Top 40 Laura Gentile Quotes (2025 Update)

1. “I held truth against your crocodile tears.”

— Laura Gentile

2. “She had performed as a shape-shifter with no sense of identity.”

— Laura Gentile

3. “You are trying to survive your own death.”

— Laura Gentile

4. “They had been the reason for the receding love between her and her husband. She claimed a substitution for her sacrifices, an amendment of her situation.”

— Laura Gentile

5. “You don’t spill your lies on the pages that I write on.”

— Laura Gentile

6. “She was now more than ever confronted with the outward cries of help that leaped at her like an overflowing bathtub where the water had grown cold and rancid. The catastrophe had caught up with her. It had always been there, a re-emerging siren in scarlet tones, a temptation of the abysmal artillery of the brain, a carousel waltzing with crazed horses, the heel-clicking and tap-dancing back chambers where arthropods lay on their carapaces.”

— Laura Gentile

7. “She didn’t know how to react to his non-sexualisation of her, and as she stared at his silent face, she recognized a familiar pain, a sense of not being there.”

— Laura Gentile

8. “You took advantage of every second that I did not love myself.”

— Laura Gentile

9. “That was when Estefania, who had made her pain the world’s pain, stood up, her knees dirty, shaking, her tights torn. She took a distanced look around and then she started tearing her tights even more. She kicked her expensive shoes through the wind, then she ripped off her dress, screaming as if it were burning, her second skin, her role as an actress, her one-woman show, as if she herself were on fire, as if her clothes were drenched in acid and abandoned love.”

— Laura Gentile

10. “He witnessed the destruction of everything he had ever created. These are the crippled pieces, the faces that he was stuck with; a puppet show that he could not get out of, all the strings tangled, the dead attached to the living.”

— Laura Gentile

11. “Why do you reduce art to an autobiography? Once a piece of art is concluded and ejected into the world it changes with every single pair of eyes and becomes an endless object of transformation. The spectator makes it his or her own. Don’t decontextualize it and call it truth, call it your perspective.”

— Laura Gentile

12. “This would be the room of new beginnings, the room of madness, of death, where everything needed to be cleaned and fixed for the next couple to flourish.”

— Laura Gentile

13. “He would not live the life of his daughter by falling apart and not giving her anything but anticipated grief and collateral heartache. He wanted to imprint paternal love on her body. Maybe she would be strong and regenerated enough to stay, and maybe his intense affection would work its magic.”

— Laura Gentile

14. “No one could decrypt a mother better than her own children, who had shared her body and therefore knew all of her secrets, anxieties, shortcomings, and buttons to push. Estefania feared nothing more than the betrayal of someone she accommodated and gave life to with her scarce resources.”

— Laura Gentile

15. “While his parents never stopped being enigmas to him, Estefania’s physicality felt graspable to him, a promise that would not withdraw itself. In Estefania, he saw a world to be painted.”

— Laura Gentile

16. “The mother was convinced that the purchase of this piece of furniture would facilitate the bond she so hungered for with Gabriela, although she hated the unnerving history associated with the paravent. But, she thought, what could it possibly do to a child?”

— Laura Gentile

17. “Marcelian Piaffus adored the heirloom’s macabre biography, she could tell. Strangely enough, he had a disregard for its severity despite his beliefs, especially in the hands of a child, and even though Estefania had always been aware that darkness could latch itself onto objects, having grown up among unspeakable atrocities, she decided her daughter had too much grit to decline into madness.”

— Laura Gentile

18. “Simultaneously, the child’s life-mongering energy felt a metamorphosis within itself, having lost all matter and yet still being summoned by intoxicating ideas, an aching fluency of desires, a liberating rearranging buoyancy.”

— Laura Gentile

19. “Revolted and offended, this child was fighting her mother in her head and did not even blink.”

— Laura Gentile

20. “For example, the gaze of a painted woman’s face following the viewer around the room would be an appreciated accomplishment for the Zweighaupt Powerhouse, but for the Vienneses there would be something wrong with it, and the attention should not be returned.”

— Laura Gentile

21. “Language is ice that breaks beneath our feet.”

— Laura Gentile

22. “He would have died rather quickly to not lose track of his wife in the afterlife.”

— Laura Gentile

23. “Overwhelmed, she surrendered to impending motherhood, terrorized by fears and doubts, reflecting about her own mother whom she saw as an agent of trauma transferal and as the ever-expanding root in a vicious female circle.”

— Laura Gentile

24. “She knew those horrid words were addressed to her. They felt like the icy tip of an arrow meant to conjure up destruction, coming from the most venomous abyss imaginable, rammed right into her chest with the utmost authority, entitlement, and pleasure.”

— Laura Gentile

25. “Estefania knew how to read an artist and their visions; her body would guide them through the melancholia and loneliness of a female body. Its unclaimed ecstasy.”

— Laura Gentile

26. “She is a compassionate Amazon forming a muse from misery, full of graphic words, she doesn’t hide, she speaks, she writes, she uses words that individualise her, she goes deeper and people cannot grasp her, they are frustrated, she is condemned because she is herself, she puts her self in the world and the world misunderstands her because she is uncomfortable.”

— Laura Gentile

27. “You taught me everything I wished to forget.”

— Laura Gentile

28. “When she reached out to the little girl in her, nothing erupted but the dense muteness of her own children in her belly. She felt helpless, alienated from her mirror-image, perceiving her body as a shallow vessel, possessed by human beings that she never met, draining her energy and suppressing her proper self, which she considered absent again.”

— Laura Gentile

29. “They would chase the image rising from death, expect it, but then enter an empty room with a shrine of deadened memorabilia that made them lose their minds.”

— Laura Gentile

30. “The widower glanced at her wedding ring and contemplated a solitary life with his son, but then the mayhem of his marital allegiance resurfaced, and he decided not to betray her.”

— Laura Gentile

31. “You built a house and filled it with death images.”

— Laura Gentile

32. “She could taste her children on her tongue, the colors they wore. Jacqueline was yellow. Gunnar was blue. Gabriela had always been red. All their weight. Their history inside of her. And she remembered her mother’s synesthesia and was startled as guilt crept up her throat.”

— Laura Gentile

33. “Gabriela’s pupils were immoveable tempests, dark tunnels spiraling down into invisibility, terrifying the mother. They sat still amongst the greenish-brown puddle and attacked Estefania in total muteness.”

— Laura Gentile

34. “By the time he painted Estefania’s features, her appearance had already been hag-ridden and struck by sheer madness and delusion. But he still did what so many other male painters did before him; he created an idol.”

— Laura Gentile

35. “How she would push her identity further down into a cacophony of fiend-infested darkness where she couldn’t hear her proper voice anymore, just pleasing those who demanded a distorted version of her.”

— Laura Gentile

36. “They possessed a peaceful relic to set their child free, and the simulacrum they had fed would fade away.”

— Laura Gentile

37. “Estefania was an observant mother, but not for the sake of her children.”

— Laura Gentile

38. “Everything his parents repressed, Severin contracted and kept, collected almost, with the ambition to revive it when needed.”

— Laura Gentile

39. “Suddenly, Gabriela felt an unusual hand on her shoulder, branding itself through her clothing. Someone leaned against her body. A head now lay on her shoulder, and blond-reddish strands of hair that were not hers fell over her chest. The hand was glisteningly white with a hint of gray and overflown with blue, halted seams, and rested on Gabriela’s hand like a stone on sand.”

— Laura Gentile

40. “The boundaries were destroyed; it was all in the open, the rotting animal of her soul, the tickling sickness in the tumultuous cacophony in her mother’s vibrating skull that spoke only to itself in everlasting distortions.”

— Laura Gentile

41. “The triumph for Cameliano was that he found his truth of Estefania by disregarding hers, which had always been an established fact. But she deliberately embraced his intentions to cover it up.”

— Laura Gentile

42. “Estefania tried to deracinate the hostile voices that pottered around her mind, yet she felt threatened and paranoid, lamenting the state she had put herself in.”

— Laura Gentile