, about finding a voice and speaking with this voice, but the older I get I think it’s not about voice, it’s about listening and the art of listening, listening with attention. I don’t just mean with the ear; bringing the quality of attention to the world. The writers I like best are those who attend.”

1. “When we were young, we were told that poetry is about voice, about finding a voice and speaking with this voice, but the older I get I think it’s not about voice, it’s about listening and the art of listening, listening with attention. I don’t just mean with the ear; bringing the quality of attention to the world. The writers I like best are those who attend.”

— Kathleen Jamie

Kathleen Jamie Quote: “You are placed in landscape, you are placed in time. But, within that, there’s a bit of room for manoeuvre. To some extent, you can be author of your own fate.”

2. “You are placed in landscape, you are placed in time. But, within that, there’s a bit of room for manoeuvre. To some extent, you can be author of your own fate.”

— Kathleen Jamie

Kathleen Jamie Quote: “Every year, in the third week of February, there is a day, or more usually a run of days, when one can say for sure that the light is back. Some juncture has been reached and the light spills into the world from a sun suddenly higher in the sky...”

3. “Every year, in the third week of February, there is a day, or more usually a run of days, when one can say for sure that the light is back. Some juncture has been reached and the light spills into the world from a sun suddenly higher in the sky...”

— Kathleen Jamie

Kathleen Jamie Quote: “Isn’t that a kind of prayer? The care and maintenance of the web of our noticing, the paying heed?”

4. “Isn’t that a kind of prayer? The care and maintenance of the web of our noticing, the paying heed?”

— Kathleen Jamie

Kathleen Jamie Quote: “In September countless sand and house-martins jazz above the river, taking insects from the surface, from the air, thousands of birds kissing the river farewell. They creak, a sound like the air rubbing against itself. Summer is everything they know; they’re preparing themselves, sensing in the shortening days a door they must dash through before it shuts.”

5. “In September countless sand and house-martins jazz above the river, taking insects from the surface, from the air, thousands of birds kissing the river farewell. They creak, a sound like the air rubbing against itself. Summer is everything they know; they’re preparing themselves, sensing in the shortening days a door they must dash through before it shuts.”

— Kathleen Jamie

Kathleen Jamie Quote: “Pity the dark: we’re so concerned to overcome and banish it, it’s crammed full of all that’s devilish, like some grim cupboard under the stair. But dark is good. We are conceived and carried in darkness, are we not?”

6. “Pity the dark: we’re so concerned to overcome and banish it, it’s crammed full of all that’s devilish, like some grim cupboard under the stair. But dark is good. We are conceived and carried in darkness, are we not?”

— Kathleen Jamie

Kathleen Jamie Quote: “When I want to know a thing, I resort to books and feel strangely exposed without books to fall back on, as though standing on a ledge.”

7. “When I want to know a thing, I resort to books and feel strangely exposed without books to fall back on, as though standing on a ledge.”

— Kathleen Jamie

Kathleen Jamie Quote: “Maybe there’s something instinctive in us, that we’re drawn to human habitation and can’t resist a ruin, the way newborn babies respond to a crude drawing of a face. These are the rarities in human history, the places from which we’ve retreated. These once-inhabited places play a different air to the uninhabited; they suggest the lost past, the lost Eden, not the Utopia to come.”

8. “Maybe there’s something instinctive in us, that we’re drawn to human habitation and can’t resist a ruin, the way newborn babies respond to a crude drawing of a face. These are the rarities in human history, the places from which we’ve retreated. These once-inhabited places play a different air to the uninhabited; they suggest the lost past, the lost Eden, not the Utopia to come.”

— Kathleen Jamie

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