Top 300 Katie McGarry Quotes (2026 Update)
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251. “For the first time ever, Beth is letting me see her soul and if I had any doubts before, they’re gone. I’m in love with Beth Risk.”

— Katie McGarry

252. “You belong, Echo,” he says against my temple. “Right here with me.”

— Katie McGarry

253. “Where’s your sister?” Chevy asks like he doesn’t care about the answer, but unfortunately, he does.”

— Katie McGarry

254. “There’s a power I only feel when I’m with Isaiah. A boldness I’ve never possessed in my life. Never in a million years would I have imagined I’d be the girl who’d say she was falling fast for a boy before he did. Never in a million years did I think I’d be lying in bed with a totally ripped guy that has his shirt off. But Isaiah has this effect on me. He makes me feel stronger than I really am.”

— Katie McGarry

255. “It also means I could dump what I learned about the Riot onto Pigpen and he’d once again shut me out.”

— Katie McGarry

256. “Two motorcycles rumble in behind me and park in open spots. It’s Pigpen and Dust. They’re part of the volunteers tailing me and Violet until we’re safe.”

— Katie McGarry

257. “He didn’t say school, pinhead.” Pigpen interrupts. “He said her parents.”

— Katie McGarry

258. “The words scare her. She’s scared of love.”

— Katie McGarry

259. “Pigpen jumps off as well but snatches my arm, gripping like he means to cause pain.”

— Katie McGarry

260. “The blonde checks out the legs of the car like Pigpen checks out the legs of my English teacher – like a dog in heat.”

— Katie McGarry

261. “Home. I have no idea what that word really means.”

— Katie McGarry

262. “Pigpen got excited because he made me grin when he told me that he thought PTSD stood for Probably There’s Something wrong but Dunno what.”

— Katie McGarry

263. “Once upon a time, my world revolved around you.”

— Katie McGarry

264. “I don’t know what love is very well either, but I hope it feels like this.”

— Katie McGarry

265. “Pigpen’s been tearing through the cabin, the yard, the clubhouse like a toddler on the warpath.”

— Katie McGarry

266. “The answering call causes my ears to ring. Pigpen stares at me, unblinking as the mantra is repeated three more times followed by over a hundred men howling into the night.”

— Katie McGarry

267. “Noah doesn’t hold hands often. In fact, it was one of the few rules I understood, and it’s not lost on me how special this moment is. It’s like the roses. Noah’s showing me his love.”

— Katie McGarry

268. “Taking what was the most raw and broken inside us and offering it to the other as a show of what we can’t heal on our own. It’s the most simple and heartbreaking of vulnerabilities... to admit that you need someone else.”

— Katie McGarry

269. “Noah – his hair hiding his eyes, keeping the world from seeing his soul. Isaiah – a sleeve of beautiful tattoos that frightens the normal and entices the free. Me – the poet in my mind when I’m high.”

— Katie McGarry

270. “Pigpen goes silent and that causes my bones to quiver. The two of us get along because I’m the silent one and he’s the one who can’t shut up.”

— Katie McGarry

271. “Eli and Pigpen walk backward as a human shield as they fire, edging me toward my bike.”

— Katie McGarry

272. “You don’t have to worry about me pressuring you. You say stop, we stop.” That sums it up without me having to over explain. “But I’ll never complain if you cop a feel above or below.”

— Katie McGarry

273. “When it comes to your children, you don’t want hard. You don’t want to see them hurt.”

— Katie McGarry

274. “Sup, man,” said Rico Vega, joining me in the back of Spanish class. “’Sup,” I answered. “How can they let you take Spanish when that’s what you speak half the damn time?” “Why they let a bunch of gueros take English? You gringos gotta be stupid if you ain’t got it down in eighteen years.”

— Katie McGarry

275. “A storm’s always coming,” I state. “Some don’t have rain.”

— Katie McGarry

276. “Sometimes when you see the line, you think it’s a good idea to cross it – until you do.”

— Katie McGarry

277. “Pigpen passes the pan of lasagna in Chevy’s direction and he takes two squares for himself, the deposits the corner piece on my plate. I smirk at Pigpen and he scowls back at me.”

— Katie McGarry

278. “Noah trailed a line of blazing kisses along the nape of neck, confusing my brain.”

— Katie McGarry

279. “How’s that wrestling match with God going?” Pigpen asks. “From here you look mighty tired.”

— Katie McGarry

280. “I’m falling for you, but I don’t want to.”

— Katie McGarry

281. “Anyone who ever makes you the slightest bit uncomfortable, Breanna, you tell one of us. You’re with Razor, which means you’re family.”

— Katie McGarry

282. “Her soft lips kiss my jaw and my body temperature spikes. Holding on to Rachel is like holding on to a flame. It’s a soothing burn and an addictive burn. Her kiss is pure fire.”

— Katie McGarry

283. “Sizzling. This entire room is sizzling. From his voice to his eyes to that dimpled half smirk to those ripped muscles in his arms. Razor is so hot the fire alarms should be blaring.”

— Katie McGarry

284. “If I fall in, I’m going to drown. The weights upon me are too heavy to stay afloat. My only option is to sink.”

— Katie McGarry

285. “Eli’s on my left and Pigpen on my right as we take off. Both have their guns still drawn and their expressions are deadly.”

— Katie McGarry

286. “Pigpen is one of those men we stand solid for. He fought in Afghanistan. Served several terms in the Army as a Ranger. He won’t ask anyone for permission to exercise his God-given rights.”

— Katie McGarry

287. “I’m sick and tired of adults acting like we’re glass that will shatter if we fall. Sometimes thay need to let us fall. Sometimes we need to make our own mistakes. Sometimes, adults need to butt out.”

— Katie McGarry

288. “It must be a male thing to talk about playing with balls.”

— Katie McGarry

289. “I feel small against him, fragile. Like he’s realized the secret I’ve hidden: that I’m breakable, if not already broken.”

— Katie McGarry

290. “Pigpen says your brothers think we’re taking too long.”

— Katie McGarry

291. “Jesus Christ, Noah, it’s like you want it to be complicated. Win the girl. Then keep her. Don’t let her go. Get it straight. One of us needs to get it right and, out of the two of us, you’re the one who has a shot.”

— Katie McGarry

292. “There’s a ton you can learn about a person from how they deal with the absence of sound.”

— Katie McGarry

293. “It’s as if the sun has melted off her outer shell and has revealed the girl I once knew, and a woman I want to get to know.”

— Katie McGarry

294. “The security business is as thick as the club. Business in both areas stays private. Everyone is on a need-to-know basis, me and Mom included... that is until I patch in.”

— Katie McGarry

295. “What people project to the world never shows what’s lurking on the inside.”

— Katie McGarry

296. “Not sure how this whole social media thing is supposed to be fun. It’s like being back in elementary school and waiting to be picked for kickball.”

— Katie McGarry

297. “Pigpen claps my arm and smiles at me like he did the night I was patched in. “Welcome back, brother. Now let’s get to work.”

— Katie McGarry

298. “Everyone says the same thing: Breanna’s smart, she’s quiet. On the inside. I’m not at all quiet. Most of the time, I’m screaming.”

— Katie McGarry

299. “My legs have the strength of mashed potatoes. I’m cold and clammy and my stomach churns like I vomited. That’s because I did, in the viewing room, and I discovered that yellow bile does not blend well with red velvet industrial carpeting. My crowning achievement in overreaction.”

— Katie McGarry

300. “In this case, two wrongs made a major right.”

— Katie McGarry